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Published for the very first time, an early novel by Nobel Laureate and literary master José Saramago that tells the intertwined stories of the residents of a faded Lisbon apartment building in the late 1940s.
Living temporarily in Venice, three American siblings uncover a mystery surrounding magical objects, an Arabian Nights book, and animals that can walk in and out of paintings.
You know him from his breakout role as Hank Kingsley on The Larry Sanders Show, his outrageous turn as George and Oscar Bluth on Arrested Development, and his Emmy Award-winning performance as Maura Pfefferman on Transparent. A Broadway star, a television legend, an accomplished screen actor whose singular wit and heartrending performances have been entertaining audiences for more than four decades, but the question remains: Who the hell is Jeffrey Tambor? In his illuminating, often hilarious, and always honest memoir, Tambor looks back at the key moments in his life that taught him about creativity and play and pain and fear. The son of what you might call "eccentric" Russian and Hungarian Jewish parents, Tambor grew up in San Francisco a husy kid with a lisp, who suffered in his "otherness" and found salvation in the theater. While he learned his art from the best of the best—Al Pacino, George C. Scott, Garry Shandling, Mitch Hurwitz, Jill Soloway—he also introduces his many unexpected teachers, from the nameless man in a Detroit bookstore who gave him the love of reading, to his young children who (at this ridiculously late stage in his life) have reintroduced him to play, bravery, and the simple joy of not giving a shit. Tambor shares the triumph of landing his first Broadway role, but not before experiencing the humbling that is commercial work (and how even saying "my socks don't cling" can prove a challenge). He invites you behind the scenes of his wildly successful television shows, but he doesn't leave out the pit stops he made at addiction, Scientology, and what it feels like to get fourth billing after Sylvia the Seal on The Love Boat. At last, Tambor answers the question "Are you anybody?" with a promise that success doesn't mean perfection and failure most definitely is an option.
They can't see her, but she can see them... Simone has a secret. She likes to stand at her bathroom window and spy on the couple downstairs through their kitchen skylight. She knows what they eat for breakfast and who they've got over for dinner. She knows what mood they're in before they even step out the door. There's nothing wrong with looking, is there? Until one day Simone sees something through the skylight she is not expecting. Something that upsets her so much she begins to plot a terrible crime... From the author of Our House, the British Book Awards Crime & Thriller of the Year
Skylight premiered at the National Theatre in 1995 and then went on to become one of the most internationally successful plays of recent years. This is the definitive edition of Skylight.
Essays by a distinguished humanist upon the beauty and fascination of technology and its impact upon society. For the serious general reader. Annotation copyrighted by Book News, Inc., Portland, OR
Arlyn Singer believes in destiny and in love. But fate played a trick on her the night John Moody knocked on her door to ask for directions. Arlyn and John are complete opposites, but are drawn together like magnets even when it becomes clear that theyll bring each other nothing but grief.
A New York Times bestseller: The “magnificent” memoir by one of the bravest and most original writers of our time—“A tour de force of literature and love” (Vogue). One of the New York Times’ “50 Best Memoirs of the Past 50 Years” Jeanette Winterson’s bold and revelatory novels have established her as a major figure in world literature. Her internationally best-selling debut, Oranges Are Not the Only Fruit, tells the story of a young girl adopted by Pentecostal parents, and has become a staple of required reading in contemporary fiction classes. Why Be Happy When You Could Be Normal? is a “singular and electric” memoir about a life’s work to find happiness (The New York Times). It is a book full of stories: about a girl locked out of her home, sitting on the doorstep all night; about a religious zealot disguised as a mother who has two sets of false teeth and a revolver in the dresser, waiting for Armageddon; about growing up in a north England industrial town now changed beyond recognition; about the universe as a cosmic dustbin. It is the story of how a painful past, rose to haunt the author later in life, sending her on a journey into madness and out again, in search of her biological mother. It is also a book about the power of literature, showing how fiction and poetry can form a string of guiding lights, or a life raft that supports us when we are sinking. Witty, acute, fierce, and celebratory, Why Be Happy When You Could Be Normal? is a tough-minded story of the search for belonging—for love, identity, home, and a mother.
New York Drawings by Adrian Tomine features classic illustrations from The New Yorker cover artist ('one of the most masterful cartoonists of his generation' - Village Voice).
