The Cambridge Introduction to Shakespeare

The Cambridge Introduction to Shakespeare

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  • Author: Emma Smith
  • Publisher: Cambridge University Press
  • ISBN: 1139462393
  • Category : Literary Criticism
  • Languages : en
  • Pages : 6

This lively and innovative introduction to Shakespeare promotes active engagement with the plays, rather than recycling factual information. Covering a range of texts, it is divided into seven subject-based chapters: Character; Performance; Texts; Language; Structure; Sources and History, and it does not assume any prior knowledge. Instead, it develops ways of thinking and provides the reader with resources for independent research through the 'Where next?' sections at the end of each chapter. The book draws on scholarship without being overwhelmed by it, and unlike other introductory guides to Shakespeare it emphasizes that there is space for new and fresh thinking by students and readers, even on the most-studied and familiar plays.


The Cambridge Introduction to Shakespeare's Comedies

The Cambridge Introduction to Shakespeare's Comedies

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  • Author: Penny Gay
  • Publisher: Cambridge University Press
  • ISBN: 1139469770
  • Category : Literary Criticism
  • Languages : en
  • Pages : 197

Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventions of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, sex, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this book addresses these vital questions. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventions as he further enriched the possibilities of the genre.


The Cambridge Introduction to Early English Theatre

The Cambridge Introduction to Early English Theatre

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  • Author: Janette Dillon
  • Publisher: Cambridge University Press
  • ISBN: 0521834740
  • Category : Drama
  • Languages : en
  • Pages : 39

An accessible introduction to early English theatre, from the late medieval period to 1642.


The Cambridge Introduction to Shakespeare's Tragedies

The Cambridge Introduction to Shakespeare's Tragedies

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  • Author: Janette Dillon
  • Publisher: Cambridge University Press
  • ISBN: 1139462431
  • Category : Literary Criticism
  • Languages : en
  • Pages : 147

Macbeth clutches an imaginary dagger; Hamlet holds up Yorick's skull; Lear enters with Cordelia in his arms. Do these memorable and iconic moments have anything to tell us about the definition of Shakespearean tragedy? Is it in fact helpful to talk about 'Shakespearean tragedy' as a concept, or are there only Shakespearean tragedies? What kind of figure is the tragic hero? Is there always such a figure? What makes some plays more tragic than others? Beginning with a discussion of tragedy before Shakespeare and considering Shakespeare's tragedies chronologically one by one, this 2007 book seeks to investigate such questions in a way that highlights both the distinctiveness and shared concerns of each play within the broad trajectory of Shakespeare's developing exploration of tragic form.


The Cambridge Companion to Shakespeare

The Cambridge Companion to Shakespeare

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  • Author: Margreta de Grazia
  • Publisher: Cambridge University Press
  • ISBN: 1139825984
  • Category : Literary Criticism
  • Languages : en
  • Pages : 504

This book offers a comprehensive, readable and authoritative introduction to the study of Shakespeare, by means of nineteen newly commissioned essays. An international team of prominent scholars provide a broadly cultural approach to the chief literary, performative and historical aspects of Shakespeare's work. They bring the latest scholarship to bear on traditional subjects of Shakespeare study, such as biography, the transmission of the texts, the main dramatic and poetic genres, the stage in Shakespeare's time and the history of criticism and performance. In addition, authors engage with more recently defined topics: gender and sexuality, Shakespeare on film, the presence of foreigners in Shakespeare's England and his impact on other cultures. Helpful reference features include chronologies of the life and works, illustrations, detailed reading lists and a bibliographical essay.


The Cambridge Companion to Shakespeare and Popular Culture

The Cambridge Companion to Shakespeare and Popular Culture

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  • Author: Robert Shaughnessy
  • Publisher: Cambridge University Press
  • ISBN: 0521844290
  • Category : Literary Criticism
  • Languages : en
  • Pages : 267

This book offers a collection of essays on Shakespeare's life and works in popular forms and media.


The Cambridge Companion to Shakespeare's History Plays

The Cambridge Companion to Shakespeare's History Plays

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  • Author: Michael Hattaway
  • Publisher: Cambridge University Press
  • ISBN: 9780521775397
  • Category : Literary Criticism
  • Languages : en
  • Pages : 308

Publisher Description (unedited publisher data) Shakespeare's history plays have been performed more in recent years than ever before, in Britain, North America, and in Europe. This volume provides an accessible, wide-ranging and informed introduction to Shakespeare's history and Roman plays. It is attentive throughout to the plays as they have been performed over the centuries since they were written. The first part offers accounts of the genre of the history play, of Renaissance historiography, of pageants and masques, and of women's roles, as well as comparisons with history plays in Spain and the Netherlands. Chapters in the second part look at individual plays as well as other Shakespearean texts which are closely related to the histories. The Companion offers a full bibliography, genealogical tables, and a list of principal and recurrent characters. It is a comprehensive guide for students, researchers and theatre-goers alike.


The Cambridge Companion to Shakespearean Comedy

The Cambridge Companion to Shakespearean Comedy

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  • Author: Alexander Leggatt
  • Publisher: Cambridge University Press
  • ISBN: 9780521779425
  • Category : Drama
  • Languages : en
  • Pages : 260

An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.


The Cambridge Companion to Shakespeare and Race

The Cambridge Companion to Shakespeare and Race

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  • Author: Ayanna Thompson
  • Publisher: Cambridge University Press
  • ISBN: 1108623298
  • Category : Literary Criticism
  • Languages : en
  • Pages : 518

The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a non-specialist, student audience.


The New Cambridge Companion to Shakespeare

The New Cambridge Companion to Shakespeare

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  • Author: Margreta De Grazia
  • Publisher: Cambridge University Press
  • ISBN: 0521886325
  • Category : Drama
  • Languages : en
  • Pages : 381

Twenty-one essays provide lively and authoritative approaches to the literary, historical, cultural and performative aspects of Shakespeare works.