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ADHD has cast a long shadow over Daniel's life, and over that of his mother Alison. In this candid account of life with an ADHD child, Alison openly discusses her family's experiences with education, the police, and medication.
For Alison, life with her son Daniel sometimes seemed like an endless round of difficulties: disobedience, backchat, rudeness, name-calling and aggression. Upon starting school, where his aggression and lack of concentration concerned teachers, Daniel was given a vague diagnosis of borderline Attention Deficit Hyperactivity Disorder (ADHD), which was later changed to ADHD with secondary Oppositional Defiant Disorder and autistic traits. In this honest account of the first 18 years of Daniel's life, Alison exposes her own worries, doubts, and exceptional courage at every pivotal turn in Daniel's life. Interspersing the narrative with tips and advice on what she has found useful - or not - in bringing up Daniel, Alison also provides encouraging guidance for teachers and fellow parents. This book also raises serious questions about how the education system supports children with special needs, and if medication can be the answer to managing ADHD in children.
***2021 NATIONAL BOOK AWARD WINNER*** ***THE NATIONAL BESTSELLER*** Winner of the 2021 Sir Walter Raleigh Award for Fiction, Joyce Carol Oates Literary Prize Finalist, 2022 Chautauqua Prize Finalist, Willie Morris Award for Southern Writing Shortlist, 2021 Aspen Words Literary Prize Shortlist, 2022 Maya Angelou Book Award Shortlist, 2022 Carnegie Medal Longlist A Read With Jenna Today Show Book Club Pick! An Ebony Magazine Publishing Book Club Pick! One of Washington Post's 50 Notable Works of Fiction | One of Philadelphia Inquirer's Best Books of 2021 | One of Shelf Awareness's Top Ten Fiction Titles of the Year | One of TIME Magazine’s 100 Must-Read Books | One of NPR.org's "Books We Love" | EW’s "Guide to the Biggest and Buzziest Books of 2021" | One of the New York Public Library's Best Books for Adults | San Diego Union Tribune—My Favorite Things from 2021 | Writer's Bone's Best Books of 2021 | Atlanta Journal Constitution—Top 10 Southern Books of the Year | One of the Guardian's (UK) Best Ten 21st Century Comic Novels | One of Entertainment Weekly's 15 Books You Need to Read This June | On Entertainment Weekly's "Must List" | One of the New York Post's Best Summer Reading books | One of GMA's 27 Books for June | One of USA Today's 5 Books Not to Miss | One of Fortune's 21 Most Anticipated Books Coming Out in the Second Half of 2021 | One of The Root's PageTurners: It’s Getting Hot in Here | One of Real Simple's Best New Books to Read in 2021 An astounding work of fiction from New York Times bestselling author Jason Mott, always deeply honest, at times electrically funny, that goes to the heart of racism, police violence, and the hidden costs exacted upon Black Americans and America as a whole In Jason Mott’s Hell of a Book, a Black author sets out on a cross-country publicity tour to promote his bestselling novel. That storyline drives Hell of a Book and is the scaffolding of something much larger and more urgent: Mott’s novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour. As these characters’ stories build and converge, they astonish. For while this heartbreaking and magical book entertains and is at once about family, love of parents and children, art and money, it’s also about the nation’s reckoning with a tragic police shooting playing over and over again on the news. And with what it can mean to be Black in America. Who has been killed? Who is The Kid? Will the author finish his book tour, and what kind of world will he leave behind? Unforgettably told, with characters who burn into your mind and an electrifying plot ideal for book club discussion, Hell of a Book is the novel Mott has been writing in his head for the last ten years. And in its final twists, it truly becomes its title.
In the middle of the journey of our life Dante finds himself lost in a dark wood but then he founds a whole lot of literary movements and arguably modernity itself with his Divine Comedy that, nonetheless, inexplicably, didn't make God laugh. This serious absence caused God's non-divine counterparts, humans, to wonder: "Why are we in hell?" "Why is it so funny?" "And why can't I laugh?"
John Fleming grew up in the 1940's and '50's in Hell's Kitchen, a New York City slum, now gentrified. He wanted to show how it was at that time, since no writer he was aware of had told this story with the voice of one who had lived the experience. In this candid and often humorous memoir, Fleming shows it all. The dark side includes dirt, roaches, alcoholism, promiscuity, fighting, bullying, the embarrassment of living on welfare. But sprinkled throughout are moments of enjoyment-- frolicking in the water from a fire hydrant, playing chess on the roof with a buddy, diving off the Queen Mary's deck, discovering the enchantment of reading. John emerges at the age of 20 from the cocoon that is Hell's Kitchen as a strong adult, inured to hardship, alert to hypocrisy, ready to move to the next phase of his life. The story builds in a series of vignettes with powerful imagery and authentic dialogue. The characters speak in their own voices, and the narrator alternates between the voice of his young self as a participant and the voice of his adult self looking back. Hell's Kitchen comes alive in this unadorned portrayal of the life of its residents.
It's been four years since seventeen-year-old Mitchell Johnson was hit by a bus and inexplicably ended up in the Underworld. Hell is miserable, but Mitchell knows things could be worse. After all, he has the coveted job of The Devil's intern--plus three close friends who keep him from dwelling too much on his untimely demise. Still, he'd rather be living. So when Mitchell discovers that his boss is in possession of a legendary time-travel mechanism called a Viciseometer, he starts forming a plan. With a device like that, Mitchell realizes, he could escape Hell, revisit his death, and prevent it altogether. Getting his hands on the device turns out to be easy. But preventing his friends from accompanying him--and protecting them from whatever it is that's stalking them through time--is going to be impossible.
Sam Hill always saw the world through different eyes. Born with red pupils, he was called "Devil Boy" or Sam "Hell" by his classmates; "God's will" is what his mother called his ocular albinism. Her words were of little comfort, but Sam persevered, buoyed by his mother's devout faith, his father's practical wisdom, and his two other misfit friends.
A furious, queer debut novel about embracing the monster within and unleashing its power against your oppressors. “A long, sustained scream to the various strains of anti-transgender legislation multiplying around the world like, well, a virus." —The New York Times INSTANT NEW YORK TIMES BESTSELLER Sixteen-year-old trans boy Benji is on the run from the cult that raised him—the fundamentalist sect that unleashed Armageddon and decimated the world’s population. Desperately, he searches for a place where the cult can’t get their hands on him, or more importantly, on the bioweapon they infected him with. But when cornered by monsters born from the destruction, Benji is rescued by a group of teens from the local Acheson LGBTQ+ Center, affectionately known as the ALC. The ALC’s leader, Nick, is gorgeous, autistic, and a deadly shot, and he knows Benji’s darkest secret: the cult’s bioweapon is mutating him into a monster deadly enough to wipe humanity from the earth once and for all. Still, Nick offers Benji shelter among his ragtag group of queer teens, as long as Benji can control the monster and use its power to defend the ALC. Eager to belong, Benji accepts Nick’s terms…until he discovers the ALC’s mysterious leader has a hidden agenda, and more than a few secrets of his own. Perfect for fans of Gideon the Ninth and Annihilation. A New York Public Library Best Book of the Year "A defining voice of our generation." –H.E. Edgmon, author of The Witch King "Hands down the best YA horror book I've read." –Aden Polydoros, author of The City Beautiful "A chimera of horror, romance, and something stranger." –Rose Szabo, author of What Big Teeth "A timely and riveting tale." –Ray Stoeve, author of Between Perfect and Real
