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When his bookseller friend, a former Holocaust survivor and Nazi hunter, is kidnapped and other booksellers are murdered, Hugo Marston, head of security for the U.S. embassy in Paris, discovers a shocking conspira.
A SUNDAY TIMES BESTSELLER 'Irreverently funny ... kept me giggling all week.' Scotland on Sunday "Do you have a list of your books, or do I just have to stare at them?" Shaun Bythell is the owner of The Bookshop in Wigtown, Scotland. With more than a mile of shelving, real log fires in the shop and the sea lapping nearby, the shop should be an idyll for bookworms. Unfortunately, Shaun also has to contend with bizarre requests from people who don't understand what a shop is, home invasions during the Wigtown Book Festival and Granny, his neurotic Italian assistant who likes digging for river mud to make poultices.
A WRY AND HILARIOUS ACCOUNT OF LIFE AT A BOOKSHOP IN A REMOTE SCOTTISH VILLAGE "Among the most irascible and amusing bookseller memoirs I've read." --Dwight Garner, New York Times "Warm, witty and laugh-out-loud funny..."—Daily Mail The Diary of a Bookseller is Shaun Bythell's funny and fascinating memoir of a year in the life at the helm of The Bookshop, in the small village of Wigtown, Scotland—and of the delightfully odd locals, unusual staff, eccentric customers, and surreal buying trips that make up his life there as he struggles to build his business . . . and be polite . . . When Bythell first thought of taking over the store, it seemed like a great idea: The Bookshop is Scotland's largest second-hand store, with over one hundred thousand books in a glorious old house with twisting corridors and roaring fireplaces, set in a tiny, beautiful town by the sea. It seemed like a book-lover's paradise . . . Until Bythell did indeed buy the store. In this wry and hilarious diary, he tells us what happened next—the trials and tribulations of being a small businessman; of learning that customers can be, um, eccentric; and of wrangling with his own staff of oddballs (such as ski-suit-wearing, dumpster-diving Nicky). And perhaps none are quirkier than the charmingly cantankerous bookseller Bythell himself turns out to be. But then too there are the buying trips to old estates and auctions, with the thrill of discovery, as well as the satisfaction of pressing upon people the books that you love . . . Slowly, with a mordant wit and keen eye, Bythell is seduced by the growing charm of small-town life, despite —or maybe because of—all the peculiar characters there.
The death of a scholar, the birth of a detective... Oxford, Spring 1353. When young bookseller Nicholas Elyot discovers the body of William Farringdon floating in the River Cherwell, all the signs point to suicide. Soon, however, Nicholas discovers evidence of murder. Who could have wanted to kill this promising student? As Nicholas and his close friend Jordain try to unravel what lies behind William’s death, they learn that he was innocently caught up in a criminal plot. When their investigations begin to involve town, university, and abbey, Nicholas takes a risky gamble – and puts his family in terrible danger in order to uncover the truth. A thrilling historical mystery full of twists and intrigue, perfect for fans of Ellis Peters, Paul Doherty and E. M. Powell.
'A marvel of storytelling and a masterclass in the history of the book' WALL STREET JOURNAL The Renaissance in Florence conjures images of beautiful frescoes and elegant buildings - the dazzling handiwork of the city's artists and architects. But equally important were geniuses of another kind: Florence's manuscript hunters, scribes, scholars and booksellers. At a time where all books were made by hand, these people helped imagine a new and enlightened world. At the heart of this activity was a remarkable bookseller: Vespasiano da Bisticci. His books were works of art in their own right, copied by talented scribes and illuminated by the finest miniaturists. With a client list that included popes and royalty, Vespasiano became the 'king of the world's booksellers'. But by 1480 a new invention had appeared: the printed book, and Europe's most prolific merchant of knowledge faced a formidable new challenge. 'A spectacular life of the book trade's Renaissance man' JOHN CAREY, SUNDAY TIMES
THE INTERNATIONAL BESTSELLER 'An intimate portrait of Afghani people quite unlike any other . . . compelling' CHRISTINA LAMB, SUNDAY TIMES For more than twenty years Sultan Khan, a bookseller in Kabul, defied the authorities - be they communist or Taliban - to supply books to the people of Kabul. He was arrested, interrogated and imprisoned by the communists and watched illiterate Taliban soldiers burn piles of his books in the street. A committed Muslim, Khan is passionate in his love of books and hatred of censorship. Two weeks after September 11th, award-winning journalist Åsne Seierstad went to Afghanistan to report on the conflict there and the year after she lived with an Afghan family for several months. We learn of proposals and marriages, suppression and abuse of power, crime and punishment. The result is a gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history. 'Fascinating . . . A portrait of people struggling to survive in the most brutal circumstances' DAILY MAIL
SOME MEN STEAL BOOKS WHILE OTHERS WONDER WHY THEY BOTHER. A theft of rare books in a distant Ecuadorian library cannot be solved without uncovering the motives of the perpetrators. Some steal to eat, others, oddly, to save the past, vanishing as the world rushes into a digital, post-literate future. Four intriguing stories of men and women living literately, on journeys of the mind.
Edmund Curll was a notorious figure among the publishers of the early eighteenth century: for his boldness, his lack of scruple, his publication of work without author's consent, and his taste for erotic and scandalous publications. He was in legal trouble on several occasions for piracy and copyright infringement, unauthorised publication of the works of peers, and for seditious, blasphemous, and obscene publications. He stood in the pillory in 1728 for seditious libel. Above all, he was the constant target of the greatest poet and satirist of his age, Alexander Pope, whose work he pirated whenever he could and who responded with direct physical revenge (an emetic slipped into a drink) and persistent malign caricature. The war between Pope and Curll typifies some of the main cultural battles being waged between creativity and business. The story has normally been told from the poet's point of view, though more recently Curll has been celebrated as a kind of literary freedom-fighter; this book, the first full biography of Curll since Ralph Straus's The Unspeakable Curll (1927), seeks to give a balanced and thoroughly-researched account of Curll's career in publishing between 1706 and 1747, untangling the mistakes and misrepresentations that have accrued over the years and restoring a clear sense of perspective to Curll's dealings in the literary marketplace. It examines the full range of Curll's output, including his notable antiquarian series, and uses extensive archive material to detail Curll's legal and other troubles. For the first time, what is known about this strange, interesting, and awkward figure is authoritatively told.