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The Short Story of Art is a pocket guide to key movements, works, themes and techniques – a new and innovative introduction to the subject of art. Simply constructed, the book explores 50 key works, from the wall paintings of Lascaux to Damien Hirst installations, and then links these to sections on art movements, themes and techniques. The design of the book allows the student or art enthusiast to easily navigate their way around key periods, artists and styles. Accessible and concise, it simplifies and explains the most important and influential concepts in art, and shows how they are connected. The book explains how, why and when art changed, who introduced certain things, what they were, where they were produced, and whether they matter. It demystifies artistic jargon, giving readers a thorough understanding and broad enjoyment of art. 'Susie Hodge has culled through hundreds of art movements to highlight and present 36 that illustrate transitions of art, its ideas, representations, characteristics, and production from Prehistoric times up to the dynamic shifts of the 1960s and '70s. As complex as art history is, this book is a welcome, succinct introduction to some classic Western masters.' Cindy Helm, New York Journal of Books 'Excellent introduction to the subject. A good quality book, tightly bound, and well illustrated.' – Colin, Amazon reviewer 'The Short Story of Art is an attractive volume that serves as a convenient introduction to major movements, works, themes, and techniques of Western art. The works within are featured more for their seminal or illustrative nature than their fame per se, so the "story" part of the title is apt. The cross referencing and "Other works by…" sections makes it clear that this book is encouraging the reader to explore art on his own.' –Tommy Grooms, Goodreads reviewer
The Art & Craft of the Short Story explores every key element of short fiction, including story structure and form; creative and believable characters; how to begin and where to end; and the generation of ideas; as well as technical aspects such as point of view; plot; description and imagery; and theme. Examples from the work of a wide variety are used. The author includes five of his own stories to demonstrate these topics.
In these brilliant, thematically linked stories, men and women from the Midwest to the West Coast, from Germany to Japan—engineers, opera singers, waitresses, teenagers, and monks—reckon with their body’s relationship to grief, illness, violation, technology, and genocide. They escape their fate in unusual ways—by befriending the squatting heroin addict next door, using a child’s flute as a gun in the dark, or ordering a new pair of legs, all in a variety of rich settings. The Man with Eight Pairs of Legs is about the ways our bodies are marked by memory, often literally (burns, bruises, tracks, tattoos), and the risky decisions we make when pushed to the extreme. There’s a little O’Connor, a dash of DeLillo, and a cup of Alice Munro mixed together with a great deal of compassion. Leslie Campbell’s fiction debut is a must-read and sure winner.
Edited by Lorin and Sadie Stein What does it take to write a great short story? In Object Lessons, twenty-one contemporary masters of the genre answer that question, sharing favourite stories from the pages of The Paris Review. A laboratory for new fiction since its founding in 1953, The Paris Review has launched hundreds of careers while publishing some of the most inventive and best-loved stories of the last half century. This anthology – the first of its kind – is more than a treasury: it is an indispensable resource for writers, students and anyone else who wants to understand fiction from a writer's point of view. A repository of incredible fiction, Object Lessons includes contributions from Chimamanda Ngozi Adichie, Daniel Alarcon, Donald Antrim, Lydia Davis, Dave Eggers, Mary Gaitskill, Aleksandar Hemon, Jonathan Lethem, Sam Lipsyte, Ben Marcus, Colum McCann, Lorrie Moore, Norman Rush, Mona Simpson and Ali Smith, among others.
“A sustained shot of brilliance” (Boston Globe)—ten globetrotting stories exploring the complex relationships between men and women. A Best Book/Short Story Collection of the Year: O, The Oprah Magazine, Financial Times, Esquire, Lit Hub, Bustle, Electric Literature, Library Journal New York Times Editors’ Choice Nicole Krauss plunges fearlessly into the struggle to understand men and women and the tensions that have existed in all relationships from the beginning of time. Set in our contemporary moment and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and an unnamed country in South America, the stories in To Be a Man feature men as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one another and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and newborn babies; young women’s coming-of-age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. With a fierce, unwavering light To Be a Man illuminates the forces driving human existence: sex, power, violence, passion, self-discovery, aging. Profound, poignant, and brilliant, Krauss’s stories, at once startling and deeply moving, are always revealing of all-too-human weakness and strength. “Superb. . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.” —Molly Antopol, New York Times Book Review ”From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” —Esquire
In this “delicate slow burn of a novel” (Jan Carson), a woman’s marriage and career are threatened by an old indiscretion just as she receives the opportunity of a lifetime—from the award–winning author of the “extraordinary” (Colum McCann) Dinosaurs on Other Planets. Nessa McCormack’s marriage is coming back together again after her husband’s affair. She is excited to be in charge of a retrospective art exhibition for a beloved artist, the renowned late sculptor Robert Locke. But the arrival of two enigmatic outsiders imperils both her personal and professional worlds: A chance encounter with an old friend threatens to expose a betrayal Nessa thought she had long put behind her; and at work, an odd woman comes forward with a mysterious connection to Robert Locke’s life and his most famous work, the Chalk Sculpture. As Nessa finds the past intruding on the present, she realizes she must decide what is the truth, whether she can continue to live with a lie, and what the consequences might be were she to fully unravel the mysteries in both the life of Robert Locke and her own. In this gripping and wonderfully written debut, Danielle McLaughlin reveals profound truths about love, power, and the secrets that define us.
