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The book includes a superb two-chapter discussion of the sonnet's form and history, and represents the first poetry guide to introduce gender as a basic element of analysis."--Jacket.
In The Art of Poetry, Shira Wolosky provides a dazzling introduction to an art whose emphasis on verbal music, wordplay, and dodging the merely literal makes it at once the most beguiling and most challenging of literary forms. A uniquely comprehensive, step-by-step introduction to poetic form, The Art of Poetry moves progressively from smaller units such as the word, line, and image, to larger features such as verse forms and voice. In fourteen engaging, beautifully written chapters, Wolosky explores in depth how poetry does what it does while offering brilliant readings of some of the finest lyric poetry in the English and American traditions. Both readers new to poetry and poetry veterans will be moved and enlightened as Wolosky interprets work by William Shakespeare, John Donne, William Blake, William Wordsworth, Emily Dickinson, Robert Frost, Sylvia Plath, and others. The book includes a superb two-chapter discussion of the sonnet's form and history, and represents the first poetry guide to introduce gender as a basic element of analysis. In contrast to many existing guides, which focus on selected formal aspects like metrics or present definitions and examples in a handbook format, The Art of Poetry covers the full landscape of poetry's subtle art while showing readers how to comprehend a poetic text in all its dimensions. Other special features include Wolosky's consideration of historical background for the developments she discusses, and the way her book is designed to acquaint or reacquaint readers with the core of the lyric tradition in English. Lively, accessible, and original, The Art of Poetry will be a rich source of inspiration for students, general readers, and those who teach poetry.
All of the major meditations on the theory and practice of poetry by one of the greatest poets of our time--and perhaps the one who has most scrupulously analyzed his art--are included in The Art of Poetry. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
"This book presents an introduction to master screenprinter Lou Stovall by his son--part memoir, part history--that shows Lou Stovall's path as an artist while illuminating the golden age of art in DC in the 1960s and 1970s. It then presents a stunning series of prints and poems from his Of the Land series that showcase innovative screenprinting techniques. It finishes with an excerpt from Lou's autobiography, which gives readers a sense of his approach to art and life, which are intertwined. Stovall created The Workshop in 1968 as a small, active silkscreen workshop focused primarily on printing community posters. Under Stovall's leadership, Workshop, Inc. evolved into an internationally-respected printmaking facility and Stovall collaborated with Jacob Lawrence and Sam Gilliam, among others. His works are part of numerous collections, including the National Gallery of Art, Smithsonian Ameican Art Museum, and The Phillips Collection. Publication coincides with a Kreeger Museum exhibit and precedes a forthcoming exhibit at the University of Georgia (TBD)"--
The French philosopher’s treatise on the nature of art and poetry includes enlightening critiques of major painters and dialogues with notable writers. Originally published in 1935 with the title Frontières de la Poésie, this work by Jacques Maritain explores the nature and subjectivity of art and poetry. As a philosopher, Maritain attempts to define the two concepts, describing them as virtuous, being primarily concerned with beauty. Rather than focusing on aesthetic theory, Maritain examines his ideas at a more tangible level, including a discussion of how art and poetry are produced. Art and Poetry further develops the principles established in Maritain’s earlier work, Art and Scholasticism, which has deeply influenced contemporary artists. Those concepts are employed here to illuminate the creative works of such diverse artists as Georges Rouault, Marc Chagall, Gino Severini, and Arthur Lourié. Maritain also relates fascinating dialogues with notable authors such as André Gide, Jean Cocteau, and others.
An award-winning poet, teacher, and “champion of poetry” (New York Times) demystifies the elusive element of voice. In this accessible and distilled craft guide, acclaimed poet Tony Hoagland approaches poetry through the frame of poetic voice, that mysterious connective element that binds the speaker and reader together. A poem strong in the dimension of voice is an animate thing of shifting balances, tones, and temperatures, by turns confiding, vulgar, bossy, or cunning—but above all, alive. The twelve short chapters of The Art of Voice explore ways to create a distinctive poetic voice, including vernacular, authoritative statement, material imagination, speech register, tone-shifting, and using secondary voices as an enriching source of texture in the poem. A comprehensive appendix contains thirty stimulating models and exercises that will help poets cultivate their craft. Mining his personal experience as a poet and analyzing a wide range of examples from Catullus to Marie Howe, Hoagland provides a lively introduction to contemporary poetry and an invaluable guide for any practicing writer.
"Poetry is the sound of language organized in lines." James Longenbach opens The Art of the Poetic Line with that essential statement. Through a range of examples - from Shakespeare and Milton to Ashbery and Glück - Longenbach describes the function of line in metered, rhymed, syllabic, and free-verse poetry. That function is sonic, he argues, and our true experience of it can only be identified in relation to other elements in a poem. Syntax and the interaction of different kinds of line endings are primary to understanding line, as is the relationship of lineated poems to prose poetry. The Art of the Poetic Line is a vital new resource by one of America's most important critics and one of poetry's most engaging practitioners.
Art and Artists: Poems is a sumptuous collection of visions in verse—the work of centuries of poets who have used their own art form to illuminate art created by others. A wide variety of visual art forms have inspired great poetry, from painting, sculpture, and photography to tapestry, folk art, and calligraphy. Included here are poems that celebrate Leonardo da Vinci’s Mona Lisa, Claude Monet’s Water Lilies, and Grant Wood’s American Gothic. Here are such well-known poems as John Keats’s “Ode on a Grecian Urn” and W. H. Auden’s “Musée des Beaux Arts,” Homer’s immortal account of the forging of the shield of Achilles, and Federico García Lorca’s breathtaking ode to the surreal paintings of Salvador Dalí. Allen Ginsberg writes about Cezanne, Anne Sexton about van Gogh, Billy Collins about Hieronymus Bosch, and Kevin Young about Jean-Michel Basquiat. Here too are poems that take on the artists themselves, from Michelangelo and Rembrandt to Frida Kahlo and Georgia O’Keeffe. Altogether, this brilliantly curated anthology proves that a picture can be worth a thousand words—or a few very well-chosen ones.
