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Esteemed New York architect and interior designer Alan Wanzenberg shares his intimate story and brilliantly crafted projects in this personal monograph, Journey: The Life and Times of an American Architect.
For many people, Native American architecture calls to mind the wigwam, tipi, iglu, and pueblo. Yet the richly diverse building traditions of Native Americans encompass much more, including specific structures for sleeping, working, worshipping, meditating, playing, dancing, lounging, giving birth, decision-making, cleansing, storing and preparing food, caring for animals, and honoring the dead. In effect, the architecture covers all facets of Indian life. The collaboration between an architect and an anthropologist, Native American Architecture presents the first book-length, fully illustrated exploration of North American Indian architecture to appear in over a century. Peter Nabokov and Robert Easton together examine the building traditions of the major tribes in nine regional areas of the continent from the huge plank-house villages of the Northwest Coast to the moundbuilder towns and temples of the Southeast, to the Navajo hogans and adobe pueblos of the Southwest. Going beyond a traditional survey of buildings, the book offers a broad, clear view into the Native American world, revealing a new perspective on the interaction between their buildings and culture. Looking at Native American architecture as more than buildings, villages, and camps, Nabokov and Easton also focus on their use of space, their environment, their social mores, and their religious beliefs. Each chapter concludes with an account of traditional Indian building practices undergoing a revival or in danger today. The volume also includes a wealth of historical photographs and drawings (including sixteen pages of color illustrations), architectural renderings, and specially prepared interpretive diagrams which decode the sacred cosmology of the principal house types.
As revilutionary as the structures themselves are the theories that governed Frank Lloyd Wright's approach to architecture. In this celebrated volume, first published in 1955, Wright elucidated his guiding principles in an evocative joining of text and image.
Since 1865 African-American architects have been designing and building houses and public buildings, but the architects are virtually unknown. This work brings their lives and work to light for the first time.
"Ellen Weiss breaks important new ground in her remarkable monograph on Robert R. Taylor. This volume is by far the most detailed account we have of an African American architect. Weiss vividly conveys the immense challenges faced by black architects and professionals of every kind, especially during the rise of Jim Crow. Along the way we get myriad insights on architectural education, architect-client relationships, and the development of a major institution of higher learning."--- Richard Longstreth, George Washington University "Architectural historian Ellen Weiss's book provides a wealth of little-known factual information about Taylor and a scholarly historical analysis of his many contributions in architectural education and professional practice. A must-read for anyone with an interest in architecture and a certain reference for every architecture student."--- Richard Dozier, Dean, Robert R. Taylor School of Architecture & Construction Science, Tuskegee University "Robert R. Taylor's place in history as the first academically-trained African American architect has been well known, but an authoritative assessment of his contribution to American architectural and planning practice has remained elusive until now. Weiss deftly interweaves the story of the Tuskegee campus with an examination of Taylor's pedagogy and the plight of black architects in the early twentieth century."--- Gary Van Zante, Curator of Architecture and Design, Massachusetts Institute of Technology
Frank Lloyd Wright is recognized as a dominant figure in the history of modern architecture. His life and revolutionary work is described in this volume filled with more than 180 photographs illustrating 60 of his most-beloved buildings.
Anne Fairfax and Richard Sammons are at the forefront of a movement among architects today who draw inspiration from the wellspring of the classical traditions in architecture. They have developed a body of work that reflects and adheres to the long-held theories of proportion and order passed down through many past generations of scholarship and practice. The firm's office also served as the headquarters for Henry Hope Reid's Classical America, the only organization offering an alternative to modernist aesthetics until the establishment of the Institute of Classical Architecture in 1992. The twenty-four projects in this volume show the firm's consistent focus on classical architectural beauty, whether the chosen style be Palladian, Tuscan, Mediterranean, Georgian, Adamesque, Neo-classical, British or Dutch Colonial, Colonial Revival, or even East Coast Shingle Style, in all of which Fairfax & Sammons are eminently proficient. The projects selected out of the firm's large body of work include country houses located in Connecticut, New York, Virginia, and Florida, including the renovation of town houses and apartments in New York City—all presented in new color photography.
