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Sylvia is a heroine loved by two men of completely different types. The novel follows her development from a wilful, imaginative, but not especially clever girl, to an alert woman who has been matured by her suffering.
On 25 February 1956, twenty-three-year-old Sylvia Plath walked into a party and immediately spotted Ted Hughes. This encounter - now one of the most famous in all literary history - was recorded by Plath in her journal, where she described Hughes as a 'big, dark, hunky boy'. Sylvia viewed Ted as something of a colossus, and to this day his enormous shadow has obscured Plath's life and work. The sensational aspects of the Plath-Hughes relationship have dominated the cultural landscape to such an extent that their story has taken on the resonance of a modern myth. After Plath's suicide in February 1963, Hughes became Plath's literary executor, the guardian of her writings, and, in effect responsible for how she was perceived. But Hughes did not think much of Plath's prose writing, viewing it as a 'waste product' of her 'false self', and his determination to market her later poetry - poetry written after she had begun her relationship with him - as the crowning glory of her career, has meant that her other earlier work has been marginalised. Before she met Ted, Plath had lived a complex, creative and disturbing life. Her father had died when she was only eight, she had gone out with literally hundreds of men, had been unofficially engaged, had tried to commit suicide and had written over 200 poems. Mad Girl's Love Songwill trace through these early years the sources of her mental instabilities and will examine how a range of personal, economic and societal factors - the real disquieting muses - conspired against her. Drawing on exclusive interviews with friends and lovers who have never spoken openly about Plath before and using previously unavailable archives and papers, this is the first book to focus on the early life of the twentieth century's most popular and enduring female poet. Mad Girl's Love Songreclaims Sylvia Plath from the tangle of emotions associated with her relationship with Ted Hughes and reveals the origins of her unsettled and unsettling voice, a voice that, fifty years after her death, still has the power to haunt and disturb.
'A masterful novel. Where Madness Lies unfolds against the backdrop of the Holocaust and seamlessly reflects back to us our own perilous times. Told with utter insight and beauty.' Annie Weatherwax, author of All We Had, now a major motion picture. Germany, 1934. Rigmor, a young Jewish woman is a patient at Sonnenstein, a premier psychiatric institution known for their curative treatments. But with the tide of eugenics and the Nazis' rise to power, Rigmor is swept up in a campaign to rid Germany of the mentally ill. USA, 1984. Sabine, battling crippling panic and depression commits herself to McLean Hospital, but in doing so she has unwittingly agreed to give up her baby. Linking these two generations of women is Inga, who did everything in her power to help her sister, Rigmor. Now with her granddaughter, Sabine, Inga is given a second chance to free someone she loves from oppressive forces, both within and without. This is a story about hope and redemption, about what we pass on, both genetically and culturally. It is about the high price of repression, and how one woman, who lost nearly everything, must be willing to reveal the failures of the past in order to save future generations. With chilling echoes of our time, Where Madness Lies is based on a true story of the author's own family.
'Assia was my true wife, and the best friend I ever had', wrote Ted Hughes, after his lover surrendered her life and that of their young daughter in 1969, six years after Sylvia Plath had suffered a similiar fate. Diva, she-devil, enchantress, muse, Lillith, Jezebel - Assia inspired many epithets during her life. The tragic story of Sylvia Plath and Ted Hughes has always been related from one of two points of view: hers or his. Missing for over four decades had been a third: that of Hughes's mistress. This first biography of Assia Wevill views afresh the Plath-Hughes relationship and at the same time, recounts the journey that shaped her life. Wevill's is a complex story, formed as it is by the pull of often contrary forces.
For nearly 50 years, New York Times bestselling author Sylvia Browne has been giving millions of readers and listeners spiritual advice, psychic predictions, inspiration, and emotional connections to a world on "the other side." Now, in this fascinating A-Z compendium, Browne delivers to her fans a complete guide to all things paranormal, including: Atlantis -Where did it go and when will it return? Clairvoyance -How does one know if they have the gift? Déjà vu -Are past lives the answer to this strange phenomenon? Ghosts -Who are they? Miracles -Can they happen every day? Numerology -What effect does it really have? Reincarnation -Is there a new life for everyone? Sorcery -Is this something we should fear? Zombies -Are they only in horror movies? ...and much more, in this easy-to-use reference that helps readers to understand the phenomenon of the other side.
Sylvia's Lovers Elizabeth Cleghorn Gaskell - This tragic tale from Elizabeth Gaskell follows the wartime love affairs of the title character. After her true love is believed to have perished at sea, Sylvia seeks stability in a loveless arranged marriage. But does her husband know more about her first lover's fate than he is admitting?The novel begins in the 1790s in the coastal town of Monkshaven (modeled on Whitby, England) against the background of the practice of impressment during the early phases of the Napoleonic Wars.
An unusual, lyrical love story - beautifully written and thoroughly compelling. A unformed, innocent student in her first semester at university, Flannery Jansen initially encounters her lover in a local diner. But her tentative overtures - a look, a blush - are dismissed and Flannery retreats, humiliated. Future chance meetings on campus discourage Flannery even more, for Anne Arden is sophisticated and poised; in Flannery's eyes almost impossibly beautiful. Until she realises that Anne feels the same way about her. 'Each day a page, to show you that I am finding a story, the story of how we might have been together, once. Of how we could be'. These pages comprise the story of the beginning, the blossoming, and finally the ending of a young woman's most intense love affair.
