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This text charts a journey memorializing the life of Rosalind Brodsky and her contribution to time travel research. Readers can access Brodsky's time travelling diary, in the book or on the CD-ROM, where the reflections of Freud, Jung, Klein, Lacan and Kristeva are recounted.
"This publication unites two interconnected projects: Survivor (F), a potential human/non-human survivor of human civilisation, and the newly commissioned The escapist BHST (black hole spacetime), which follows a character journeying through event horizons and spacetime."--Page iii
Rosalind Brodsky, the alter ego of artist Suzanne Treister, is a delusional time traveller who believes herself to be working at the Institute of Militronics and Advanced Time Interventionality in the twenty-first century. HEXEN 2039 charts Brodsky's scientific research in the development of new mind control technologies through a series of drawings, diagrams and photographs. By turns baroque, challenging, comic, elegant, mysterious and intriguing, these works uncover or construct links between conspiracy theories, occult groups, Chernobyl, witchcraft, the US film industry, British Intelligence agencies, Soviet brainwashing, and behaviour control experiments of the US Army and its Civil Affairs and Psychological Operations Command (PSYOP), in light of alarming new research in contemporary neuroscience. In addition, an essay by Richard Grayson examines Treister's practice in detail. As a whole, this fascinating and complex body of work questions the way we look at history and the future, science, technology, politics, and narrative. A rich and engaging book, HEXEN 2039 is part artist's monograph and part chilling premonition of the future, echoing the world of graphic novels and computer games. The book also includes a 62 x 53 cm poster.
British artist Monica Ross (19502013), a pivotal artist in the 1980s feminist movement, left behind a 40-year body of pioneering and socially engaged performance-driven artwork. Her timeless pieces continue to have a deep effect on contemporary artists and society today. Presented for the first time is this extensively illustrated document of Rosss works from 1970 to 2013 including Rosss early feminist collaborative works, drawings made at the Greenham Common Womens Peace Camp in the 1980s, poster designs for the antinuclear movement, works relating to the writings of Walter Benjamin, and documentation from the sixty performances of Anniversaryan act of memory (200813), solo, collective and multilingual recitations from memory of the Universal Declaration of Human Rights, which concluded with a final collaborative performance at the UN in Geneva on the day of Rosss death. Informative essays by Jorn Ebner, Esther Leslie, Eric Levi Jacobson, Alexandra M. Kokoli, Denise Robinson,Monica Ross and Yve Lomax along with extensive archival documentation by Bernard G. Mills.
The Nuclear Culture Source Book serves as an excellent resource and introduction to nuclear culture as one of the most prominent themes within contemporary art and society, exploring the diverse ways in which post-Fukushima society has influenced artistic and cultural production. The book brings together a wide-ranging collection of material from artists and writers working within the scope of nuclear culture internationally, including works by renowned practitioners such as Lise Autogena, Thomson & Craighead, Crowe & Rawlinson, David Mabb, Katsuhiro Miyamoto, Kota Takeuchi and Chim-Pom. Building on four years of research into nuclear culture by the book's editor, Ele Carpenter, The Nuclear Culture Source Book features contributions by over 60 artists including spectacular imagery of nuclear sites taken on artist field trips, from underground research laboratories in Japan to the Faslane Trident base. Contextualising this is a series of essays by international arts and humanities scholars and writers including: Timothy Morton writing on radiation as a hyperobject; Peter C van Wyck on the nuclear anthropocene; Kodwo Eshun and Noi Sawaragi on Fukushima; and Susan Schuppli on nuclear materiality. Published in partnership with Bildmuseet, Sweden and Arts Catalyst, London.
