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When a monster named the Blooz comes to visit, a little girl tries everything she can think of to get rid of the feelings of sadness it brings.
From the award-winning team behind Ida, Always comes a story about a friendship that grows between a blind horse and a gruff goat All the animals at the Open Bud Ranch can see that Jack likes keeping his space to himself. But when Charlie arrives, he doesn’t see Jack at all. He’s still getting used to seeing out of only one of his eyes. The two get off to a bumpy start. At first, Jack is anxious and distrustful. But one day, he summons his courage and guides Charlie to his favorite sunlit field: this way, Charlie. And so begins a powerful friendship that will be tested by life’s storms—but will ultimately change each life for the better.
Pack your toothbrushes, but leave your pajamas and pillows behind for this one-of-a-kind bedtime story from Ida, Always author Caron Levis and bestselling illustrator LeUyen Pham. And whatever you do…DON’T YAWN! Gabby Wild has had enough of bedtime. Yawn, curl, snuggle, snore—what a bore! So instead of tucking in, she jets out—with poor Granny in tow—to a place where beds are for bouncing, hushes are shushed, and it’s never too late for ice cream. But sometimes, even when you grit your teeth and seal your lips, it’s impossible to stop that…YAWN! There’s a yawn on the loose! Can Gabby stop that yawn from spreading the snooze, or will it be lights out for Never Sleeping City?
"Perfect for fans of The Seven Husbands of Evelyn Hugo...a dazzling depiction of passion, prohibition, and murder.“ —Shelf Awareness “Ambitious and stunning.” —Stephanie Dray, New York Times bestselling author "Vibrant…A highly entertaining read!” —Ellen Marie Wiseman New York Times Bestselling author of THE ORPHAN COLLECTOR “The music practically pours out of the pages of Denny S. Bryce's historical novel, set among the artists and dreamers of the 1920s.”—OprahMag.com Goodreads Debut Novel to Discover & Biggest Upcoming Historical Fiction Books Oprah Magazine, Parade, Ms. Magazine, SheReads, Bustle, BookBub, Frolic, & BiblioLifestyle Most Anticipated Books Marie Claire & Black Business Guide’s Books By Black Writers to Read TODAY & Buzzfeed Books for Bridgerton Fans SheReads Most Anticipated BIPOC Winter Releases 2021 Palm Beach Post Books for Your 2021 Reading List In a stirring and impeccably researched novel of Jazz-age Chicago in all its vibrant life, two stories intertwine nearly a hundred years apart, as a chorus girl and a film student deal with loss, forgiveness, and love…in all its joy, sadness, and imperfections. “Why would I talk to you about my life? I don't know you, and even if I did, I don't tell my story to just any boy with long hair, who probably smokes weed.You wanna hear about me. You gotta tell me something about you. To make this worth my while.” 1925: Chicago is the jazz capital of the world, and the Dreamland Café is the ritziest black-and-tan club in town. Honoree Dalcour is a sharecropper’s daughter, willing to work hard and dance every night on her way to the top. Dreamland offers a path to the good life, socializing with celebrities like Louis Armstrong and filmmaker Oscar Micheaux. But Chicago is also awash in bootleg whiskey, gambling, and gangsters. And a young woman driven by ambition might risk more than she can stand to lose. 2015: Film student Sawyer Hayes arrives at the bedside of 110-year-old Honoree Dalcour, still reeling from a devastating loss that has taken him right to the brink. Sawyer has rested all his hope on this frail but formidable woman, the only living link to the legendary Oscar Micheaux. If he’s right—if she can fill in the blanks in his research, perhaps he can complete his thesis and begin a new chapter in his life. But the links Honoree makes are not ones he’s expecting . . . Piece by piece, Honoree reveals her past and her secrets, while Sawyer fights tooth and nail to keep his. It’s a story of courage and ambition, hot jazz and illicit passions. And as past meets present, for Honoree, it’s a final chance to be truly heard and seen before it’s too late. No matter the cost . . . “Immersive, mysterious and evocative; factual in its history and nuanced in its creativity.” —Ms. Magazine “Perfect…Denny S. Bryce is a superstar!” —Julia Quinn, New York Times bestselling author of the Bridgerton series “Evocative and entertaining!” —Laura Kamoie, New York Times bestselling author “Wild Women and the Bluesdeftly delivers what historical fiction has been missing.” —Farrah Rochon USA Today bestselling author
A battle of the magnet letters ensues across the refrigerator door in May I Have a Word? when C and K get into a fight about who gets to start the cooler (kooler?) words. When the two letters storm off in opposite directions, everything is turned upside down. SOCKS are now SO, there aren't any CLOCKS to TICK or TOCK, and the world is just out of LUCK--until other letters work to bring C and K back together again.
All about the adjustment a toddler makes when her mother returns to work, this humorous picture book takes on a big emotional milestone with a light hand. Perry knows all of Mama’s shoes. She knows that the zip-zup shoes are for skipping and swinging in the park. She knows that the pat-put shoes are for splishing and splashing in the rain. And she knows that no-shoes are for bath time and bedtime. But, one morning Mama puts on click-clack shoes, and Perry wonders what these new shoes are for. When Mama drops Perry at Nan’s house, and the click-clack shoes take Mama away for the whole day, Perry decides she hates these shoes! Perry later hides the click-clack shoes . . . and all of Mama’s shoes, just in case. Mama then explains that the click-clack shoes bring her to work in the morning, and they will also bring her home to Perry every single evening—clickety-clack fast!
In this jaunty and intimate collection, Kevin Young invents a language as shimmying and comic, as low-down and high-hearted, as the music from which he draws inspiration. With titles such as “Stride Piano,” “Gutbucket,” and “Can-Can,” these poems have the sharp completeness of vocalized songs and follow a classic blues trajectory: praising and professing undying devotion (“To watch you walk / cross the room in your black / corduroys is to see / civilization start”), only to end up lamenting the loss of love (“No use driving / like rain, past / where you at”). As Young conquers the sorrow left on his doorstep, the poems broaden to embrace not just the wisdom that comes with heartbreak but the bittersweet wonder of triumphing over adversity at all. Sexy and tart, playfully blending an African American idiom with traditional lyric diction, Young’s voice is pure American: joyous in its individualism and singing of the self at its strongest.
You're low. Really low. Haven't gotten off the couch all weekend. Stopped returning phone calls. It feels like the sun will never shine again, and you're living on chocolate and bad TV. There's Prozac, of course, but who can be bothered going to the doctor? What you need is immediate help. You need cheering up. And here it is. Clever, witty, full of comfort and sympathy, 64 Ways to Beat the Blues offers instantaneous relief through the gift of laughter. Written and illustrated in full-color by Yolanda Nave--author of Breaking Up and Welcome to Our Company, together with 314,000 copies in print--it's a been-there, done-that guide to getting out of the dumps and getting on with your life. Try a pet--and watch him eat your rug. Phone a friend--though not one living in Paris while you're stuck in a snowstorm. Take in a funny movie--if you can stop crying long enough to laugh. Go shopping (and pretend you're not already wearing the push-up bra), find a good shrink (who won't fall asleep), or buy a brand new car (and tick off each payment). The situations are instantly recognizable, and whether the blues are seasonal, occupational, hormonal, or matrimonial, Yolanda Nave knows what it takes to laugh them away.
Born in African American work songs, field hollers, and the powerful legacy of the spirituals, the blues traveled the country from the Mississippi delta to “Sweet Home Chicago,” forming the backbone of American music. In this anthology–the first devoted exclusively to blues poems–a wide array of poets pay tribute to the form and offer testimony to its lasting power. The blues have left an indelible mark on the work of a diverse range of poets: from “The Weary Blues” by Langston Hughes and “Funeral Blues” by W. H. Auden, to “Blues on Yellow” by Marilyn Chin and “Reservation Blues” by Sherman Alexie. Here are blues-influenced and blues-inflected poems from, among others, Gwendolyn Brooks, Allen Ginsberg, June Jordan, Richard Wright, Nikki Giovanni, Charles Wright, Yusef Komunyakaa, and Cornelius Eady. And here, too, are classic song lyrics–poems in their own right–from Bessie Smith, Robert Johnson, Ma Rainey, and Muddy Waters. The rich emotional palette of the blues is fully represented here in verse that pays tribute to the heart and humor of the music, and in poems that swing with its history and hard-bitten hope.
