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Provocative assessment of how new ideas about motherhood and domesticity in pre-Revolutionary France helped women demand social and political equality later on
Originally published in 1966. This book is primarily a literary study of Rousseau's account of his diplomatic experiences in Venice, contained in book 7 of the Confessions and written in 1769. The author analyzes Rousseau's methods of achieving an artistic rendering of psychological truth in autobiography, as exemplified in his treatment of the events of 1742–1749. Professor Madeleine Ellis contributes to an understanding of Rousseau as a creative artist and positions him vis-à-vis the classical and romantic movements. Ellis collates the text of the Confessions with contemporary correspondence and other documents to show how discrepancies between the two have artistic implications. These implications lead her to define Rousseau's principles and methods as a man of letters and the interrelations of art and truth in his memoirs. In revealing that Rousseau, the memorialist, gives an artistic rendering of psychological truth, Ellis shows Rousseau's attitude toward truth. She does this by following a path of analysis unexplored by previous critics but indicated by Rousseau himself when he says, "It is the story of my soul that I have promised . . . I record not so much the events of my life as the state of my soul as they happened." Ultimately, the objective of this study is to illustrate the artistic means—literary and rhetorical—employed by Rousseau and their implications for the truth he proposed.
In Rousseau's Republican Romance, Elizabeth Wingrove combines political theory and narrative analysis to argue that Rousseau's stories of sex and sexuality offer important insights into the paradoxes of democratic consent. She suggests that despite Rousseau's own protestations, "man" and "citizen" are not rival or contradictory ideals. Instead, they are deeply interdependent. Her provocative reconfiguration of republicanism introduces the concept of consensual nonconsensuality--a condition in which one wills the circumstances of one's own domination. This apparently paradoxical possibility appears at the center of Rousseau's republican polity and his romantic dyad: in both instances, the expression and satisfaction of desire entail a twin experience of domination and submission. Drawing on a wide variety of Rousseau's political and literary writings, Wingrove shows how consensual nonconsensuality organizes his representations of desire and identity. She demonstrates the inseparability of republicanism and accounts of heterosexuality in an analysis that emphasizes the sentimental and somatic aspects of citizenship. In Rousseau's texts, a politics of consent coincides with a performative politics of desire and of emotion. Wingrove concludes that understanding his strategies of democratic governance requires attending to his strategies of symbolization. Further, she suggests that any understanding of political practice requires attending to bodily practices.
This collection brings together current research on topics that are perennially important to Romantic studies: the life and work of Jean-Jacques Rousseau, and the landscape and history of his native Switzerland.
This work explores Mary Wollstonecraft's 19th-century legacy in relation to three themes integral to her work: the nature of motherhood, religion and the empowerment of women, and women's contribution to the sciences of man. The introduction provides a comparative framework for French and English women and situates each essay within current historical debates.
In Spades is the unusual and erotic story of two women, a mother and daughter, who, without knowing it at the time, were sharing very similar journeys of sexual discovery. Originally posted as a series of blog entries, a large fan base encouraged the women to compile these short stories into a single book. It chronicles both women's involvement with interracial romance, drugs, kink and BDSM, prostitution, infidelity and the strange set of coincidences that eventually brought them together. Kate was a woman who married and had children at a very early age. Feeling a creeping stagnation in her marriage, she yearned for some kind of charge or excitement in her life. What she discovered was that not only were there men in the world who could excite her, but that her libido, long suppressed, was much more powerful than she'd ever expected. At the same time, her daughter, Jessica was going through all the usual trials of teenage sexuality. But after accidentally seeing her mother having sex with a man who was not her father, Jessica's path altered down a dangerous road. Set in post-Katrina New Orleans, both women tell a story that is brutally honest, highly erotic and sometimes disturbingly unsafe. Each woman tells the story from her own point of view and we're allowed to see how each of them evolved and how eerily parallel their lives were without realizing it. They pull no punches, they tell the stories as they happened and they'll take you on a journey through their sexuality that you will never forget.
Rousseau, Burke, and Revolution in France, 1791 plunges students into the intellectual and political currents that surged through revolutionary Paris in the summer of 1791. As members of the National Assembly gather to craft a constitution for a new France, students wrestle with the threat of foreign invasion, political and religious power struggles, and questions of liberty and citizenship.
SYNOPSIS: A parent's nightmare - their daughter away at college in a safe environment becomes the target of a sadistic killer - who has killed before and gotten away with it. A year ago, The Campus Killer horrified residents of New Orleans when for three straight weeks a coed went missing from Tulane University, only to be discovered days later brutally murdered; their mutilated bodies left in public places. In all three cases, the girls had been raped and a knife had been used. The viciousness of the murders sent shock waves throughout the city, and stunned the most seasoned detectives as they moved quickly to apprehend the suspect. Then the killings stopped and the N.O.P.D. never caught the person responsible. Now the killer is back, targeting unsuspecting coeds and he's taken another girl, sending a clear message to police - Every three days another one dies! With no crime scene and no evidence pointing to an offender, the Louisiana Bureau of Investigation is brought in and teamed up with the newly-formed Major Crimes Division, and the search becomes a manhunt to catch The Campus Killer before he claims another young victim. But the L.B.I. wastes no time zeroing in on the killer and he's not your average psychopath. Once again, Detective Oliver Rousseau must turn to the one person who can help solve the crime - his wife, Marin. Townley writes page-turning suspense...A roller-coaster plot and savvy dialogue and when you least expect it, she throws an explosive curve-ball. Unsuspecting doesn't disappoint.
The declaration: "You don't have a choice. You will return with me to England." The deed: In the dark of night, British spy Christian Seaton, Duke of Sutherland, abducts Lisette Duprée and flees French mercenaries in a race against time. Christian must protect her at all costs--Lisette is the answer to everything in the Dangerous Dukes' work for the crown. The difficulty: Innocent Lisette is an enticing temptation who's increasingly hard to resist!
