PDF Romeo and Juliet in Urban Slang Download
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- ISBN: 9780981778600
- Category : Children's plays, English
- Languages : en
- Pages : 84
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With its roots deep in ancient narrative and in various reworkings from the late medieval and early modern period, Shakespeare’s Romeo and Juliet has left a lasting trace on modern European culture. This volume aims to chart the main outlines of this reception process in the broadest sense by considering not only critical-scholarly responses but also translations, adaptations, performances and various material and digital interventions which have, from the standpoint of their specific local contexts, contributed significantly to the consolidation of Romeo and Juliet as an integral part of Europe’s cultural heritage. Moving freely across Europe’s geography and history, and reflecting an awareness of political and cultural backgrounds, the volume suggests that Shakespeare’s tragedy of youthful love has never ceased to impose itself on us as a way of articulating connections between the local and the European and the global in cases where love and hatred get in each other’s way. The book is concluded by a selective timeline of the play’s different materialisations.
Local/ Global Shakespeare and Advertising examines the local/ global and rhizomatic phenomenon of Shakespeare as advertised and Shakespeare as advertising. Starting from the importance and the awareness of advertising practices in the early modern period, the volume follows the evolution of the use of Shakespeare as a promotional catalyst up to the twenty-first century. The volume considers the pervasiveness of Shakespeare’s marketability in Anglophone and non-Anglophone cultures and its special engagement with creative and commercial industries. With its inter-and transdisciplinary perspective and its international scope, this book brings new insights into Shakespeare’s selling power, Shakespeare as the object of advertising and Shakespeare as part of the advertising vehicle, in relation to a range of crucial cultural, ideological and political issues.
‘Fascinating...I’ll never look at a rose in quite the same way again.’ Adrian Tinniswood The rose is bursting with meaning. Over the centuries it has come to represent love and sensuality, deceit, death and the mystical unknown. Today the rose enjoys unrivalled popularity across the globe, ever present at life’s seminal moments. Grown in the Middle East two thousand years ago for its pleasing scent and medicinal properties, it has become one of the most adored flowers across cultures, no longer selected by nature, but by us. The rose is well-versed at enchanting human hearts. From Shakespeare’s sonnets to Bulgaria’s Rose Valley to the thriving rose trade in Africa and the Far East, via museums, high fashion, Victorian England and Belle Epoque France, we meet an astonishing array of species and hybrids of remarkably different provenance. This is the story of a hardy, thorny flower and how, by beauty and charm, it came to seduce the world.
For all that we love and admire Shakespeare, he is not that easy to grasp. He may have written in Elizabethan English, but when we read him, we can't help but understand his words, metaphors, and syntax in relation to our own. Until now, explaining the powers and pleasures of the Bard's language has always meant returning it to its original linguistic and rhetorical contexts. Countless excellent studies situate his unusual gift for words in relation to the resources of the English of his day. They may mention the presumptions of modern readers, but their goal is to correct and invalidate any false impressions. Shakesplish is the first book devoted to our experience as modern readers of Early Modern English. Drawing on translation theory and linguistics, Paula Blank argues that for us, Shakespeare's language is a hybrid English composed of errors in comprehension—and that such errors enable, rather than hinder, some of the pleasures we take in his language. Investigating how and why it strikes us, by turns, as beautiful, funny, sexy, or smart, she shows how, far from being the fossilized remains of an older idiom, Shakespeare's English is also our own.
STRANGER THAN FICTION! - Ideal for any '80s kid, and anyone who wants to discover what made the '80s great! - Packed with over 800 scrupulously-researched entries. - Over 500 citations from '80s movies, music and books. - Incisive, humorous definitions examining etymology, history, and more. - Numerous explanatory illustrations. - From the author of the USA #1 best-selling (unofficial) Scrabble book "The Dictionary of Two-Letter Words." - Bonus! Print-out-and-play yuppie simulator card game. The 1980s: a decade of uplifting energy, exhilarating confidence, raw power, and uncompromising style. A decade of Armani-wearing, slicked-back dudes and power-dressing, big-haired babes zooming down open highways in sports cars, breakdancers gyrating to the sounds of the boombox, neon-clad skaters and BMXers soaring through the skies in a sparkling, endless Californian heatwave. It was the decade hip hop and new wave went mainstream, home computing planted the seed of the Information Age, and a flood of electrifying movies and music intoxicated the world with glorious visions of the chrome-plated American Dream. And the language! Every ’80s movement developed its own vibrant, eloquent, often hilarious slang - and the mass media machine turbocharged it into the popular imagination. This bright, witty dictionary is no dry lexicon - it's a fresh, zesty expedition into the soul of a vigorous age. You can dip in at random, read it cover-to-cover, or surf from one cross-reference to another in a radical journey of linguistic exploration. However you approach this unique book, you will find yourself reliving an era of limitless optimism and opportunity - or discovering it for the first time! THE TOTALLY AWESOME GUIDE TO ROCKIN' '80S LINGO Proudly published in the USA by Carlile Media.
From Kenneth Branagh’s groundbreaking Henry V to Justin Kurzel’s haunting Macbeth, many modern filmmakers have adapted Shakespeare for the big screen. Their translations of Renaissance plays to modern cinema both highlight and comment on contemporary culture and attitudes to art, identity, and the past. A dynamic analysis of twenty-seven films adapted from Shakespeare’s works, Philippa Sheppard’s Devouring Time addresses a wide range of topics, including gender, ritual, music, setting, rhetoric, and editing. She argues that the directors’ choice to adapt these four-hundred-year-old plays is an act of nostalgia, not only for the plays themselves, but also for the period in which they were written, the association of genius that accompanies them, and the medium of theatre. Sheppard contends that millennial anxiety brought on by the social and technological revolutions of the last five decades has generated a yearning for Shakespeare because he is an icon of a literary culture that is often deemed threatened. Authoritative and accessible, Devouring Time’s investigations of filmmakers’ nostalgia for the art of the past shed light on Western concepts of gender, identity, and colonialism.
Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Women aims to provide new and exciting audition and showcase material for actresses of black, African American, South Asian and Middle Eastern heritage. Featuring the work of international contemporary playwrights who have written powerful and diverse roles for a range of actors, the collection is edited by Simeilia Hodge-Dallaway. Categorized by age-range, the monologues are collected in groups of characters playable by actresses in their teens, twenties, thirties and forties+, and include work from over 25 top-class dramatists including Sudha Bhuchar, Jackie Sibblies Drury, Marcus Gardley, Mona Mansour and Naomi Wallace. Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Women is the go-to resource for contemporary monologues and speeches for auditions. Ideal for aspiring and professional actresses, it allows performers to enhance their particular strengths and prepare for roles featuring characters of specific ethnic backgrounds.
This collection of 17 original essays, provides insights into the many ways in which the interrelated issues of culture, identity and `Indianness' are expressed in contemporary times. The contributors map and evaluate the developments in their respective fields over the past 50 years and cover the topics of art, music, theatre, literature, philosophy, science, history and feminism.