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Presents a student guide to ten plays including "The Happy Journey to Trenton and Camden", "Our Town," "Here We Are", "The Bear", "Sorry, Wrong Number", "Trifles", "Riders to the Sea", "Thunder on Sycamore Street", "Twelve Angry Men," and "The Glass Menagerie" and includes worksheets covering topics of plot structure, theme, setting, and conflict, as well as journals and discussion logs.
Eminent critic Richard Gilman examines each of Chekhov's full-length plays, showing how they relate to each other, to Chekhov's short stories, and to his life. Gilman places the plays in the context of Russian and European drama and the larger culture of the period, and the reasons behind the enduring power of these classic works.
A revealing collection of words, memories and pictures-an autobiographical scrapbook--by an outstanding contemporary playwright.
With this new handbook, coaches learn how to make the right call every time their basketball team has the ball. Each section contains a variety of sets and plays, all clearly explained and diagrammed.
This heartwarming picture book (based on a true story) depicts a day in the life of Hosea Taylor, a musician who--with his charm, talent, and generosity--brought joy to everyone he met. Every day, Hosea takes the Number 42 bus into the city to play his shiny brass saxophone--and to hopefully earn enough money. Setting up in his favorite place, Hosea makes sweet music as people greet him with a smile, a little girl dances, and crowds surround him. A surprise ending reveals what the money is really for. Kathleen Blasi's delightful text and Shane Evan's colorful images capture the real-life closeness between the much-loved Hosea--who shared his passion for music and life with everyone--and his community. An Author's Note explains how Blasi learned about Hosea Taylor (1948-2016), and what compelled her to write his story.
Sports Plays is a volume about sports in the theatre and what it means to stage sports. The chapters in this volume examine sports plays through a range of critical and theoretical approaches that highlight central concerns and questions both for sports and for theatre. The plays cut across boundaries and genres, from Broadway-style musicals to dramas to experimental and developmental work. The chapters examine and trouble the conventions of staging sports as they open possibilities for considering larger social and cultural issues and debates. This broad range of perspectives make the volume a compelling resource for students and scholars of sport, theatre, and performance studies whose interests span feminism, sexuality, politics, and race.
Can you really write a play that lasts a minute? The one minute play offers a unique challenge to actors, directors and writers: how do you create a whole world, where actors have room to perform and where audiences have a true experience all in 60 seconds? One Minute Plays: A Practical Guide to Tiny Theatre demystifies the super-short-form play, demonstrating that this rich, accessible format offers great energy and variety not only to audiences but to everyone involved in its creation and performance. This handbook includes: An anthology of 200 one-minute plays selected from the annual Gone in 60 Seconds festival. A toolbox of exercises, methodologies and techniques for educators, practitioners and workshop leaders at all levels. Tips and advice on the demands of storytelling, inclusivity and creative challenges. Detailed practical information about creating your own minute festival, including play selection, running order, staging and marketing. Drawing on a wealth of experience, Steve Ansell and Rose Burnett Bonczek present an invaluable guide for anyone intrigued by the art of creating, producing and performing a one minute play.
This book analyzes recent physics plays, arguing that their enaction of concepts from the sciences they discuss alters the nature of the decisions made by the characters, changing the ethical judgements that might be cast on them. Recent physics plays regularly alter the shape of space-time itself, drawing together disparate moments, reversing the flow of time, creating apparent contradictions, and iterating scenes for multiple branches of counterfactual history. With these changes both causality and responsibility shift, variously. The roles of iconic scientists, such as Albert Einstein and Werner Heisenberg, are interrogated for their dramatic value, placing history and dramatic license in tension. Cold War strategies and the limits of espionage highlight the emphatically personal involvement of ordinary individuals. This study is vital reading for those interested in physics plays and the relationship between the sciences and the humanities.
Unusual among Shakespeare's plays in that it drew theatrical responses from the outset, The Taming of the Shrew continues to inspire adaptations and interpretations that respond to its fascinating, if provocative, representation of a husband's dominance of his wife. This annotated collection of three early modern English plays allows readers to explore the relationship between Shakespeare's Shrew and two closely related plays of the same genre, the earlier of which, the anonymous The Taming of a Shrew (whether inspired by Shakespeare's play or vice-versa), once enjoyed a level of popularity that likely surpassed that of Shakespeare's play. The editors' Introduction brilliantly illuminates points of comparison between the three, their larger themes included, and convincingly argues that Shakespeare's Shrew is seen all the more vividly when the anonymous A Shrew and Fletcher's table-turning The Tamer Tamed are waiting in the wings.
