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With Playing God, Andy Crouch opens the subject of power, elucidating its subtle activity in our relationships and institutions. He gives us much more than a warning against abuse, though. Turning the notion of "playing God" on its head, Crouch celebrates power as the gift by which we join in God's creative, redeeming work in the world.
Biblical texts have inspired more than 100 Broadway plays and musicals, ranging from early spectacles like Ben-Hur (1899) to more familiar works such as Godspell and Jesus Christ Superstar. What happens when a culture’s most sacred text enters its most commercial performance venue? Playing God focuses on eleven successful productions, as well as a few notable flops that highlight the difficulties in adapting the Old and New Testaments for the stage. The book is informed by both performance studies and theater history, combining analysis of play scripts with archival research into the actual circumstances of production and reception. Biblical plays, Henry Bial argues, balance religious and commercial considerations through a complex blend of spectacle, authenticity, sincerity, and irony. Though there is no magic formula for a successful adaptation, these four analytical lenses help explain why some biblical plays thrive while others have not.
Since the original publication of Playing God? in 1996, three developments in genetic technology have moved to the center of the public conversation about the ethics of human bioengineering. Cloning, the completion of the human genome project, and, most recently, the controversy over stem cell research have all sparked lively debates among religious thinkers and the makers of public policy. In this updated edition, Ted Peters illuminates the key issues in these debates and continues to make deft connections between our questions about God and our efforts to manage technological innovations with wisdom.
Could science one day 'defeat death'? What would alien contact mean for humanity? Has medicine finally found a cure for sadness? Will AI replace us? For too long, the 'science and religion' debate has fixated on creation, evolution, cosmology, miracles and quantum theory. But this, argue Nick Spencer and Hannah Waite, is a mistake. Religious belief has survived, and thrived, under many different models of the universe. It was never intended to be a competing explanation for the science of any age. Where science and religion really do come together - sometimes furiously, sometimes fruitfully - is over the status and nature of the human. And that has never been more important than today. Whether it's the quest for immortality or the search for alien life, the treatment of pandemics or 'animal personhood', AI or mental health, abortion or genetic editing, science is making advances that are posing huge questions about what it means to be human, whether we should change ourselves, and how far we should 'play God'. These developments are only going to grow in significance. Playing God brings readers up to date with the latest developments but also draws out their moral and religious dimensions. In so doing, it shows how the future of science and religion is inextricably tied up with the future of humanity.
“I am a doctor.” Every year, thousands of medical school graduates utter these four simple words. But as you will see in Playing God, earning an M.D. is just the first step to becoming a real physician. In this page-turning, thrilling, and moving memoir, Dr. Anthony Youn reveals that the true metamorphosis from student to doctor occurs not in medical school but in the formative years of residency training and early practice. It is only through actually saving and losing patients, taking on the medical establishment, wrestling with financial and emotional survival, and fighting for patients’ lives that a young doctor becomes a mature and competent physician. Dr. Youn takes you from the operating rooms of a university surgery residency program to the gleaming offices of top Beverly Hills plastic surgeons to opening the doors of his empty clinic as a new doctor with no money, no patients, and mountains of debt. Playing God leaves you with an unexpected answer to that profound question: “What does it mean to be a doctor?” In Playing God, you will take a journey through the world of surgery, hospitals, and the practice of medicine unlike any that you have traveled before.
With Playing God, Andy Crouch opens the subject of power, elucidating its subtle activity in our relationships and institutions. He gives us much more than a warning against abuse, though. Turning the notion of "playing God" on its head, Crouch celebrates power as the gift by which we join in God's creative, redeeming work in the world.
Religious drama was one of the most vital art forms of the medieval era. In medieval mystery plays, God appeared as one of the characters, along with angels, saints, the devil, and others. Until very recently however, the revival of interest in medieval culture has not included drama, beacuse of a lingering fear of blasphemy associated with the representation of God on the stage. In Britain this fear was the legacy of a theatrical censorship which has been exercised by the Lord Chamberlain's office for hundreds of years. Since that power was abolished in 1968, medieval religious, or mystery, plays are once again appearing on the stages of many countries. John R. Elliott Jr. studies the modern context of this important medieval genre. He begins by describing general attitudes towards religious drama from the time of the reformation, the popularity of the Oberammergaru Passion Play in Victorian times, and specific attempts by producers to overcome official hostility to religious plays. He traces the history of the major modern productions of the mystery cycles, such as the York Festival and the Bristol University performance of the Cornish Ordinalia, and provides information about the careers of the two leading pioneers of modern mystery-play production. The concluding chapter discusses the chief practical and aethetic problems involved in staging mystery plays for modern audiences, and assesses the overall importance of their revival in the larger context of British there today.
AcknowledgmentsIntroduction1. Framework for Understanding the Thinning of a Public Debate2. Setting the Stage: The Eugenicists and the Challenge from Theologians3. Gene Therapy, Advisory Commissions, and the Birth of the Bioethics Profession4. The President's Commission: The "Neutral" Triumph of Formal Rationality5. Regaining Lost Jurisdictional Ground and the Triumph of the Bioethics Profession6. "Reproduction" as the New Jurisdictional Metaphor: Autonomy and the Internal Threat to the Bioethics/Science Jurisdiction7. Conclusion: The Future of Public Bioethics and the HGE DebateAppendix: Methods and TablesNotesWorks CitedIndex Copyright © Libri GmbH. All rights reserved.
Hammond explores the heartache that can come when women try to play God in their own lives. This riveting novel with intersecting story lines reminds readers that God is loving, all-knowing, merciful, and the One completely in control.
