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- Pages : 614
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Moving chronologically from the colonial period to the present, this collection of seventeen biographical essays provides a window into the social, cultural, and geographic milieu of women's lives in the state. Within the context of the historical forces that have shaped Louisiana, the contributors look at ways in which the women they profile either abided by prevailing gender norms or negotiated new models of behavior for themselves and other women.Louisiana Womenconcludes with an essay that examines women's active responses to problems that emerged in New Orleans after Hurricane Katrina. The women whose absorbing life stories are collected here include Marie Therese Coincoin, who was born a slave but later became a successful entrepreneur, and Oretha Castle Haley, civil rights activist and leader of the New Orleans chapter of CORE. From such well-known figures as author Kate Chopin and Voudou priestess Marie Laveau, to lesser known women such as Cajun musician Cleoma Breaux Falcon, this volume reveals a compelling cross section of historical figures. The women profiled vary by race, class, political affiliation, and religious persuasion, but they all share an unusual grit and determination that allowed them to turn trying circumstances into opportunity. Lively yet rigorous, these essays introduce readers to the courageous, dedicated, and inventive women who have been an essential part of Louisiana's history. Historical figures included: Marie Th?r?se Coincoin The Baroness Pontalba Marie Laveau Sarah Katherine (Kate) Stone Eliza Jane Nicholson Kate Chopin Grace King Louisa Williams Robinson, Her Daughters, and Her Granddaughters Clementine Hunter Dorothy Dix True Methodist Women Cleoma Breaux Falcon Caroline Dormon Mary Land Rowena Spencer Oretha Castle Haley Louisiana Women and Hurricane Katrina
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Samuel Porter Jones (1847–1906)—“or just plain Sam Jones,” as he preferred to be called—was the foremost southern evangelist of the nineteenth century. With his high-spirited, often coarse, humor and his hyperbolic style, he excited audiences around the country and became a key influence on Billy Sunday, “Gypsy” Smith, and scores of lesser known evangelists. A leading political activist, he played an important role in the selling of a new industrialized South and was thus a clerical counterpart to his friend Henry Grady. In Laughter in the Amen Corner, the first scholarly biography of Jones, Kathleen Minnix reveals a figure of fascinating contradictions. Jones was an alcoholic who became a pivotal supporter of the prohibition movement. He advocated women's rights when most men preferred to keep women on pedestals, yet he followed the South in its drift towards malignant racism. He praised Catholics in an age that feared the “Romish heresy,” and he embraced Jews as fellow children of God when many saw them as Christ-killers. Even so, he was shrill in his insistence that Americans worship a Protestant God, and like many nativists, he called for the deportation of the “trash” who had landed at Ellis Island. Progressive in some respects and reactionary in others, he was, in the words of one contemporary, “a sanctified circus in full swing.” Deftly written and exhaustively researched, Laughter in the Amen Corner offers the first in-depth assessment of Sam Jones's impact on revivalism, the progressive movement, and the history of the South.