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Famed anthropologist Ortner tracks down representative classmates from her mostly Jewish Newark, NJ high school class of '58 in order to examine class culture and ethnicity in America today.
The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based on interviews with scores of directors and producers, Ortner reveals the culture and practices of indie filmmaking, including the conviction of those involved that their films, unlike Hollywood movies, are "telling the truth" about American life. These films often illuminate the dark side of American society through narratives about the family, the economy, and politics in today's neoliberal era. Offering insightful interpretations of many of these films, Ortner argues that during the past three decades independent American cinema has functioned as a vital form of cultural critique.
Whether you want to be an astronaut or athlete or artist or are currently trying to deal with the ups and downs of school and making your way, the road can be scary sometimes. Penelope lets you know that there is greatness in the idea of trying, trying, and trying again and that the best parts of ourselves are often found when we "mess up."
American Dreaming chronicles in rich detail the struggles of immigrants who have fled troubled homelands in search of a better life in the United States, only to be marginalized by the society that they hoped would embrace them. Sarah Mahler draws from her experiences living among undocumented Salvadoran and South American immigrants in a Long Island suburb of Manhattan. In moving interviews they describe their disillusionment with life in the United States but blame themselves individually or as a whole for their lack of economic success and not the greater society. As she explores the reasons behind this outlook, the author argues that marginalization fosters antagonism within ethnic groups while undermining the ethnic solidarity emphasized by many scholars of immigration. Mahler's investigation leads to conditions that often bar immigrants from success and that they cannot control, such as residential segregation, job exploitation, language and legal barriers, prejudice and outright hostility from their suburban neighbors. Some immigrants earn surplus income by using private cars as taxis, subletting space in apartments to lower rent burdens, and filling out legal forms and applications--in essence generating institutions largely parallel to those of the mainstream society whereby only a small group of entrepreneurs can profit. By exacting a price for what used to be acts of reciprocal good will in the homeland, these entrepreneurs leave people who had expected to be exploited by "Americans" feeling victimized by their own.
The Sherpas were dead, two more victims of an attempt to scale Mt. Everest. Members of a French climbing expedition, sensitive perhaps about leaving the bodies where they could not be recovered, rolled them off a steep mountain face. One body, however, crashed to a stop near Sherpas on a separate expedition far below. They stared at the frozen corpse, stunned. They said nothing, but an American climber observing the scene interpreted their thoughts: Nobody would throw the body of a white climber off Mt. Everest. For more than a century, climbers from around the world have journ-eyed to test themselves on Everest's treacherous slopes, enlisting the expert aid of the Sherpas who live in the area. Drawing on years of field research in the Himalayas, renowned anthropologist Sherry Ortner presents a compelling account of the evolving relationship between the mountaineers and the Sherpas, a relationship of mutual dependence and cultural conflict played out in an environment of mortal risk. Ortner explores this relationship partly through gripping accounts of expeditions--often in the climbers' own words--ranging from nineteenth-century forays by the British through the historic ascent of Hillary and Tenzing to the disasters described in Jon Krakauer's Into Thin Air. She reveals the climbers, or "sahibs," to use the Sherpas' phrase, as countercultural romantics, seeking to transcend the vulgarity and materialism of modernity through the rigor and beauty of mountaineering. She shows how climbers' behavior toward the Sherpas has ranged from kindness to cruelty, from cultural sensitivity to derision. Ortner traces the political and economic factors that led the Sherpas to join expeditions and examines the impact of climbing on their traditional culture, religion, and identity. She examines Sherpas' attitude toward death, the implications of the shared masculinity of Sherpas and sahibs, and the relationship between Sherpas and the increasing number of women climbers. Ortner also tackles debates about whether the Sherpas have been "spoiled" by mountaineering and whether climbing itself has been spoiled by commercialism.
Presenting a ground-breaking revitalization of contemporary social theory, this book revisits the rise of the modern world to reopen the dialogue between anthropology and sociology. Using concepts developed by a series of 'maverick' anthropologists who were systematically marginalised as their ideas fell outside the standard academic canon, such as Arnold van Gennep, Marcel Mauss, Paul Radin, Lucien Lévy-Bruhl and Gregory Bateson, the authors argue that such concepts are necessary for understanding better the rise and dynamics of the modern world, including the development of the social sciences, in particular sociology and anthropology. Concepts discussed include liminality, imitation, schismogenesis and trickster, which provide an anthropological 'toolkit' for readers to develop innovative understandings of the underlying power mechanisms of globalized modernity. Aimed at graduate students and researchers, the book is clearly structured. Part I introduces the 'maverick' anthropologists, while Part II applies the maverick tool-kit to revisit the history of sociological thought and the question of modernity.
Introduction: Archival dreams and Caribbean life writing -- 'Autobiography in a graveyard' : doors of no return and revolutionary failures -- Speculative autobiography : ghosts and feminist fugitivity -- Repicturing the picturesque : genealogical desire, archives, and descendant community autobiography -- Ashes to ashes, dust to dust : Indo-Caribbean archival impossibility -- "Put my mom in there" : Memorialization as Caribbean counter-archive -- Coda: Untelling history.
Tijuana Dreaming is an unprecedented introduction to the arts, culture, politics, and economics of contemporary Tijuana, featuring selections by prominent scholars, journalists, bloggers, novelists, poets, curators, and photographers from Tijuana and greater Mexico.
