Music in Action Film

Music in Action Film

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  • Author: James Buhler
  • Publisher: Routledge
  • ISBN: 1351204254
  • Category : Music
  • Languages : en
  • Pages : 344

Music in Action Film is the first volume to address the central role of music and sound in action film—arguably the most dominant form of commercial cinema today. Bringing together 15 essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies.


Music in Action Film

Music in Action Film

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  • Author: Taylor & Francis Group
  • Publisher: Routledge
  • ISBN: 9780815384496
  • Category :
  • Languages : en
  • Pages : 312

Music in Action Film is the first volume to address the central role of music and sound in action film - arguably the most dominant form of commercial cinema today. Bringing together fifteen essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies.


Popular Film Music and Masculinity in Action

Popular Film Music and Masculinity in Action

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  • Author: Amanda Howell
  • Publisher: Routledge
  • ISBN: 1134109342
  • Category : Music
  • Languages : en
  • Pages : 188

Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen—or heard—before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from Elvis and Travolta star vehicles to Bruckheimer-produced blockbuster action, including the work of musically-innovative directors, Melvin Van Peebles, Martin Scorsese, Gregg Araki, and Quentin Tarantino. Of particular interest is the way these films and their representations of masculinity are shaped by generic exchanges among contemporary music, music cultures, and film, combining American cinema's long-standing investment in violence-as-spectacle with similarly body-focused pleasures of contemporary youth music. Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation by considering cinematic masculinity as an audio-visual construction. Through her analyses of music’s role in action and other film genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent gender—and gendered fictions of male empowerment—in contemporary screen entertainment.


Film Music: A Very Short Introduction

Film Music: A Very Short Introduction

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  • Author: Kathryn Kalinak
  • Publisher: Oxford University Press
  • ISBN: 0199707979
  • Category : Performing Arts
  • Languages : en
  • Pages : 162

Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.


Music in Action Film

Music in Action Film

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  • Author: James Buhler
  • Publisher: Routledge
  • ISBN: 1351204262
  • Category : Music
  • Languages : en
  • Pages : 333

Music in Action Film is the first volume to address the central role of music and sound in action film—arguably the most dominant form of commercial cinema today. Bringing together 15 essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies.


Film Music

Film Music

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  • Author: Roy M. Prendergast
  • Publisher: W. W. Norton & Company
  • ISBN: 9780393308747
  • Category : History
  • Languages : en
  • Pages : 356

The expanded, updated, and revised edition of Film Music brings together the experience and insights of the professional film music editor with the scholarship and concerns of the film critic and historian. In this pioneering work, film music--from its beginnings to the present day--is analyzed both as composition and as an integral element of cinematic expression. Beginning with an extensive historical overview, the author recreates the process by which film music composers developed their own forms out of typical screen action. The techniques and achievements of filmmakers from the silent and early sound film eras to the 1990s are examined, including the unique demands of music for the rapidly changing images of cartoons and animated films. A new chapter about music for television has been added to the very informative discussion of techniques for synchronizing music to picture. And the latest technological advances are described in an entirely new section dealing with contemporary methods and tools, including video post-production, the advent of digital audio, and the pervasive influence of the music synthesizer. Replete with music examples drawn from actual film scores, this comprehensive study concludes with an extensive and up-to-date bibliography of related reference works.


The Cambridge Companion to Film Music

The Cambridge Companion to Film Music

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  • Author: Mervyn Cooke
  • Publisher: Cambridge University Press
  • ISBN: 1107094518
  • Category : Music
  • Languages : en
  • Pages : 439

A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.


Action Speaks Louder

Action Speaks Louder

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  • Author: Eric Lichtenfeld
  • Publisher: Wesleyan University Press
  • ISBN: 9780819568014
  • Category : Performing Arts
  • Languages : en
  • Pages : 408

An authoritative and entertaining history of the action film


Exploring Movie Construction and Production

Exploring Movie Construction and Production

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  • Author: John Reich
  • Publisher: Open SUNY Textbooks
  • ISBN: 9781942341475
  • Category :
  • Languages : en
  • Pages :

Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.


Music in Science Fiction Television

Music in Science Fiction Television

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  • Author: Kevin J. Donnelly
  • Publisher: Routledge
  • ISBN: 0415641071
  • Category : Music
  • Languages : en
  • Pages : 250

The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music and soundscapes. There is a highly particular role for sound and music in science fiction, because it regularly has to expand the vistas and imagination of the shows and plays a crucial role in setting up the time and place. Notable for its adoption of electronic instruments and integration of music and effects, science fiction programs explore sonic capabilities offered through the evolution of sound technology and design, which has allowed for the precise control and creation of unique and otherworldly sounds. This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons. With thirteen essays from prominent contributors in the field of music and screen media, this anthology will appeal to students of Music and Media, as well as fans of science fiction television.