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The Moomin Family are relaxing on holiday; with the exception of Moomin. Every night he is being visited by a little ghost and Moomin is getting more and more scared by him. His friends and family don't know what to do to help him. Then one night, Moomin's beloved friend - Snorkmaiden, goes missing and Moomin bravely sets off to find her.
The Moomin Family are relaxing on holiday with the exception of Moomin. Every night he is being visited by a little ghost and Moomin is getting more and more scared. His friends and family don't know what to do to help him. Then one night, Moomin's beloved friend, Snorkmaiden, goes missing and Moomin bravely sets off to find her. This delightful story is a gently affirming read, perfect for Halloween and snuggling up at bedtime!
A virtual memoir in letters by the beloved creator of the Moomins Tove Jansson’s works, even her famed Moomin books, fairly teem with letters of one kind or another, from messages bobbing in bottles to whole epistolary novels. Fortunately for her countless readers, her life was no different, unfolding as it did in the letters to family, friends, and lovers that make up this volume, a veritable autobiography over the course of six decades—and the only one Jansson ever wrote. And just as letters carry a weight of significance in Jansson’s writing, those she wrote throughout her life reflect the gravity of her circumstances, the depth of her thoughts and feelings, and the critical moments of humor, sadness, and grace that mark an artist’s days. These letters, penned with characteristic insight and wit, provide an almost seamless commentary on Jansson’s life within Helsinki’s bohemian circles and on her island home. Shifting between hope and despair, yearning and happiness, they describe her immersion in art studies and her ascension to fame with the Moomins. They speak frankly of friendship and love, loneliness and solidarity, and also of politics, art, literature, and society. They summon a particular place and time reflected through a mind finely attuned to her culture, her world, and her own nature—all clearly put into biographical and historical context by the volume’s editors, both longtime friends of Tove Jansson—and, in the end, draw a complex, intimate self-portrait of one of the world’s most beloved authors.
When stricken with a severe cold, Moominpappa decides to set down an account of his eventful youth, which he shares chapter by chapter with Moomintroll, Sniff, and Snufkin.
Includes four comic strips featuring Moomin, a teenage troll who looks like a hippopotamus and passively deals with life's troubles; including "Moomin's Winter Follies," "Moomin Mamma's Maid," "Moomin Builds a House," and "Moomin Begins a New Life."
Moomin has been swiftly making its way into the hearts of North Americans ever since Drawn & Quarterly began collecting the strip in 2006. It debuted in the London Evening News in 1954 and has become the fastest-selling D+Q series to date. Fifty years ago, Jansson's observations of everyday life — whimsical but with biting undertones — easily caught the attention of an international audience and still resonate today. This third volume returns to Moominvalley, where its beloved inhabitants get tangled up in five new stories. Moomin falls in love with a damsel in distress, an unseasonably warm spell turns the valley into a tropical rainforest, and a flying saucer crashes into Moominmamma's garden. Moominpappa decides to live out his dream of occupying a lighthouse and writing a great seaside novel, only to discover that he hates the sea so close up and has no interest in writing about it, and a variety of curious clubs spring up in the valley. Moomin and Moominmamma do their level best to avoid the whole mess but, of course, get drawn into the muddle.
Everyone knows the Moomins sleep through the winter. But this year, Moomintroll has woken up early. So while the rest of the family slumber, he decides to visit his favorite summer haunts. But all he finds is this strange white stuff. Even the sun is gone! Moomintroll is angry: whoever Winter is, she has some nerve. Determined to discover the truth about this most mysterious of all seasons, Moomintroll goes where no Moomin has gone before.
When you're a quilt instead of a sheet, being a ghost is hard! An adorable picture book for fans of Stumpkin and How to Make Friends with a Ghost. Ghosts are supposed to be sheets, light as air and able to whirl and twirl and float and soar. But the little ghost who is a quilt can't whirl or twirl at all, and when he flies, he gets very hot. He doesn't know why he's a quilt. His parents are both sheets, and so are all of his friends. (His great-grandmother was a lace curtain, but that doesn't really help cheer him up.) He feels sad and left out when his friends are zooming around and he can't keep up. But one Halloween, everything changes. The little ghost who was a quilt has an experience that no other ghost could have, an experience that only happens because he's a quilt . . . and he realizes that it's OK to be different.
From the multi-award-winning and bestselling author of The Night Watch and Fingersmith comes an astonishing novel about love, loss, and the sometimes unbearable weight of the past. In a dusty post-war summer in rural Warwickshire, a doctor is called to see a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the once grand house is now in decline, its masonry crumbling, its garden choked with weeds. All around, the world is changing, and the family is struggling to adjust to a society with new values and rules. Roddie Ayres, who returned from World War II physically and emotionally wounded, is desperate to keep the house and what remains of the estate together for the sake of his mother and his sister, Caroline. Mrs. Ayres is doing her best to hold on to the gracious habits of a gentler era and Caroline seems cheerfully prepared to continue doing the work a team of servants once handled, even if it means having little chance for a life of her own beyond Hundreds. But as Dr. Faraday becomes increasingly entwined in the Ayreses’ lives, signs of a more disturbing nature start to emerge, both within the family and in Hundreds Hall itself. And Faraday begins to wonder if they are all threatened by something more sinister than a dying way of life, something that could subsume them completely. Both a nuanced evocation of 1940s England and the most chill-inducing novel of psychological suspense in years, The Little Stranger confirms Sarah Waters as one of the finest and most exciting novelists writing today.
