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A deliciously dark Wizard of Oz for the twenty-first century. A funny, scary and magical fantasy for young readers, this full-colour graphic novella features art from the film of Mirrormask (story by Gaiman and McKean, directed by McKean, produced by the Jim Henson Company) interspersed with new illustrations
Designing was done ad lib on the day, doodling in 3D or acting out nonsense in the studio. So this book is a collection of images, some factual, some descriptive, but many just suggestive, a record of the feeling of making the film rather than a definitive handbook. Book jacket.
Both volumes of the New York Times bestselling The Graveyard Book Graphic Novel are now available in a single-volume paperback edition! Each chapter in this adaptation by P. Craig Russell—now combined into one splendid volume—is illustrated by a different luminary from the comic book world, showcasing a variety of styles from a breadth of talent. Together, they bring Neil Gaiman’s Newbery Medal-winning, nationally bestselling novel The Graveyard Book to new life in this gorgeously illustrated graphic novel adaptation. Inventive, chilling, and filled with wonder, Neil Gaiman’s The Graveyard Book reaches new heights in this stunning single-volume paperback edition.
Noted Lovecraftian scholar R.M.Price assembles this unique Lovecraft-influenced collection of twenty-eight rare tales, from such diverse authors as Neil Gaiman, Jorges Luis Borges, Manly Wade Wellman, and Gustaf Meyrink. Spanning from the 1930s to the 1990s, this kaleidoscopic collection is a triumph of interdimensional threats, ritual magic, and cosmic horrors.
There are sneaking, creeping, crumpling noises coming from inside the walls. Lucy is sure there are wolves living in the walls of their house -- and, as everybody says, if the wolves come out of the walls, it's all over. Her family doesn't believe her. Then one day, the wolves come out. But it's not all over. Instead, Lucy's battle with the wolves is only just beginning.
A photographer once remarked to André Maurois, "If I were to take a picture of a village wedding, Jean Cocteau would appear between the bride and groom." And he was right; Cocteau was photographed everywhere, by everyone, in all guises and poses. Cecil Beaton posed him smoking an opium pipe, Lucien Clergue caught him in the romantic ruins of Arles where Cocteau was shooting Orphée, Arnold Newman shot him in Paris, and Philippe Halsman in New York. Cocteau possessed, of course, a modern genius for self-promotion, but he also cared deeply about his own art and the art of a technique he embraced with passion throughout his lifetime -- photography.
Meet LONG JOHN McRON, SHIP'S COOK . . . and the most unusual babysitter you've ever seen. Long John has a whole crew of wild pirates in tow, and—for one boy and his sister—he's about to transform a perfectly ordinary evening into a riotous adventure beneath a pirate moon. It's time to make some PIRATE STEW. Marvelously silly and gloriously entertaining, this tale of pirates, flying ships, doughnut feasts and some rather magical stew is perfect for all pirates, both young and old. With a deliciously rhyming text from master storyteller Neil Gaiman and spellbinding illustrations by the supremely talented Chris Riddell, this is the picture book of the year! Pirate Stew! Pirate Stew! Pirate Stew for me and you! Pirate Stew, Pirate Stew Eat it and you won’t be blue You can be a pirate too!
In this #1 New York Times bestseller, Neil Gaiman returns to the territory of his masterpiece, American Gods to once again probe the dark recesses of the soul. God is dead. Meet the kids. Fat Charlie Nancy’s normal life ended the moment his father dropped dead on a Florida karaoke stage. Charlie didn’t know his dad was a god. And he never knew he had a brother. Now brother Spider is on his doorstep—about to make Fat Charlie’s life more interesting . . . and a lot more dangerous. “Thrilling, spooky, and wondrous.” —Denver Post “Awesomely inventive.… When you take the free-fall plunge into a Neil Gaiman book, anything can happen and anything invariably does.” —Entertainment Weekly “Delightful, funny and affecting.... A tall tale to end all tall tales.” —Washington Post Book World
