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Twelve-year-old Cindy begins seventh grade with a certain amount of apprehension, but discovers that her new friends and experiences are thoroughly enjoyable.
A clever, bluesy riff on middle-kid angst Lee has the low-down, big-frown, sulkin?-all-aroundtown blues. His older brother gets all the big-kid privileges, and no one expects his little sister to do anything but be cute. And sometimes his family even leaves him behind! But when Lee breaks out his guitar and finally makes his voice be heard, he draws a big crowd. It turns out lots and lots of people share his middle-kid pain'and he loves how being stuck in the middle is making him the center of attention.
Middle School is the worst period in a child's life. He or she has to undergo bullying, and an often painful transition from childhood to young adulthood. It is also a period most neglected at home and in school, for the child grows rebellious as he feels he is misunderstood and unjustly dealt with. Parents feel helpless to interfere. Imagine what then can be the plight of twins? Set in teeming, exotic Mumbai, India, this is the story about Raman and Sunny who are twins. Their childhood period was full of companionship and love and healthy competition. But with their graduation to middle school their travails began. Raman and Sunny felt suffocated on being compared with each other. Each wanted to choose his own path, be it academics or sports. They drifted apart and the bullying began. Where before their togetherness was their strength, their separation resulted in their being isolated and bullied, especially the mild Raman. Resentment between the twins creeps in and the crevice in their relationship widens. The mild Raman allows resentment to feed him and he becomes irritable and destructive. This leads to him being thrust before the school counsellor, Mrs. Bulwa, who decides that the best way to deal with waywardness in children, is to deprive them of their comfort zone. Raman's only solace is his friend Imran. Imran is the son of a Doctor. He is weak in studies but has a literary bent of mind. He shares his passion with Raman. But as things turn out, even here Raman misreads the situation and resorts to a deed which lowers him in the estimation of his father. Enter Sunil Sir. He is a reformer teacher who firmly believes that children should be encouraged to explore the different subjects taught by research and analysis methods to inculcate a love for learning and literature. Though sometimes prejudiced by past events, he does not allow this to cloud his judgement. The book deals with parenting, the agony of middle school, the individuality of each child, the jealousy, resentment and fear of change faced by both children and teachers, each at their level. It deals with violence, resentment, bullying, and defiance in children. It explores new methods to get the child on the right path by introducing him to those less fortunate than himself. It explores a synthesis in learning and new and fun methods of teaching. And it deals with the inherent goodness in children and in man. It's a family story, which shows that love, forgiveness and understanding in family life will help bring stability to a child's life.
It's tough to move right before school starts. First Day Blues, about a girl's move to a new state, guides children through the trauma of changing schools and facing strange teachers and classmates.
The much-anticipated reissue of a novel that is one of Joyce Carol Oates’s personal favorites among her oeuvre; featuring a new afterword by Oates IN THE HEART OF A LANGUID JULY, ELEVEN-YEAR-OLD JOHN REDDY HEART drives a traffic-stopping, salmon-colored Cadillac into the quiet upstate town of Willowsville, New York. His mother, Dahlia Heart, a blackjack dealer, has brought her family east from Las Vegas to claim the rambling mansion left to her by a wealthy suitor. But it is John Reddy—already growing into a heartbreaking hybrid of James Dean, Marlon Brando, and Elvis Presley—who will claim the town itself. It is John Reddy who will arouse the desire of Willowsville’s teenage girls and the worship of its boys, the fear and envy of its men, and the yearning of its women. And it is John Reddy who will capture the town’s soul forever on the night a prominent citizen is shot dead in Dahlia Heart’s bedroom—and a statewide manhunt sweeps Willowsville’s rebel outlaw into the realm of living myth. Over the course of thirty years, Broke Heart Blues charts the rise and fall—and the ultimate call to reckoning— of John Reddy Heart, through the myriad voices of those who find him their whipping boy, savior, dream lover, and confessor. At once a scathing indictment of the cultlike nature of fame and celebrity in America and a deeply moving mediation on human need and longing, the novel explores loneliness, and the profound price we pay for our desires and dreams.
So You Want to Sing the Blues: A Guide for Performers shines a light on the history and vibrant modern life of blues song. Eli Yamin explores those essential elements that make the blues sound authentic and guides readers of all backgrounds and levels through mastering this art form. He provides glimpses into the musical lives of the women and men who created the blues along with a listening tour of seminal recordings in the genre’s history. The blues presents many unique challenges for singers, who must shout, slide, and serenade around the accompanying music. By offering concrete explanations and exercises of key blues elements, this book guides singers to create authentic self-expressions informed by the style’s rich history and supported by strong technique. Teachers and singers of all levels will find this book a welcome guide to participating in this culturally diverse and uplifting style. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing the Blues features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
Hailed as an “American counter-culture classic,” this “funny” and candid musical memoir offers a delicious glimpse into the 1930s jazz scene (The Wall Street Journal) Mezz Mezzrow was a boy from Chicago who learned to play the sax in reform school and pursued a life in music and a life of crime. He moved from Chicago to New Orleans to New York, working in brothels and bars, bootlegging, dealing drugs, getting hooked, doing time, producing records, and playing with the greats, among them Louis Armstrong, Bix Beiderbecke, and Fats Waller. Really the Blues—the jive-talking memoir that Mezzrow wrote at the insistence of, and with the help of, the novelist Bernard Wolfe—is the story of an unusual and unusually American life, and a portrait of a man who moved freely across racial boundaries when few could or did, “the odyssey of an individualist . . . the saga of a guy who wanted to make friends in a jungle where everyone was too busy making money.”
Ninth Grade Blues follows four teens through the adventures and misadventures of the first year of high school. Interweaving first person stories are told by: Luke: a shy, poorly dressed boy from the wrong side of the tracks. But he has hidden talents in science -- and he is even appealing to some girls. Elly: sociable and friendly, Elly worries about getting a boy to like her. She has frizzy hair, and a few excess pounds. However, she is also a top notch student. Elly has her life mapped out, all the way through a big church wedding and a house in the suburbs. Marcus: a freshman superstar, Marcus plays football and basketball at the varsity level and has his sights on a D-I college scholarship. He worries about having to choose between the NBA and the NFL. Mia: a smart, dedicated girl who gets straight A's. Her Mexican-American parents are intent on matching her up with a nice Hispanic boy. But Mia and Luke begin studying together, and very soon, Mia develops other opinions.
