eBook downloads, eBook resources & eBook authors
In Look Both Ways, respected branding consultant and design community leader Debbie Millman has constructed a series of essays that examine the close relationship between design and everyday life. You'll find inspiration on every page as you meander through illuminating observations that are both personal and universal. Each beautifully illustrated essay reveals the magic - and wonder - of the often unseen world around us. Excerpt from "Look Both Ways" It occurred to me, as I stood there, that I could simultaneously, vividly look both ways - backward and forward, in time - at once. I remembered longing to know what was coming, who I would become and how. And I suddenly saw it all over again in front of me. The light was exactly the same, and as the sun fell and the summer shadows slivered against the elegant, lean, concrete towers in the distance, I recognized the smell of the warm air, the precise pink and grey of the coming dusk and the mysterious melancholy and joy of both knowing and not-knowing, and the continuity that occurs when both collide.—Debbie Millman
With humor and sensitivity, a debut novelist explores the coming of age of a girl caught between two cultures as she finds the courage to forge a new destiny. "Miss, will you be my Amiga?" Amiga means "friend" in Spanish, but at the youth center, it meant a lady to take you places. I never asked myself if two people as different as Miss and me could ever really be amigas. When Jacinta Juarez is paired with a rich, famous mentor, she is swept away from the diapers and dishes of her own daily life into a world of new experiences. But crossing la linea into Miss's world is scary. Half of Jacinta aches for the comfort of Mamá and the familiar safety of the barrio, while the other half longs to embrace a future that offers more than cleaning stuff for white people. When her family is torn apart, Jacinta needs to bring the two halves of herself together to win back everything she's lost. Can she channel the power she's gained from her mentor and the strength she's inherited from Mamá to save her shattered home life?
Aspiring to be the fastest sprinter on his elite middle school's track team, gifted runner Ghost finds his goal challenged by a tragic past with a violent father.
Written nearly two decades since Ellison's film-adapted book, Miracles Happen: One Mother, One Daughter, One Journey, LOOK BOTH WAYS offers a more mature, more contemplative look at life after the accident that left her paralyzed from the neck down at age eleven. Using personal and, at times, emotionally challenging events in her life as a platform, Ellison compels readers to reflect upon experiences in their own lives and thrive as a result of them. Exploring topics such as identity, ethics, inclusion, hope, and love as part autobiography and part sociological analysis, Ellison imparts universal truths fueled by the unrelenting spirit of one who refuses to be defined by a single event in her life, but rather chooses to be defined by all of them.
Thoughtful, funny, and steeped in the wild drama of growing up, Alison Cherry’s new novel is the story of a girl hoping she’s found a place to belong . . . only to learn that neither talent nor love is as straightforward as she thinks. A summer away from the city is the beginning of everything for Brooklyn Shepard. Her acting apprenticeship at the Allerdale Playhouse is a chance to prove that she can carve out a niche all her own, surrounded by people who don’t know anything about her or her family of superstar performers. Brooklyn immediately hits it off with her roommate, Zoe, and soon their friendship turns into something more. Brooklyn wants to see herself as someone who’s open to everything and everyone, but as her feelings for Zoe intensify, so do her doubts. As she questions her sexuality, her role as an artist, and her place in her family, Brooklyn discovers that neither talent nor love are as straightforward as she thinks. Winner of the 2016 Bisexual Book Award for YA An ALA Rainbow List Selection "Enthralling . . . Brooklyn’s journey is shared, at its heart, by all young people, and her story will speak to many readers." --VOYA "This breezy story of summer love and self-discovery has surprising depth . . . packed with humor and emotion." --Booklist "A well-written novel that pushes the envelope but remains true to its premise." --SLJ
When crossing a street, we need to look left, right, left! to be safe. With close text to illustration pairing, children will enjoy singing about safety in this twist on a classic song. This eBook includes online music access.
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
When Filbert the squirrel goes to his grandmother's to pick up acorns, he learns the importance of looking both ways before crossing the street.
