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- Author: Vincenzo Galati
- Publisher: Onirica Edizioni
- ISBN: 8896797209
- Category : Fiction
- Languages : en
- Pages : 130
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Bringing together chapters on the bestseller, detective fiction, popular romance, science fiction and horror, this text provides an account of the cultural theories that have informed the study of popular fiction.
CAUTION! You are about to enter a world... where all engineering ingenuity has been employed for public spectacles of torture and death where the stock market operates with pari-mutuel machines where a court clerk transcribes testimony on punch cards, then feeds it to a jury machine where the dream real-estate development of today has become a cracked-concrete savage jungle In this world, young lawyer Charles Mundin battles a great combine of corporate interests—battles them in board meetings and in dark alleys—in a struggle that lays bare some brutal promises of the future...promises we are beginning to make right now. “...wholly admirable, in both thinking and execution.”—Galaxy “Reminiscent in vigor, bite and acumen to THE SPACE MERCHANTS”—Anthony Boucher. “...possessed of a bite and savage vigor which makes it one of the outstanding science fiction novels of the year.”—The New York Times “...a powerfully convincing story.”—New York Herald Tribune
The purpose of this book is to provide a clear and systematic account of the complexities of fictional narration which result from the shifting relationship in all storytelling between the story itself and the way it is told.
This volume is the first translation of Romano Bilenchi’s 1940 masterpiece to appear in English. This is surprising since The Conservatory of Santa Teresa is much more than an invaluable historical document of life in provincial Tuscany around the time of the First World War. It is truly one of the most important works of fiction published in Italy under Fascism. In telling of the pre-adolescent Sergio’s encounter with the larger world of sex, politics, and the violence and cruelty of adult life, Bilenchi succeeds in representing a universal paradigm, that of the clash of innocence with experience. But what makes Sergio’s trajectory unique is that he goes through it in the company of three extraordinary women who are at once femmes fatales and benevolent guides: his mother, his aunt, and his tutor, all almost unbearably beautiful, as least in Sergio’s eyes. These women, plus the dazzling landscape of the Sienese countryside as captured by Bilenchi, make Sergio’s journey an enviable even if sometimes painful and bewildering experience.
Poetry. Bilingual Edition. Translated from the Italian by Anthony Molino and Chrstinia Viti. Mariangela Gualtieri is one of Italy's admired lyrical poets. BEAST OF JOY, with selections from her six collections of verse, is her first book in English. "Gualtieri has put on the clothes, or if you prefer, assumed the role of a female St. Francis, with a dedication that leaves no doubt regarding the urgency and depth of her poetry. The result is one of the most impassioned odes to the universe and to creation that one could hope to find in these days."--Professor Nicola Gardini, Oxford University "Mariangela Gualtieri is widely admired in ltaly for her inspired and dynamic performances of her own poems and of those many masterpieces of the tradition that she carries by heart within her. With BEAST OF JOY, Anthony Molino and Cristinia Viti introduce English-language readers to a generous selection of her meditations on the many seasons of her life: here she celebrates with fear, wonder and an ever-present sense of jubilation, the gravity of age, the lightness of the clouds."--Susan Stewart "BEAST OF JOY is a book that celebrates permanence: that which, in the throes of dissolution, echoes across time and demands of us the words whereby duration is made possible. In so doing, Gualtieri takes us into the very heart of nature and reveals its archetypes, supporting structures and foundations, all scripted in the vibrant palpitations of the lyrical force of her language."--Milo de Angelis "Mariangela Gualtieri is a poet of great incandescence who writes with searing honesty and compassion. A veteran of the theater, Gualtieri possesses a voice that can be thunderous and oracular, but also painfully intimate. BEAST OF JOY is a beautifully translated introduction to one of Italy's finest contemporary poets."--Olivia E. Sears, founder of The Center for the Art of Translation
This book challenges critical approaches that argue for Giacomo Leopardi’s and Samuel Beckett’s pessimism and nihilism. Such approaches stem from the quotation of Leopardi in Beckett’s monograph Proust, as part of a discussion about the removal of desire. Nonetheless, in contrast to ataraxia as a form of ablation of desire, the desire of and for the Other is here presented as central in the two authors’ oeuvres. Desire in Leopardi and Beckett is read as lying at the cusp between the theories of Jacques Lacan and Emmanuel Levinas, a desire that splits as much as it moulds the subject when called to address the Other (inspiring what Levinas terms ‘infinity’ as opposed to ‘totality,’ an infinity pitted against the nothingness crucial to pessimist and nihilist readings).