Investigating Musical Performance

Investigating Musical Performance

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  • Author: Gianmario Borio
  • Publisher: Routledge
  • ISBN: 0429649118
  • Category : Art
  • Languages : en
  • Pages : 187

Investigating Musical Performance considers the wide range of perspectives on musical performance made tangible by the cross-disciplinary studies of the last decades and encourages a comparison and revision of theoretical and analytical paradigms. The chapters present different approaches to this multi-layered phenomenon, including the results of significant research projects. The complex nature of musical performance is revealed within each section which either suggests aspects of dialogue and contiguity or discusses divergences between theoretical models and perspectives. Part I elaborates on the history, current trends and crucial aspects of the study of musical performance; Part II is devoted to the development of theoretical models, highlighting sharply distinguished positions; Part III explores the relationship between sign and sound in score-based performances; finally, the focus of Part IV centres on gesture considered within different traditions of musicmaking. Three extra chapters by the editors complement Parts I and III and can be accessed via the online Routledge Music Research Portal. The volume shows actual and possible connections between topics, problems, analytical methods and theories, thereby reflecting the wealth of stimuli offered by research on the musical cultures of our times.


Advanced Musical Performance: Investigations in Higher Education Learning

Advanced Musical Performance: Investigations in Higher Education Learning

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  • Author: Ioulia Papageorgi
  • Publisher: Routledge
  • ISBN: 1317185269
  • Category : Music
  • Languages : en
  • Pages : 405

To reach the highest standards of instrumental performance, several years of sustained and focused learning are required. This requires perseverance, commitment and opportunities to learn and practise, often in a collective musical environment. This book brings together a wide range of enlightening current psychological and educational research to offer deeper insights into the mosaic of factors and related experiences that combine to nurture (and sometimes hinder) advanced musical performance. Each of the book's four sections focus on one aspect of music performance and learning: musics in higher education and beyond; musical journeys and educational reflections; performance learning; and developing expertise and professionalism. Although each chapter within its home section offers a particular focus, there is an underlying conception across all the book’s contents of the achievability of advanced musical performance and of the important nurturing role that higher education can play, particularly if policy and practice are evidence-based and draw on the latest international research findings. The narrative offers an insight into the world of advanced musicians, detailing their learning journeys and the processes involved in their quest for the development of expertise and professionalism. It is the first book of its kind to consider performance learning in higher education across a variety of musical genres, including classical, jazz, popular and folk musics. The editors have invited an international community of leading scholars and performance practitioners to contribute to this publication, which draws on meticulous research and critical practice. This collection is an essential resource for all musicians, educators, researchers and policy makers who share our interest in promoting the development of advanced performance skills and professionalism.


Performing Music Research

Performing Music Research

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  • Author: Aaron (Professor of Performance Science Williamon, Professor of Performance Science Royal College of Music)
  • Publisher: Oxford University Press, USA
  • ISBN: 0198714548
  • Category :
  • Languages : en
  • Pages : 545

Performing Music Research is a comprehensive guide to planning, conducting, analyzing, and communicating research in music performance. The book examines the approaches and strategies that underpin research in music education, psychology, and performance science.


The Psychology of Music Performance Anxiety

The Psychology of Music Performance Anxiety

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  • Author: Dianna Kenny
  • Publisher: Oxford University Press
  • ISBN: 0199586144
  • Category : Music
  • Languages : en
  • Pages : 386

Why are some performers exhilarated and energized about performing in public, while others feel a crushing sense of fear and dread, and experience public performance as an overwhelming challenge that must be endured? These are the questions addressed in this book, the first rigorous exposition of this complex phenomenon.


A Musicology of Performance

A Musicology of Performance

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  • Author: Dorottya Fabian
  • Publisher: Open Book Publishers
  • ISBN: 178374152X
  • Category : Music
  • Languages : en
  • Pages : 356

This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus.


Investigating Musical Performance as Embodied Socio-emotional Meaning Construction

Investigating Musical Performance as Embodied Socio-emotional Meaning Construction

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  • Author: Jorge Manuel Salgado de Castro Correia
  • Publisher:
  • ISBN:
  • Category :
  • Languages : en
  • Pages :


Coughing and Clapping: Investigating Audience Experience

Coughing and Clapping: Investigating Audience Experience

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  • Author: Dr Karen Burland
  • Publisher: Ashgate Publishing, Ltd.
  • ISBN: 1472410297
  • Category : Music
  • Languages : en
  • Pages : 227

This collection explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. The book brings together international researchers who consider the experience of being an audience member from a range of theoretical and empirical perspectives and the question of what makes an audience, arguing convincingly for the practical and academic value of that question.


Expressiveness in Music Performance

Expressiveness in Music Performance

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  • Author: Dorottya Fabian
  • Publisher: Oxford University Press, USA
  • ISBN: 0199659648
  • Category : Medical
  • Languages : en
  • Pages : 423

This book brings together researchers from a range of disciplines that use diverse methodologies to provide new perspectives and formulate answers to questions about the meaning, means, and contextualisation of expressive performance in music.


Looking for the Harp Quartet

Looking for the Harp Quartet

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  • Author: Markand Thakar
  • Publisher: University Rochester Press
  • ISBN: 1580463460
  • Category : Music
  • Languages : en
  • Pages : 229

This book is a philosophical tour through the experience of beauty: what it is, and how the composer, performer, and listener all contribute. It explores -- with insight, patience, and humor -- profound issues at the essence of our experience. A student performance of Beethoven's String Quartet No. 10 in E-Flat Major, known as the "Harp," serves as a point of departure and a recurring theme. For the layperson the core of the book is five dialogues between Icarus, an inquiring student intensely concerned with fulfilling his highest potential as a musician, and Daedalus, a curmudgeonly, iconoclastic teacher who guides Icarus's search. Three technical articles, geared to the music professional and academic, treat the issues in greater depth. Supplementary online audio files and musical examples. Markand Thakar is Music Director of the Baltimore Chamber Orchestra, and a member of the graduate conducting faculty at the Peabody Conservatory of the Johns Hopkins University.


Communities of Musical Practice

Communities of Musical Practice

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  • Author: Ailbhe Kenny
  • Publisher: Routledge
  • ISBN: 1317163451
  • Category : Music
  • Languages : en
  • Pages : 156

Every day people come together to make music. Whether amateur or professional, young or old, jazz enthusiasts or rock stars, what is common to all of these musical groups is the potential to create communities of musical practice (CoMP). Such communities are created through practices: ways of engaging, rules, membership, roles, identities and learning that is both shared through collective musical endeavour and situated within certain sociocultural contexts. Ailbhe Kenny investigates CoMP as a rich model for community engagement, musical participation and transformation in music education. This book is the first to produce a valid and reliable in-depth study of music communities using a community of practice (CoP) framework - in this case focusing on the social process of musical learning. Employing case study research within Ireland, three illustrations from particular sociocultural, genre-specific, economic and geographical contexts are examined: an adult amateur jazz ensemble, a youth choir, and an online Irish traditional music web platform. Each case is analysed as a distinct community and phenomenon offering sharpened understandings of each sub-culture with specific findings presented for each community.