Image-Music-Text

Image-Music-Text

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  • Author: Roland Barthes
  • Publisher: Macmillan
  • ISBN: 0374521360
  • Category : Literary Criticism
  • Languages : en
  • Pages : 231

Essays on semiology


How to Read Barthes' Image-Music-Text

How to Read Barthes' Image-Music-Text

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  • Author: Ed White
  • Publisher:
  • ISBN: 9781849647236
  • Category : Literary Criticism
  • Languages : en
  • Pages : 0

Accessible guide to Barthes' most widely taught work. A perfect companion for studying Barthes' ideas in cultural studies and literary theory.


Image Text Music

Image Text Music

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  • Author: Catherine Taylor
  • Publisher: Spbh Editions
  • ISBN: 9781916041257
  • Category :
  • Languages : en
  • Pages : 128

On the unique meaning-making of image-text art In a series of textual and photographic essays, writer and editor Catherine Taylor explores our encounters with the intersection of the visual and the verbal. Taylor riffs on and subverts Roland Barthes' classic 1977 essay collection, Image Music Text, using his title as a playful point of departure for her thinking about the nature of image-text works and the music being made at their intersection. Taylor rejects overarching statements about medium or genre in favor of observing the particular to reveal broader ways of reading that are both familiar and disorientating. These reflections are at once critical and celebratory, dystopian and utopian, investigative and contemplative, didactic and dreamlike. They are imaginings of the world which ask: as we shuttle between linguistic and visual modes of meaning-making, what is the purpose of reinventing forms if not to reinvent ways of living? The author of You, Me, and the Violence, Apart and Giving Birth, Catherine Taylor (born 1964) is a founding editor of Essay Press, and an associate professor in writing at Ithaca College, where she codirects the Image Text MFA. She is also a codirector of ITI Press.


Analysing Popular Music

Analysing Popular Music

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  • Author: David Machin
  • Publisher: SAGE
  • ISBN: 1446241343
  • Category : Art
  • Languages : en
  • Pages : 240

Electronic Inspection Copy available for instructors here Popular music is far more than just songs we listen to; its meanings are also in album covers, lyrics, subcultures, voices and video soundscapes. Like language these elements can be used to communicate complex cultural ideas, values, concepts and identities. Analysing Popular Music is a lively look at the semiotic resources found in the sounds, visuals and words that comprise the 'code book' of popular music. It explains exactly how popular music comes to mean so much. Packed with examples, exercises and a glossary, this book provides the reader with the knowledge and skills they need to carry out their own analyses of songs, soundtracks, lyrics and album covers. Written for students with no prior musical knowledge, Analysing Popular Music is the perfect toolkit for students in sociology, media and communication studies to analyse, understand - and celebrate - popular music.


Empire of Signs

Empire of Signs

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  • Author: Roland Barthes
  • Publisher: Macmillan
  • ISBN: 9780374522070
  • Category : History
  • Languages : en
  • Pages : 132

This anthology by Roland Barthes is a reflection on his travels to Japan in the 1960s. In twenty-six short chapters he writes about his encounters with symbols of Japanese culture as diverse as pachinko, train stations, chopsticks, food, physiognomy, poetry, and gift-wrapping. He muses elegantly on, and with affection for, a system "altogether detached from our own." For Barthes, the sign here does not signify, and so offers liberation from the West's endless creation of meaning. Tokyo, like all major cities, has a center--the Imperial Palace--but in this case it is empty, "both forbidden and indifferent ... inhabited by an emperor whom no one ever sees." This emptiness of the sign is pursued throughout the book, and offers a stimulating alternative line of thought about the ways in which cultures are structured.


Mythologies

Mythologies

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  • Author: Roland Barthes
  • Publisher: Macmillan
  • ISBN: 0809071940
  • Category : Literary Collections
  • Languages : en
  • Pages : 296

"This new edition of MYTHOLOGIES is the first complete, authoritative English version of the French classic, Roland Barthes's most emblematic work"--


Roland Barthes's The Death of the Author

Roland Barthes's The Death of the Author

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  • Author: Laura Seymour
  • Publisher: Taylor & Francis
  • ISBN: 0429818866
  • Category : Literary Criticism
  • Languages : en
  • Pages : 88

Roland Barthes’s 1967 essay, "The Death of the Author," argues against the traditional practice of incorporating the intentions and biographical context of an author into textual interpretation because of the resultant limitations imposed on a text. Hailing "the birth of the reader," Barthes posits a new abstract notion of the reader as the conceptual space containing all the text’s possible meanings. The essay has become one of the most cited works in literary criticism and is a key text for any reader approaching reader response theory.


Camera Lucida

Camera Lucida

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  • Author: Roland Barthes
  • Publisher: Macmillan
  • ISBN: 0374521344
  • Category : Philosophy
  • Languages : en
  • Pages : 134

"Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind."--Alibris.


Elements of Semiology

Elements of Semiology

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  • Author: Roland Barthes
  • Publisher: Macmillan
  • ISBN: 9780374521462
  • Category : Literary Criticism
  • Languages : en
  • Pages : 116

"In his Course in General Linguistics, first published in 1916, Saussure postulated the existence of a general science of signs, or Semiology, of which linguistics would form only one part. Semiology, therefore aims to take in any system of signs, whatever their substance and limits; images, gestures, musical sounds, objects, and the complex associations of all these, which form the content of ritual, convention or public entertainment: these constitute, if not languages, at least systems of signification . . . The Elements here presented have as their sole aim the extraction from linguistics of analytical concepts which we think a priori to be sufficiently general to start semiological research on its way. In assembling them, it is not presupposed that they will remain intact during the course of research; nor that semiology will always be forced to follow the linguistic model closely. We are merely suggesting and elucidating a terminology in the hope that it may enable an initial (albeit provisional) order to be introduced into the heterogeneous mass of significant facts. In fact what we purport to do is furnish a principle of classification of the questions. These elements of semiology will therefore be grouped under four main headings borrowed from structural linguistics: I. Language and Speech; II. Signified and Signifier; III. Syntagm and System; IV. Denotation and Connotation."--Roland Barthes, from his Introduction


A Lover's Discourse

A Lover's Discourse

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  • Author: Roland Barthes
  • Publisher: Macmillan
  • ISBN: 0809066890
  • Category : Fiction
  • Languages : en
  • Pages : 258

"Barthes's most popular and unusual performance as a writer is "A Lover's Discourse," a writing out of the discourse of love. This language primarily the complaints and reflections of the lover when alone, not exchanges of a lover with his or her partner is unfashionable. Thought it is spoken by millions of people, diffused in our popular romances and television programs as well as in serious literature, there is no institution that explores, maintains, modifies, judges, repeats, and otherwise assumes responsibility for this discourse . . . Writing out the figures of a neglected discourse, Barthes surprises us in "A Lover's Discourse" by making love, in its most absurd and sentimental forms, an object of interest." Jonathan Culler