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An award-winning poet and anthologist provides a versatile guide for young readers and offers concrete advice that will help them express themselves through poetry.
These open-ended sheets provide models for different forms of poetry, from acrostic and haiku to rondelet. All the models included have an in-built success factor because their simple, but clever structures invite the children to mirror them. Once sutdents have mastered the forms, they will be able to apply them to any topic ideas, including those given elsewhere in this book. The activities include: finding a beginning; using words to paint a picture; making up similes; rhyming; writing limericks, haikus, acrostic poems, riddles, cinquains, rondelets, poems that repeat a line, and poems that go on and on...
With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. "Stunning" (Los Angeles Times). Index.
From the nuts and bolts of craft to the sources of inspiration, this book is for anyone who wants to write poetry-and do it well. The Poet's Companion presents brief essays on the elements of poetry, technique, and suggested subjects for writing, each followed by distinctive writing exercises. The ups and downs of writing life—including self-doubt and writer's block—are here, along with tips about getting published and writing in the electronic age. On your own, this book can be your "teacher," while groups, in or out of the classroom, can profit from sharing weekly assignments.
Essential reading for scholars, poetry lovers, and anyone with an interest in Rainer Maria Rilke, German poetry, or the creative impulse, these ten letters of correspondence between Rilke and a young aspiring poet reveal elements from the inner workings of his own poetic identity. The letters coincided with an important stage of his artistic development and readers can trace many of the themes that later emerge in his best works to these messages—Rilke himself stated these letters contained part of his creative genius.
Comedian and actor Stephen Fry's witty and practical guide, now in paperback, gives the aspiring poet or student the tools and confidence to write and understand poetry. Stephen Fry believes that if one can speak and read English, one can write poetry. In The Ode Less Travelled, he invites readers to discover the delights of writing poetry for pleasure and provides the tools and confidence to get started. Through enjoyable exercises, witty insights, and simple step-by-step advice, Fry introduces the concepts of Metre, Rhyme, Form, Diction, and Poetics. Most of us have never been taught to read or write poetry, and so it can seem mysterious and intimidating. But Fry, a wonderfully competent, engaging teacher and a writer of poetry himself, sets out to correct this problem by explaining the various elements of poetry in simple terms, without condescension. Fry's method works, and his enthusiasm is contagious as he explores different forms of poetry: the haiku, the ballad, the villanelle, and the sonnet, among many others. Along the way, he introduces us to poets we've heard of but never read. The Ode Less Travelled is not just the survey course you never took in college, it's a lively celebration of poetry that makes even the most reluctant reader want to pick up a pencil and give it a try.
For all its storied past and lofty reputation, poetry is really just the art of noticing, naming, and comparing the stuff of this world. Unlike the eye of modern science (which sees the world as a giant specimen for us to dissect), poetry fosters and nurtures life by finding wonder in the nooks and crannies of ordinary life. Suzanne Rhodes, a longtime poet and teacher, offers The Roar on the Other Side as an introductory guide for students (junior high and up). Clear and imaginative, this book makes poetry approachable. Focusing on the importance of sight and the necessity of practice, Rhodes easily communicates the joy of words to her readers and helps them see how good poetry binds all seemingly-contradictory things together. Students will emerge from this book with a good handle on the basics of writing poetry and a new appreciation for the awesome world in which we live.
MINING FOR STARDUST is a fiery and tender witness, a poetic chronology of one of the greatest collective paradigm shifts of our lifetime. Coggin's first poem in the collection was written on the first day of the COVID-19 lockdown. Each subsequent poem moves the reader through the pandemic, the summer of protests, the U.S. presidential election, and toward what seems like the other side of this darkest time in our memory. She does not shy away from the atrocities and the heartbreak, but leaves the reader in a space of healing. The book is intermittently filled also with nature, birds, and love poems for her wife, her safe inner world. MINING FOR STARDUST is an intentional practice in finding streaks of light in the shadows, "sifting flakes of space for gold/ amidst the dark matter/ surrounding us on all sides." It is memorial, grief, joy, beauty, truth, resistance, reflection, love, and balm for the aching human heart. It is the work of a scribe who earnestly engraves this moment into our human history. This collection is something you can hold in your hands, point to, and say, "I lived through all of this, too. I survived. I made it to the other side."
An excellent manual that will transform your writing and assist beginners that want to start writing poetry. How To Write a Poem By Rafa Selase highlights essential traits of great poetry and what each writer and poet can do to transform their writing career. Selase just released a revolutionary literary work, that included 200 pages of written content, poetry and original music for those that buy the audiobook. "How to Write a Poem: 21 Traits of Great Poetry and How To Write A Good Poem" Is the perfect resource for poets and writers.
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.
