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This is the remarkable story of the unlikely origins of modern media culture. In the early 19th century, a few entrepreneurs decided the time was right to launch a true mass media in America. Though they were savvy businessmen, their publishing enterprises were not commercial businesses but nonprofit religious organizations.
He argues that the reasonableness of faith depends not only on beliefs about the world but also on beliefs about oneself (for instance about what one wants, about one's hopes and fears) and on what one is willing to trust. Helm goes on to look at the relations between belief and trust, and between faith and virtue, and concludes with an exploration of one particular type of belief about oneself, the belief that one is oneself a believer. This is a book for anyone interested in the basis of religious faith."--BOOK JACKET.
New York Times Bestseller “A touching series of essays in which Evans, with Chu’s invisible pen, explores how one might find a path forward in Christianity beyond conservative evangelicalism” -Eliza Griswold, The New Yorker “Evans died at 37, but a beautiful new book captures her brave outlook. . . . I could not help but notice the poetry in Evans’s prose. . . . What readers will find in these pages was someone deeply human: funny, irreverent, curious, wise, forgiving, nonjudgmental.” -Maggie Smith, The Washington Post A collection of original writings by Rachel Held Evans, whose reflections on faith and life continue to encourage, challenge, and influence. Rachel Held Evans is widely recognized for her theologically astute, profoundly honest, and beautifully personal books, which have guided, instructed, edified, and shaped Christians as they seek to live out a just and loving faith. At the time of her tragic death in 2019, Rachel was working on a new book about wholeheartedness. With the help of her close friend and author Jeff Chu, that work-in-progress has been woven together with some of her other unpublished writings into a rich collection of essays that ask candid questions about the stories we’ve been told—and the stories we tell—about our faith, our selves, and our world. This book is for the doubter and the dreamer, the seeker and the sojourner, those who long for a sense of spiritual wholeness as well as those who have been hurt by the Church but can’t seem to let go of the story of Jesus. Through theological reflection and personal recollection, Rachel wrestles with God’s grace and love, looks unsparingly at what the Church is and does, and explores universal human questions about becoming and belonging. An unforgettable, moving, and intimate book.
CORETTA SCOTT KING AWARD WINNER • CALDECOTT HONOR BOOK • A NEW YORK TIMES BEST ILLUSTRATED BOOK Acclaimed artist Faith Ringgold seamless weaves fiction, autobiography, and African American history into a magical story that resonates with the universal wish for freedom, and will be cherished for generations. Cassie Louise Lightfoot has a dream: to be free to go wherever she wants for the rest of her life. One night, up on “tar beach,” the rooftop of her family’s Harlem apartment building, her dreams come true. The stars lift her up, and she flies over the city, claiming the buildings and the city as her own. As Cassie learns, anyone can fly. “All you need is somewhere to go you can’t get to any other way. The next thing you know, you’re flying among the stars.”
Families around the world celebrate faith in many different ways—through praying, singing, learning, helping, caring, and more. With stunning photographs from many cultures and religious traditions, Faith celebrates the ways in which people worship around the globe . Thematically organized back matter gives additional information on common expressions of faith, and a glossary describes particular religions and elements of faith depicted in the book. A portion of the proceeds from the sales of this book helps support The Global Fund for Children’s grantmaking to community-based projects serving vulnerable children around the world.
Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean (c. 300–800 CE), compares them to similar texts from pagan, Jewish, and Muslim spaces of worship, and explores how they functioned both textually and visually. These texts not only recorded the names and prayers of the faithful, but were powerful verbal and visual statements of cultural values and religious beliefs, conveying meaning through their words as well as through their appearances. In fact, the two were intimately connected. All of these texts – Christian, Jewish, Muslim, and pagan – acted visually, embracing their own materiality as mosaic, paint, or carved stone. Colourful and artfully arranged, the inscriptions framed human relationships with the divine, encouraged responses from readers, and made prayers material. In the first in-depth examination of the inscriptions as words and as images, the author reimagines the range of aesthetic, cultural, and religious experiences that were possible in spaces of worship. Inscribing Faith in Late Antiquity is essential reading for those interested in Roman, late antique, and Byzantine material and visual culture, inscriptions and other texts, and religious life in the ancient Mediterranean.
An attractive, sensitively written book that can help young children better understand their playmates and neighbors who may be of different faiths. Such an approach today helps ensure peace and cooperation tomorrow in our ever more diverse society. -Joan Brown Campbell General Secretary, National Council of Churches in Christ in the USA The concise, descriptive text and beautiful illustrations provide an informative and entertaining resource to help children-and adults-understand the diversity as well as the similarity of the world's religions. -Jimmy Carter 39th President of the United States of America At long last, a book that simply and accurately introduces children to many of the world's religious traditions. Teachers now have a lively and beautiful new resource for making sure that learning about religions is an important part of elementary education. -Charles C. Haynes Senior Scholar, Freedom Forum First Amendment Center
A magisterial, myth-dispelling history of Islamic Spain spanning the millennium between the founding of Islam in the seventh century and the final expulsion of Spain's Muslims in the seventeenth In Kingdoms of Faith, award-winning historian Brian A. Catlos rewrites the history of Islamic Spain from the ground up, evoking the cultural splendor of al-Andalus, while offering an authoritative new interpretation of the forces that shaped it. Prior accounts have portrayed Islamic Spain as a paradise of enlightened tolerance or the site where civilizations clashed. Catlos taps a wide array of primary sources to paint a more complex portrait, showing how Muslims, Christians, and Jews together built a sophisticated civilization that transformed the Western world, even as they waged relentless war against each other and their coreligionists. Religion was often the language of conflict, but seldom its cause -- a lesson we would do well to learn in our own time.
Through research and "faith-life" stories, readers are encouraged to view growing in faith as a life-long process. Addresses key questions in an adult's faith life such as doubt, stages of growth, and more.
Learning from Black voices means listening to more than snippets. It means attending to Black stories. Reading Black Books helps Christians hear and learn from enduring Black voices and stories as captured in classic African American literature. Pastor and teacher Claude Atcho offers a theological approach to 10 seminal texts of 20th-century African American literature. Each chapter takes up a theological category for inquiry through a close literary reading and theological reflection on a primary literary text, from Ralph Ellison's Invisible Man and Richard Wright's Native Son to Zora Neale Hurston's Moses, Man of the Mountain and James Baldwin's Go Tell It on the Mountain. The book includes end-of-chapter discussion questions. Reading Black Books helps readers of all backgrounds learn from the contours of Christian faith formed and forged by Black stories, and it spurs continued conversations about racial justice in the church. It demonstrates that reading about Black experience as shown in the literature of great African American writers can guide us toward sharper theological thinking and more faithful living.
