PDF Europe Since 1870 Download
- Author: James Joll
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- Languages : en
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This book adopts a revisionist perspective on the European economy, addressing the lack of coherent study of the agricultural sector and reassessing old theories about the links between agricultural and economic development.
As Europe descended into an era of war and 19th century hopes for peace faded, warfare was itself transformed by the growth of nationalism and technological advances. This study assesses the influence of war on European society between 1870 and 1970.
The study of modern racism has tended to treat anti-Semitism and anti-black racism as separate and unconnected phenomena. This innovative study argues that a full understanding of the origins and development of racism in Europe after 1870 needs to examine the structure and interrelationships between the two dominant forms of prejudice. Contrary to expectation. anti-black racism was not confined to the colonial maritime nations of western Europe, but pepetrated even the rural societies of central and eastern Europe. Likewise, anti-Semitism could flourish even in the almost total absence of Jews. MacMaster explores the conditions under which modern political movements, faced with the crisis of modernity, began to draw upon and mobilise the negative stereotypes that, through the development of the mass media, had become almost universal features of popular culture. By weaving together the changing spatial and temporal dimensions of anti-Semitic and anti-black prejudice the study provides a fresh and more global framework for understanding modern racism.
THE year 1870 will long remain memorable in the annals of Europe. For in that year occurred a great and decisive war whose outcome was destined to exercise a large and profound influence upon the history of the subsequent period; whose consequences were to prove pervasive, far-reaching and unhappy, just as the four terrible years through which the world has recently passed will inevitably determine the future of the world for many decades to come. There was a certain tragic unity to that intervening period between the Franco-Prussian War and the World War, the shadow of the former, the dread of the latter hovering over the minds of men, full of menace, inspiring a recurrent sense of uneasiness and alarm. All the various streams of activity, all the different movements, national and international, social and economic, intellectual and spiritual, all the complex and diverse phenomena of the life of Europe during that crowded half-century took their form and color largely from the memory of war, the fear of war, the preparation for war. A period like that is surely worth studying. Indeed only if men acquire or possess a just understanding of it, only if they retain a vivid sense of its lessons and its warnings, will they be able to avert a repetition of its horrors, only thus will they have the aid of either chart or compass on their voyage into the future.
This book reinterprets the historical evolution has been developing since the sixteenth century and especially of the crisis in that Community resulting from the world wars and revolutions of our time. National politics and policy, as the central concern of modern Europe (and America), receive chief attention, but not to the neglect of those social, economic and ideological factors which shape or at least condition political thought and action.
The soul, which dominated many intellectual debates at the beginning of the twentieth century, has virtually disappeared from the sciences and the humanities. Yet it is everywhere in popular culture—from holistic therapies and new spiritual practices to literature and film to ecological and political ideologies. Ignored by scholars, it is hiding in plain sight in a plethora of religious, psychological, environmental, and scientific movements. This book uncovers the history of the concept of the soul in twentieth-century Europe and North America. Beginning in fin de siècle Germany, Kocku von Stuckrad examines a fascination spanning philosophy, the sciences, the arts, and the study of religion, as well as occultism and spiritualism, against the backdrop of the emergence of experimental psychology. He then explores how and why the United States witnessed a flowering of ideas about the soul in popular culture and spirituality in the latter half of the century. Von Stuckrad examines an astonishingly wide range of figures and movements—ranging from Ernest Renan, Martin Buber, and Carl Gustav Jung to the Esalen Institute, deep ecology, and revivals of shamanism, animism, and paganism to Rachel Carson, Ursula K. Le Guin, and the Harry Potter franchise. Revealing how the soul remains central to a culture that is only seemingly secular, this book casts new light on the place of spirituality, religion, and metaphysics in Europe and North America today.
This ground-breaking book presents a critical study of pictorial narrative in nineteenth-century European painting. Covering works from France, Germany, Britain, Italy and elsewhere, it traces the ways in which immensely popular artists like Jean-Léon Gérôme, Karl von Piloty and William Quiller Orchardson used unique visual strategies to tell thrilling and engaging stories. Regardless of genre, content or national context, these paintings share a fundamental modern narrative mode. Unlike traditional art, they do not rely on textual sources; nor do they tell stories through the human body alone. Instead, they experiment with objects, spaces, cause-and-effect relations and open-ended ambiguity, prompting viewers and reviewers to read for clues in order to weave their own elaborate tales.