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The present volume gathers a selection of texts that attempt to contribute to the critical reflection about digital arts and the social-cultural context in which they arise.
In todays interconnected society, media, including news, entertainment, and social networking, has increasingly shifted to an online, ubiquitous format. Artists and audiences will achieve the greatest successes by utilizing these new digital tools. Digital Arts and Entertainment: Concepts, Methodologies, Tools, and Applications examines the latest research and findings in electronic media, evaluating the staying power of this increasingly popular paradigm along with best practices for those engaged in the field. With chapters on topics ranging from an introduction to online entertainment to the latest advances in digital media, this impressive three-volume reference source will be important to researchers, practitioners, developers, and students of the digital arts.
In "Future Philosophy," embark on a captivating journey that transcends the confines of traditional philosophical discourse. This groundbreaking book explores the uncharted territory of tomorrow's philosophies, presenting a compelling exploration of how philosophy can predict, analyze, and navigate unpredictable developments across various realms. Through a meticulous examination of chronological patterns, "Future Philosophy" unveils profound insights into the interplay between philosophy, social trends, behaviors, technological advancements, and other influential factors. Delve into the tapestry of human thought as it intertwines with the ever-evolving world. Reviews: "A Masterpiece of Futuristic Inquiry: 'Future Philosophy' is a tour de force that illuminates the nexus of philosophy and the unpredictable trajectories of our future. It challenges conventional wisdom and offers groundbreaking insights into the interconnections between philosophy, society, and technological progress." - The Philosophical Review "A Pioneering Work of Intellectual Exploration: 'Future Philosophy' skillfully weaves together an analysis of historical patterns and an astute examination of emerging trends. This thought-provoking book provides readers with a fresh perspective on the profound impacts of philosophy on the ever-evolving world around us." - Future Trends Magazine "A Provocative Glimpse into the Unforeseen: 'Future Philosophy' captivates with its insightful exploration of how philosophy can navigate the unpredictable. It serves as a compass for those seeking to understand the intricate web of influences that shape our future, offering both intellectual stimulation and practical guidance." - The Journal of Speculative Inquiry "A Trailblazing Guide to the Philosophical Landscape Ahead: 'Future Philosophy' challenges readers to rethink the boundaries of philosophy by analyzing the complex interplay between human thought, societal shifts, and technological advancements. This visionary work paves the way for new perspectives and inspires critical thinking for the world to come." - Techno-Philosophical Review "Future Philosophy" is an essential read for philosophers, scholars, and forward-thinking individuals eager to unravel the mysteries of our rapidly changing world. Through its groundbreaking insights and captivating analysis, this book invites readers to ponder the uncharted realms of tomorrow, where philosophy emerges as a guiding force amidst the unpredictable developments that shape our existence.
Imagine mathematics, imagine with the help of mathematics, imagine new worlds, new geometries, new forms. The new volume in the series “Imagine Math” is intended to contribute to grasping how much that is interesting and new is happening in the relationships between mathematics, imagination and culture. The present book begins with the connections between mathematics, numbers, poetry and music, with the latest opera by Italian composer Claudio Ambrosini. Literature and narrative also play an important role here. There is cinema too, with the “erotic” mathematics films by Edward Frenkel, and the new short “Arithmétique “ by Munari and Rovazzani. The section on applications of mathematics features a study of ants, as well as the refined forms and surfaces generated by algorithms used in the performances by Adrien Mondot and Claire Bardainne. Last but not least, in honour of the hundredth anniversary of his birth, a mathematical, literary and theatrical homage to Alan Turing, one of the outstanding figures of the twentieth century.
Proceedings of the 12th International Conference on Human Interaction and Emerging Technologies, IHIET 2024, August 26-28, 2024, IUAV University of Venice, Italy.
Bridging art and innovation, this book invites readers into the processes of artists, curators, cultural producers and historians who are working within new contexts that run parallel to or against the phenomenon of ‘maker culture’. The book is a fascinating and compelling resource for those interested in critical and interdisciplinary modes of practice that combine arts, technology and making. It presents international case studies that interrogate perceived distinctions between sites of artistic and economic production by brokering new ways of working between them. It also discusses the synergies and dissonances between art and maker culture, analyses the social and collaborative impact of maker spaces and reflects upon the ethos of the hackathon within the fabric of a media lab’s working practices. Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement is essential reading for courses in art, design, new media, computer science, media studies and mass communications as well as those working to bring new forms of programming to museums, cultural venues, commercial venture and interdisciplinary academic research centres.
Art Practice as Research, Second Edition continues to present a compelling argument that the creative and cultural inquiry undertaken by artists is a form of research. The text explores themes, practices, and contexts of artistic inquiry and positions them within the discourse of research. Sullivan argues that legitimate research goals can be achieved by choosing different methods than those offered by the social sciences. The common denominator in both approaches is the attention given to rigor and systematic inquiry. Artists emphasize the role of the imaginative intellect in creating, criticizing, and constructing knowledge that is not only new but also has the capacity to transform human understanding.
In the dynamic realm of generative artificial Intelligence (AI), the fusion of human creativity and machine intelligence has created a vibrant ecosystem of collaborative artmaking. However, this transformative process brings forth a myriad of concerns, ranging from ethical considerations and the need for originality to navigating the legal complexities surrounding intellectual property. As more and more online communities appear around the use of AI to aid in the creation of images, there arises a pressing need for a comprehensive guide that not only dissects the intricacies of artmaking with generative AI tools but also offers practical solutions to the evolving dilemmas faced by artists, researchers, and technologists. Making Art With Generative AI Tools emerges as an exploration of the challenges posed by this intersection of human expression and artificial intelligence. Artists engaging with generative AI find themselves grappling with issues of authenticity, social toxicity, and the commercial viability of their creations. From avoiding stereotypical visuals to ensuring proper crediting, the realm of generative AI is rife with these complexities. Furthermore, the blurred lines between human and machine authorship necessitate a deeper exploration of how these innovative tools impact creativity, representation, and the very fabric of the art world.
This book investigates how digitalization has affected entrepreneurship, labour markets, financial markets, and women's empowerment, underlining the opportunity it presents for a more inclusive and equal society. It explores how technology changes and creates gender, and the transformational potential it has for questioning conventional concepts of gender, drawing on the theories and critiques of cyberfeminism. The contributors discuss how women's agency and power in establishing emancipated cyberspaces are critically impacted by cyberfeminist conceptions of technical growth. Therefore, the volume sheds light on how technology may be a tool for women's empowerment and emancipation as well as how it might sustain current power imbalances and gender inequities by exploring cyberfeminism. The nexus of gender and technology is explored in depth by examining the connections between gendered, classed, and digital activities. In addition, this book looks at how technology may either support current power relations or provide disadvantaged people with a chance to question and disrupt them. Contributors are: Yarkın Çelik, Gözde Ersöz, Oktay Hekimler, Meltem İnce Yenilmez, Ayşe Mine İşler, Eylül Kabakçi Günay, Gökmen Kantar, Miray Özden, Kürşad Özkaynar, Fatma Pelin Erel, Mehtap Polat, Sedat Polat, and Gamze Yıldız Şeren.
