Chromophobia

Chromophobia

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  • Author: David Batchelor
  • Publisher: Reaktion Books
  • ISBN: 9781861890740
  • Category : Art
  • Languages : en
  • Pages : 136

Batchelor coins the term "chromophobia"--A fear of corruption or contamination through color--in a meditation on color in western culture. Batchelor analyzes the history of, and the motivations behind, chromophobia, from its beginnings through examples of nineteenth-century literature, twentieth-century architecture and film to Pop art, minimalism and the art and architecture of the present day. He argues that there is a tradition of resistance to colour in the West, exemplified by many attempts to purge color from art, literature and architecture. Batchelor seeks to analyze the motivations behind chromophobia, considering the work of writers and philosophers who have used color as a significant motif, and offering new interpretations of familiar texts and works of art.


The Luminous and the Grey

The Luminous and the Grey

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  • Author: David Batchelor
  • Publisher: Reaktion Books
  • ISBN: 1780233191
  • Category : Art
  • Languages : en
  • Pages : 113

Color surrounds us: the lush green hues of trees and grasses, the variant blues of water and the sky, the bright pops of yellow and red from flowers. But at the same time, color lies at the limits of language and understanding. In this absorbing sequel to Chromophobia—which addresses the extremes of love and loathing provoked by color since antiquity—David Batchelor charts color’s more ambiguous terrain. The Luminous and the Grey explores the places where color comes into being and where it fades away, probing when it begins and when it ends both in the imagination and in the material world. Batchelor draws on neuroscience, philosophy, novels, films, and artists’ writings—as well as his own experience as an artist working with color—to understand how we see and use colors. He considers the role of color in creation myths, industrial chemistry, and optics, and examines the particular forms of luminosity that saturate the modern city. Following this inquiry into the hues that we face every day, he turns to one that is both color and noncolor: grey itself, which he reveals is as much a mood, feeling, and existential condition as a shade that we experience with our eyes. Deftly argued, always thought-provoking, and ever entertaining, The Luminous and the Grey is a beautiful study of how we see and feel our multicolored world.


What Color Is the Sacred?

What Color Is the Sacred?

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  • Author: Michael Taussig
  • Publisher: University of Chicago Press
  • ISBN: 0226789993
  • Category : Social Science
  • Languages : en
  • Pages : 306

Over the past thirty years, visionary anthropologist Michael Taussig has crafted a highly distinctive body of work. Playful, enthralling, and whip-smart, his writing makes ingenious connections between ideas, thinkers, and things. An extended meditation on the mysteries of color and the fascination they provoke, What Color Is the Sacred? is the next step on Taussig’s remarkable intellectual path. Following his interest in magic and surrealism, his earlier work on mimesis, and his recent discussion of heat, gold, and cocaine in My Cocaine Museum,this book uses color to explore further dimensions of what Taussig calls “the bodily unconscious” in an age of global warming. Drawing on classic ethnography as well as the work of Benjamin, Burroughs, and Proust, he takes up the notion that color invites the viewer into images and into the world. Yet, as Taussig makes clear, color has a history—a manifestly colonial history rooted in the West’s discomfort with color, especially bright color, and its associations with the so-called primitive. He begins by noting Goethe’s belief that Europeans are physically averse to vivid color while the uncivilized revel in it, which prompts Taussig to reconsider colonialism as a tension between chromophobes and chromophiliacs. And he ends with the strange story of coal, which, he argues, displaced colonial color by giving birth to synthetic colors, organic chemistry, and IG Farben, the giant chemical corporation behind the Third Reich. Nietzsche once wrote, “So far, all that has given colour to existence still lacks a history.” With What Color Is the Sacred? Taussig has taken up that challenge with all the radiant intelligence and inspiration we’ve come to expect from him.


Colour

Colour

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  • Author: David Batchelor
  • Publisher: MIT Press (MA)
  • ISBN:
  • Category : Art
  • Languages : en
  • Pages : 252

Writings on color from modernism to the present, with contributions writers from Baudelaire to Baudrillard, surveying art from Paul Gauguin to Rachel Whiteread.


Sam Gilliam

Sam Gilliam

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  • Author: Jonathan P. Binstock
  • Publisher: Univ of California Press
  • ISBN: 0520246349
  • Category : Art
  • Languages : en
  • Pages : 240

“A fresh, intelligent, and insightful assessment of Sam Gilliam's lifetime achievements as an artist. Binstock accomplishes this through his penetrating critical examination of Gilliam's artistic development, innovations, and the complexities of his contribution both as an abstract and African-American artist.”—Valerie J. Mercer, author of Explorations in the 'City of Light' "Sam Gilliam: A Retrospective, which gives focus and definition to an artist critical to our understanding of how contemporary painting has evolved in this country, is a highly welcome publication."—Leslie King-Hammond, Dean of Graduate Studies, Maryland Institute College of Art "Sam Gilliam: A Retrospective is a thorough and serious assessment of a magisterial career. Meticulously examining Gilliam's ideas, aesthetics, influences, artistic process, and impact on other artists, it illuminates his brilliance and the important role played by his work in the recent history of American painting."—Maurice Berger, Fellow, The Vera List Center for Art & Politics, The New School "Finally a comprehensive study of one of our most significant artists! Jonathan Binstock's erudite account of Sam Gilliam's innovations in the world of art fills a considerable void in our understanding of painterly abstraction. The art works themselves-cerebral, sentient, and fascinating-consummate the inquiry and make this book a visual delight."—Richard J. Powell, John Spencer Bassett Professor of Art and Art History, Duke University "Binstock's writings on Sam Gilliam's art over the past four decades have placed the artist in the forefront of contemporary American art. In this new book, he recounts Gilliam's rise to an artist of international prominence and offers a concise history of contemporary art in Washington. A must read."—David D. Driskell, author of Two Centuries of Black American Art "This comprehensive text celebrates one of America's hidden national treasures. Gilliam's steadfast and unswerving commitment as an artist shines through his works, as in this account of them by Jonathan Binstock. What emerges here is a full-on profile of an artist and a black American."—Lowery Stokes Sims, President, The Studio Museum in Harlem


Color

Color

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  • Author: Angela Dalle Vacche
  • Publisher: In Focus: Routledge Film Readers
  • ISBN: 9780415324427
  • Category : Performing Arts
  • Languages : en
  • Pages : 214

With case studies on such figures as Hitchcock, Godard and Almovodar, this anthology is devoted to the subject of colour in film and its history, production and technology. It is suitable for students starting a film studies course.


Roy G. Biv

Roy G. Biv

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  • Author: Jude Stewart
  • Publisher:
  • ISBN: 9781408843802
  • Category :
  • Languages : en
  • Pages : 288

Why is the sky blue? Why is pink for girls and blue for boys? Why do prisoners wear orange? And why can one colour have so many opposite meanings? If lobsters are a red emblem of privilege how is it that a red flag can also be the banner of Communism? Jude Stewart, a design expert and writer, digs into this rich subject with gusto, telling her favourite stories about colour as she discovers what it can really mean. Each chapter is devoted to a colour, opening with an infographic map that links such unlikely pairings as fox-hunting and flamingos. From there on in, you're plunged into a kaleidoscopic tour of the universe that encompasses everything from wildflowers to Japanese warriors. The links between them reveal hidden realities that you never would have suspected. Roy G. Biv is a reference and inspiration for everyone, with sidebars and graphics galore. The aim is simple: to tantalise and inform, and to make you think about colour in a completely new way.


Playful Visions

Playful Visions

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  • Author: Meredith A. Bak
  • Publisher: MIT Press
  • ISBN: 0262538717
  • Category : Education
  • Languages : en
  • Pages : 297

The kaleidoscope, the stereoscope, and other nineteenth-century optical toys analyzed as “new media” of their era, provoking anxieties similar to our own about children and screens. In the nineteenth century, the kaleidoscope, the thaumatrope, the zoetrope, the stereoscope, and other optical toys were standard accessories of a middle-class childhood, used both at home and at school. In Playful Visions, Meredith Bak argues that the optical toys of the nineteenth century were the “new media” of their era, teaching children to be discerning consumers of media—and also provoking anxieties similar to contemporary worries about children's screen time. Bak shows that optical toys—which produced visual effects ranging from a moving image to the illusion of depth—established and reinforced a new understanding of vision as an interpretive process. At the same time, the expansion of the middle class as well as education and labor reforms contributed to a new notion of childhood as a time of innocence and play. Modern media culture and the emergence of modern Western childhood are thus deeply interconnected. Drawing on extensive archival research, Bak discusses, among other things, the circulation of optical toys, and the wide visibility gained by their appearance as printed templates and textual descriptions in periodicals; expanding conceptions of literacy, which came to include visual acuity; and how optical play allowed children to exercise a sense of visual mastery. She examines optical toys alongside related visual technologies including chromolithography—which inspired both chromatic delight and chromophobia. Finally, considering the contemporary use of optical toys in advertising, education, and art, Bak analyzes the endurance of nineteenth-century visual paradigms.


The October Colouring-In Book

The October Colouring-In Book

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  • Author: David Batchelor
  • Publisher:
  • ISBN: 9781909932074
  • Category : Art, Modern
  • Languages : en
  • Pages : 122


The Little Book of Colour

The Little Book of Colour

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  • Author: Karen Haller
  • Publisher: Penguin UK
  • ISBN: 024135286X
  • Category : Psychology
  • Languages : en
  • Pages : 272

A SUNDAY TIMES DESIGN BOOK OF THE YEAR _________________________________________ The definitive guide for harnessing the power of colour to improve your happiness, wellbeing and confidence Wouldn't you like to boost your confidence simply by slipping on 'that' yellow jumper? Or when you get home after a stressful day, be instantly soothed by the restful green of your walls? The colours all around us hold an emotional energy. Applied Colour Psychology specialist, Karen Haller, explains the inherent power of colour; for example, looking closely at the colours we love or those we dislike can bring up deeply buried memories and with them powerful feelings. A revolutionary guide to boosting your wellbeing, The Little Book of Colour puts you firmly in the driver's seat and on the road to changing the colours in your world to revamp your mood and motivation. Illuminating the science, psychology and emotional significance of colour, with key assessments for finding your own true colour compatibility, this book will help you to rediscover meaning in everything you do through the joy of colour. Get ready to join the colour revolution, and change your life for the better.