Brecht in Practice

Brecht in Practice

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  • Author: David Barnett
  • Publisher: Bloomsbury Publishing
  • ISBN: 1408186020
  • Category : Performing Arts
  • Languages : en
  • Pages : 257

David Barnett invites readers, students and theatre-makers to discover new ways of apprehending and making use of Brecht in this clear and accessible study of Brecht's theories and practices. The book analyses how Brecht's ideas can come alive in rehearsal and performance, and reveals just how carefully Brecht realized his vision of a politicized, interventionist theatre. What emerges is a nuanced understanding of Brecht's concepts, his work with actors and his approaches to directing. The reader is encouraged to engage with his method which sought to 'make theatre politically', in order to appreciate the innovations he introduced into his stagecraft. Barnett provides many examples of how Brecht's ideas can be staged, and the final chapter takes a closer look at two very different plays: one written by Brecht and one by a playwright with no acknowledged connection to Brecht. Through an interrogation of The Resistible Rise of Arturo Ui and Patrick Marber's Closer, Barnett asks how a Brechtian approach can enliven and illuminate production.


Brecht on Performance

Brecht on Performance

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  • Author: Bertolt Brecht
  • Publisher: Bloomsbury Publishing
  • ISBN: 1408159503
  • Category : Literary Criticism
  • Languages : en
  • Pages : 312

Brecht on Performance: Messingkauf and Modelbooks presents a selection of Brecht's principal writings for directors and theatre practitioners, and is suitable for acting schools, directors, actors, students and teachers of Theatre Studies. Through these texts Brecht provides a general practical approach to acting and to realising texts for the stage that crystallises and makes concrete many of the more theoretical aspects of his other writing. The volume is in two parts. The first features an entirely new commentated edition of Brecht's dialogues and essays about the practice of theatre, known as the Messingkauf, or Buying Brass, including the 'Practice Pieces' for actors (rehearsal scenes for classics by Shakespeare and Schiller). The second contains rehearsal and production records from Brecht's work on productions of Life of Galileo, Antigone, Mother Courage and others. Edited by an international team of Brecht scholars and including an essay by director and teacher Di Trevis examining the practical application of these texts for theatres and actors today, Brecht on Performance is a wonderfully rich resource. The text is illustrated with over 30 photographs from the Modelbooks.


Bertolt Brecht

Bertolt Brecht

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  • Author: International Brecht Society
  • Publisher: Manchester University Press
  • ISBN: 9780719008061
  • Category : Literary Criticism
  • Languages : en
  • Pages : 234


The Cambridge Companion to Brecht

The Cambridge Companion to Brecht

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  • Author: Peter Thomson
  • Publisher: Cambridge University Press
  • ISBN: 9780521857093
  • Category : Drama
  • Languages : en
  • Pages : 368

This updated Companion offers students crucial guidance on virtually every aspect of the work of this complex and controversial writer. It brings together the contrasting views of major critics and active practitioners, and this edition introduces more voices and themes. The opening essays place Brecht's creative work in its historical and biographical context and are followed by chapters on single texts, from The Threepenny Opera to The Caucasian Chalk Circle, on some early plays and on the Lehrstücke. Other essays analyse Brecht's directing, his poetry, his interest in music and his work with actors. This revised edition also contains additional essays on his early experience of cabaret, his significance in the development of film theory and his unique approach to dramaturgy. A detailed calendar of Brecht's life and work and a selective bibliography of English criticism complete this provocative overview of a writer who constantly aimed to provoke.


Dramaturgy

Dramaturgy

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  • Author: Mary Luckhurst
  • Publisher: Cambridge University Press
  • ISBN: 1139448188
  • Category : Drama
  • Languages : en
  • Pages : 19

Dramaturgy: A Revolution in Theatre is a substantial history of the origins of dramaturgs and literary managers. It frames the explosion of professional appointments in England within a wider continental map reaching back to the Enlightenment and eighteenth-century Germany, examining the work of the major theorists and practitioners of dramaturgy, from Granville Barker and Gotthold Lessing to Brecht and Tynan. This study positions Brecht's model of dramaturgy as central to the worldwide revolution in theatre-making practices, and it also makes a substantial argument for Granville Barker's and Tynan's contributions to the development of literary management. With the territories of play and performance-making being increasingly hotly contested, and the public's appetite for new plays showing no sign of diminishing, Mary Luckhurst investigates the dramaturg as a cultural and political phenomenon.


Bertolt Brecht

Bertolt Brecht

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  • Author: Meg Mumford
  • Publisher: Routledge
  • ISBN: 1351180789
  • Category : Drama
  • Languages : en
  • Pages : 156

Bertolt Brecht’s methods of collective experimentation, and his unique framing of the theatrical event as a forum for change, placed him among the most important contributors to the theory and practice of theatre. His work continues to have a significant impact on performance practitioners, critics and teachers alike. Now revised and reissued, this book combines: an overview of the key periods in Brecht’s life and work a clear explanation of his key theories, including the renowned ideas of Gestus and Verfremdung an account of his groundbreaking 1954 production of The Caucasian Chalk Circle an in-depth analysis of his practical exercises and rehearsal methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are an invaluable resource for students and scholars.


After Brecht

After Brecht

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  • Author: Janelle G. Reinelt
  • Publisher: University of Michigan Press
  • ISBN: 9780472084081
  • Category : Drama
  • Languages : en
  • Pages : 250

How contemporary British political theater has evolved and expanded from the legacy of Bertolt Brecht


The Complete Brecht Toolkit

The Complete Brecht Toolkit

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  • Author: Stephen Unwin
  • Publisher:
  • ISBN: 9781854595508
  • Category : Theater
  • Languages : en
  • Pages : 0

"Examines, one by one, Brecht's many, sometimes contradictory ideas about theatre - and how he put them into practice. Here are explanations of all the famous key terms, such as Alienation Effect, Epic Theatre and Gestus, as well as the many others which go to make up what we think of as 'Brechtian theatre'. There follows a section which looks at the practical application of these theories in Acting, Language, Music, Design and Direction."--P. [4] of cover.


Lukács and Brecht

Lukács and Brecht

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  • Author: David Pike
  • Publisher: UNC Press Books
  • ISBN: 9780807816400
  • Category : Political Science
  • Languages : en
  • Pages : 364

The life and work of Susan Glaspell, the pioneering, Pulitzer Prize-winning playwright and novelist, who is best known as the author of Trifles and Alison's House and for her involvement with the Provincetown Players.


Brecht in Practice

Brecht in Practice

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  • Author: David Barnett
  • Publisher: Bloomsbury Publishing
  • ISBN: 1408184389
  • Category : Performing Arts
  • Languages : en
  • Pages : 257

David Barnett invites readers, students and theatre-makers to discover new ways of apprehending and making use of Brecht in this clear and accessible study of Brecht's theories and practices. The book analyses how Brecht's ideas can come alive in rehearsal and performance, and reveals just how carefully Brecht realized his vision of a politicized, interventionist theatre. What emerges is a nuanced understanding of Brecht's concepts, his work with actors and his approaches to directing. The reader is encouraged to engage with his method which sought to 'make theatre politically', in order to appreciate the innovations he introduced into his stagecraft. Barnett provides many examples of how Brecht's ideas can be staged, and the final chapter takes a closer look at two very different plays: one written by Brecht and one by a playwright with no acknowledged connection to Brecht. Through an interrogation of The Resistible Rise of Arturo Ui and Patrick Marber's Closer, Barnett asks how a Brechtian approach can enliven and illuminate production.