Between the Black Box and the White Cube

Between the Black Box and the White Cube

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  • Author: Andrew V. Uroskie
  • Publisher: University of Chicago Press
  • ISBN: 022610902X
  • Category : Art
  • Languages : en
  • Pages : 284

Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the “black box” of the movie theater and the “white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.


Expanded Cinema

Expanded Cinema

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  • Author: Gene Youngblood
  • Publisher: Fordham University Press
  • ISBN: 0823287432
  • Category : Art
  • Languages : en
  • Pages : 485

Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.


Inside the White Cube

Inside the White Cube

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  • Author: Brian O'Doherty
  • Publisher: Univ of California Press
  • ISBN: 9780520220409
  • Category : Art
  • Languages : en
  • Pages : 128

These essays explicitly confront a particular crisis in postwar art, seeking to examine the assumptions on which the modern commercial and museum gallery was based.


Tracey Emin - a Fortnight of Tears

Tracey Emin - a Fortnight of Tears

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  • Author: Tracey Emin
  • Publisher:
  • ISBN: 9781910844359
  • Category : Art, British
  • Languages : en
  • Pages : 121


Gilbert & George: New Normal Pictures

Gilbert & George: New Normal Pictures

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  • Author:
  • Publisher: Galerie Thaddaeus Ropac
  • ISBN: 9782910055967
  • Category : Art
  • Languages : en
  • Pages : 52

The latest installation in Gilbert & George's street-level explorations of modern life in London's East End Created over the past three years, this series from artist duo Gilbert & George offers a surreal, day-glo view of London in which everything is slightly off kilter, with the artists pictured catching their balance or toppling over amidst an ever-shifting post-industrial urban landscape.


What Comes After Farce?

What Comes After Farce?

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  • Author: Hal Foster
  • Publisher: Verso Books
  • ISBN: 1804295930
  • Category : Art
  • Languages : en
  • Pages : 225

Surveying the artistic and cultural scene in the era of Trump In a world where truth is cast in doubt and shame has gone missing, what are artists and critics on the left to do? How to demystify a political order that laughs away its own contradictions? How to mock leaders who thrive on the absurd? And why, in any event, offer more outrage to a media economy that feeds on the same? Such questions are grist to the mill of Hal Foster, who, in What Comes after Farce?, delves into recent developments in art, criticism, and fiction under the current regime of war, surveillance, extreme inequality, and media disruption. Concerned first with the cultural politics of emergency since 9/11, including the use and abuse of trauma, conspiracy, and kitsch, he moves on to consider the neoliberal makeover of aesthetic forms and art institutions during the same period. A final section surveys signal transformations in art, film, and writing. Among the phenomena explored are machine vision (images produced by machines for other machines without a human interface), operational images (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information that pervades our everyday lives. If all this sounds dire, it is. In many respects we look out on a world that has moved, not only politically but also technologically, beyond our control. Yet Foster also sees possibility in the current debacle: the possibility to pressure the cracks in this order, to turn emergency into change.


Exhibiting the Moving Image

Exhibiting the Moving Image

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  • Author: François Bovier
  • Publisher: Jrp Ringier
  • ISBN: 9783037643884
  • Category : Art
  • Languages : en
  • Pages : 0

Since the 1990s, a cinematographic turn has taken place in contemporary art, paralleled by the emergence of a cinema of exhibition. This collection of new essays investigates the relationships between the white cube and the black box, focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists' films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists' performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.


Between the World and Me

Between the World and Me

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  • Author: Ta-Nehisi Coates
  • Publisher: One World
  • ISBN: 0679645985
  • Category : Biography & Autobiography
  • Languages : en
  • Pages : 163

#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.


Dreamlands

Dreamlands

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  • Author: Chrissie Iles
  • Publisher: Yale University Press
  • ISBN: 0300221878
  • Category : Performing Arts
  • Languages : en
  • Pages : 253

A fascinating survey of pioneering work in experimental cinema and art from 1905 to the present day, revealing the high stakes and transformative potential of these forms This generously illustrated publication surveys the work of filmmakers and artists who have pushed the material and conceptual boundaries of cinema. Over the past century, the material, optical, abstract, spatial, and tactile properties of film have been tested at a level of experimentation and utopian ambition that is generally unrecognized. Whether creating synesthetic or 3-D environments, projective or non-projective installations, generations of leading-edge artists have explored how technology transforms experience. The essays published here offer an intensive look at the themes of cinematic space, formats of the screen, animation and CGI, the body and the cyborg, and the materiality of film. Contributors place particular emphasis on the idea of the cinema as a sensorium and on the ways in which it defines the human body, both through representation and in relation to the projected image. An immersive plate section brings together rarely seen and previously unpublished stills, in addition to concept drawings from historic and contemporary films.


A Nomadic Art Museum

A Nomadic Art Museum

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  • Author: Black Cube
  • Publisher:
  • ISBN: 9780578761763
  • Category :
  • Languages : en
  • Pages : 320

This monograph examines the reemergence of site-specific contemporary art in the American West and beyond, as seen through the oeuvre of Black Cube, a nomadic contemporary art museum. A Nomadic Art Museum: Black Cube 2015 - 2020 surveys groundbreaking, site-specific art projects produced by Black Cube during its first five years, which span across the United States and Europe. Through a visual compendium of ambitious, experimental, and momentary artworks, this book explores art in the public realm outside of conventional gallery spaces. The extensive chapters feature over eighty artists and highlight documentation of thirty-five situational art projects that materialize in unusual places like abandoned bus terminals, gold mining towns, iconic modernist chapels, and even cars. This book encompasses five years of the roving museum's collaborative ethos and driving mission-the commitment to venturing into the unknown, realizing artists' bold ideas, and reaching new audiences. In addition to contributions from the institution's Founder, Laura Merage, and Chief Curator, Cortney Lane Stell, A Nomadic Art Museum includes key texts by writers Angella d'Avignon and Paddy Johnson that asses Black Cube's formative years and the significance of site-specific contemporary art in today's world.