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Contemporary Native Fiction: Toward a Narrative Poetics of Survivance analyzes paradigmatic works of contemporary Native American/First Nations literary fiction using the tools of narrative theory. Each chapter is read through the lens of a narrative theory – structuralist narratology, feminist narratology, rhetorical narratology, and unnatural narratology – in order to demonstrate how the formal structure of these narratives engage the political issues raised in the text. Additionally, each chapter shows how the inclusion of Native American/First Nations-authored narratives productively advance the theoretical work project of those narrative theories. This book offers a broad survey of possible means by which narrative theory and critical race theories can productively work together and is key reading for students and researchers working in this area.
Based on his more than 40 years of field research, Means, an expert on the eastern diamondback rattlesnake, reveals the biological complexity and beauty of the animals he has studied. In Australia, Means searches for the fiercey, reputed to be the worlds deadliest terrestrial snake. In Mexico, he stalks the rattlesnake that might have served as the model for the mythical plumed serpent of Mayan art. In Florida, he is chased by cottonmouth moccasins. Through his experiences, Means hopes that readers will gain a new appreciation for animals called herps, or creepy-crawly things.
Why do infants and toddlers seem to have a heightened awareness of the paranormal—and an often marked ability to interact with the unknown? And why do these qualities and abilities seem to mysteriously disappear during adolescence? There's Something Under the Bed! explores the often complex relationships between children and the paranormal, and focuses special attention on the sometimes startling realities behind children's "imaginations." This book will help you: Distinguish whether your child’s imaginary friend is the product of his or her mind, a harmless spirit in the house, or something more malicious. Trace the links between children’s ever-changing beliefs and folklore, fairy tales, and popular culture. Understand the real phenomena behind ghosts, fairies, angels, and possessions. Foster a healthy relationship between your child and the paranormal. Protect your children from fear and danger.
Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (included essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, this feminist, folkloristic approach deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly. However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity.
This meticulously edited Sci-Fi Collection is formatted for your eReader with a functional and detailed table of contents: H. G. Wells: The Time Machine The War of the Worlds The Invisible Man... Jules Verne: Journey to the Center of the Earth 20.000 Leagues under the Sea... Mary Shelley: Frankenstein The Last Man Edwin A. Abbott: Flatland Jack London: Iron Heel The Scarlet Plague... R. L. Stevenson: Dr Jekyll and Mr Hyde George MacDonald: Lilith H. Rider Haggard: King Solomon's Mines She William H. Hodgson: The Night Land... Edgar Allan Poe: Some Words with a Mummy Mellonta Tauta... H. P. Lovecraft: The Cats of Ulthar Celephaïs Edward Bellamy: Looking Backward: 2000–1887 Equality... Mark Twain: A Connecticut Yankee in King Arthur's Court George Orwell: 1984 Animal Farm Aldous Huxley: Brave New World Sinclair Lewis: It Can't Happen Here Yevgeny Zamyatin: We Owen Gregory: Meccania the Super-State Margaret Cavendish: The Blazing World Jonathan Swift: Gulliver's Travels William Morris: News from Nowhere Samuel Butler: Erewhon Edward Bulwer-Lytton: The Coming Race James Fenimore Cooper: The Monikins Charlotte Gilman: Herland... Hugh Benson: Lord of the World Fred M. White: The Doom of London Ignatius Donnelly: Caesar's Column Ernest Bramah: The Secret of the League Arthur D. Vinton: Looking Further Backward Robert Cromie: The Crack of Doom Anthony Trollope: The Fixed Period Cleveland Moffett: The Conquest of America Richard Jefferies: After London Milo Hastings: City of Endless Night Francis Stevens: The Heads of Cerberus Percy Greg: Across the Zodiac David Lindsay: A Voyage to Arcturus Stanley G. Weinbaum: Stories from the Solar System Edward Everett Hale: The Brick Moon H. Beam Piper: Terro-Human Future History Paratime Police Abraham Merritt: The Moon Pool... Edgar Wallace: The Green Rust... Otis Adelbert Kline: Venus Trilogy Mars Series Malcolm Jameson: Captain Bullard Series C. S. Lewis: Space Trilogy Garrett P. Serviss: Edison's Conquest of Mars... Arthur Conan Doyle: Professor Challenger Francis Bacon: New Atlantis C. J. Cutcliffe Hyne: The Lost Continent Lewis Grassic Gibbon: Three Go Back
