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A full text edition of the poems of Christina Rossetti chosen by OCR for their A Level syllabus, together with line-by-line readings of each poem. The edition is suitable for A Level as well and undergraduate study at University level.
Complete revision guide for Christina Rossetti's Selected Poems for the OCR AS and A Level specification. 91 pages including:For each poem:Complete interpretive analysis of themes and ideasComprehensive analysis of language, structure and verse formContext of the poemCritical viewpointsConnections across the collectionPLUS:The full text of each poemKey social and historical contexts, and how to apply it to the poemsAssessment objectives and how to meet themGlossary of relevant literary termsContains detailed analysis for: A Birthday; Echo; From the Antique; Goblin Market; Good Friday; In the Round Tower at Jhansi; Maude Clare; No Thank You John; Remember; Shut Out; Soeur Louise de la Misericorde; Song: When I am Dead; Twice; Uphill; Winter: My Secret.
Born in 1830, Christina Rossetti began composing verse at the age of eleven and continued to write for the remaining fifty-three years of her life. Her brother Dante Gabriel Rossetti, himself a poet and painter, soon recognized her genius and urged her to publish her poems. By the time of her death in 1894, Christina had written more than eleven hundred poems and had published over nine hundred of them. Although she is regarded as the greatest woman poet of the Victorian period, there has not been until now and authoritative edition of her poetry. In this second volume of the three-volume The Complete Poems of Christina Rossetti, R.W. Crump continues the editorial standards she established n Volume I, published in 1979. She gives the reader a comprehensive text with notes revealing Christina’s process of composition and revision and her painstaking concern for the technical details of her work. The variant readings in the notes are taken from extant manuscripts, individual poems as published or privately printed before being incorporated into her published collections, and all the English and American editions of her poems through William Michael Rossetti’s The Poetical Works of Christina Georgina Rossetti (1904). A special feature of both Volumes I and II is a complete list of holographs and their locations. Volume II contains Sing-Song: A Nursery Rhyme Book (1872), A Pageant and Other Poems (1881), and Verses (1893), as well as the poems added to these volumes after their original publication. Volume III contains poems Christina published but did not include in any of her collections as well as poems that have not previously appeared in print.
Christina Rossetti is known as the greatest female poet of the Victorian age. By the time of her death in 1898 she had written eleven hundred poems and had published over nine hundred of them. Scholars have long felt the need for a complete collection of her work, yet, until now, there has been none. In this projected three-volume set, R.W. Crump will present all of Rossetti’s known poetry. Crump gives the reader a remarkably comprehensive text with notes revealing Rossetti’s process of composition and revision and her painstaking concern for the technical details of her work. The variant readings in the notes are taken from extant manuscripts, individual poems as published or privately printed before being incorporated into her published collections, and all the English and American editions of her poems through William Michael Rossetti’s The Poetical Works of Christina Georgina Rossetti (1904). A special feature of this variorum edition is its list of holographs and their locations. In the first volume Crump brings together Rossetti’s two earliest published collections; in the second will be the individually published poems; and in the third, the unpublished poems.
This new selection of Rossetti's poems brings together works by one of the most significant nineteenth-century English poets. It includes an illuminating introduction, a chronology of Rossetti's life and works, and explanatory notes.
Christina Rossetti is known as the greatest female poet of the Victorian age. By the time of her death in 1898 she had written eleven hundred poems and had published over nine hundred of them. Scholars have long felt the need for a complete collection of her work, yet, until now, there has been none. In this projected three-volume set, R.W. Crump will present all of Rossetti’s known poetry. Crump gives the reader a remarkably comprehensive text with notes revealing Rossetti’s process of composition and revision and her painstaking concern for the technical details of her work. The variant readings in the notes are taken from extant manuscripts, individual poems as published or privately printed before being incorporated into her published collections, and all the English and American editions of her poems through William Michael Rossetti’s The Poetical Works of Christina Georgina Rossetti (1904). A special feature of this variorum edition is its list of holographs and their locations. In the first volume Crump brings together Rossetti’s two earliest published collections; in the second will be the individually published poems; and in the third, the unpublished poems.
Although the cultural and literary influence of Christina Rossetti has recently been widely acknowledged, the belatedness of this critical attention has left wide gaps in our understanding of her poetic contribution. Often focusing solely on her early work and neglecting her later volumes, many critics minimized her relevance by measuring her stature through either her early poems or her relationships with well-known Victorian literary figures. In Christina Rossetti: The Patience of Style, Constance W. Hassett argues against this diminishment by reopening Rossetti's canon, challenging both critics and readers to trade their silent appreciation of her most familiar verse for a patient and active scrutiny of her body of work, which contains some of the finest lyric poetry of the nineteenth century. Keeping her primary focus on the poems themselves, Hassett traces Rossetti's career through her five poetry collections, Goblin Market and Other Poems (1862), The Prince's Progress and Other Poems (1866), Sing-Song: A Nursery Rhyme Book (1872), A Pageant and Other Poems (1881), and Verses (1893). In a comprehensive account of Rossetti's evolving style and genre, Hassett analyzes the strengths and failures of the poetry, its attention to the resources of rhythm and the shifts of diction, its momentum and reserve, and the rationale for its revision. The book also explores Rossetti's innovative poetry for children, her daring reconfiguration of religion and poetry in a late-life commentary on the Apocalypse, and the influences both of female precursors she admired and outgrew and of the male circle of Pre-Raphaelite poets. For art historians of the Pre-Raphaelites, scholars of women's writing and gender studies, students of children's literature, and researchers in religious studies, not to mention readers in Victorian poetry, Christina Rossetti: The Patience of Style will serve as an indispensable and eye-opening guide.
