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A wide representative range of poetry, including hymns, didactic verse, pastoral poetry, epigrams and epics is supplemented by a cultural and historical introduction and commentary clarifying problems of language and text.
This book is an anthology of Greek poetry written during the third to first centuries BC, the Hellenistic period. It is intended to make available to undergraduates and graduate students a selection of texts which are for the most part not easily accessible elsewhere. The volume contains a wide and representative range of poetry including hymns, didactic verse, pastoral poetry, epigrams and epic. An introduction provides cultural and historical background, and a full commentary elucidates problems of language and reference in the texts. In this second edition, many notes have been rewritten and the bibliography has been updated. The selection has also been augmented with three hundred more lines of Greek text (Theocritus poems 5 and 15), and is now more than 2000 lines in length.
An accomplished poet and classical scholar, Barbara Hughes Fowler brings Hellenistic poetry to life for the contemporary reader. Her selections engage us with the full range of Hellenistic poetic genres, styles, themes, and moods. The anthology includes Fowler's new translation of the entire Argonautica of Apollonius of Rhodes, and eight of Theocritus' Idylls, including the beautiful, sensuous description of late summer in Idyll VII and the shrewdly comical description of two young matrons venturing into the noisy streets of Alexandria in Idyll XV. There are translations of four hymns of Callimachus, as well as poems by Aratus, Bion, Herodas, Moschus, Pseudo-Moschus, and a substantial selection from the Greek Anthology. An ideal companion to her recently published book, The Hellenistic Aesthetic, Barbara Fowler's Hellenistic Poetry is both a major contribution to classical studies and an invitation to all interested readers to discover the beauty and richness of Hellenistic poetry.
"Fowler's . . . own insights are apparent throughout, and they seem to distill the personal appreciation and understanding of a scholar who has devoted much of her career to both contemplating and enjoying Hellenistic poetry. . . . [This book] would make an excellent background text for courses in later Greek and Roman art, and it can be read with profit by anyone interested in exploring the character of Hellenistic culture."--J. J. Pollitt, American Journal of Archaeology "Outstanding is the range of examples discussed both in poetry and art. Theocritus, Callimachus, Appolonius, the epigrammatists, and others--that is, the major figures of the time--are considered at length and in several different contexts. Passages are quoted in the original Greek, translated, and analyzed. Fowler's sensitivity to poetic forms, evident in her other published writings, is again evident here. In addition, however, the philosophical context is not overlooked. . . . Also highly commendable are the liberal references to works of art. Sculpture in the round and in relief, portraits, terracotta figurines, original paintings (grave stelai) and Campanian murals, mosaics, gold and silver vessels, and jewelry are introduced at various points. Every work of art discussed is illustrated in astonishingly clear photographs, which are interspersed in the body of the text."--Christine Mitchell Havelock "The Hellenistic Aesthetic provides classicists with their first thorough discussion of the aesthetic unity found in Hellenistic art and literature. . . . Fowler examines parallels both in subject matter and in artistic approach among a diverse group of literary genres and artistic forms. In twelve chapters, The Hellenistic Aesthetic surveys Alexandrian epigrams, pastorals, epics, sculptural groups, mosaics, paintings, and jewelry to supply a convincing, and frequently unexpected, picture of a unified aesthetic vision."--Jeffrey Buller, Classical Outlook
This book contains a selection of pagan Greek poetic texts ranging in date from the first to the sixth century AD. It makes easily accessible for the first time work by poets such as Quintus Smyrnaeus, Nonnus, Musaeus and Babrius hitherto neglected in Classical syllabuses. Genres represented include epic, epyllion, didactic, epigram, lyric and the verse fable. There is a brief general introduction, and in addition each section of detailed commentary is prefaced by a discussion of literary aspects of the poems and of their wider contexts. The book is intended primarily for undergraduate and graduate students of Greek, but will be of interest also to Classical scholars.
Greek 'literary' epigrams constitute one of the most versatile and dynamic poetic forms in the Hellenistic period. Originally modeled on the anonymous epitaphs and dedications inscribed on monuments throughout antiquity, these short poems came to include a variety of subtypes and served as a vehicle for Hellenistic poets to experiment with themes and motifs from other genres. This edition introduces students to a wide selection of epigrams from the third and second centuries BCE. It provides substantial help in construing the Greek and will be appropriate for those approaching the genre for the first time, whilst also containing material of interest to scholars. It includes work by the most important epigrammatists of this period, with substantial attention paid to the way these poets engage with the epigraphic and literary traditions. The Introduction provides an overview of the history of the genre and of its formal features, including dialect and meter.
With this anthology, Barbara Hughes Fowler presents a comprehensive selection of Greek poetry of the 7th and 6th centuries BC. Fowler's translations provide access to six Homeric hymns, eight selections from Bakchylides, 11 odes of Pindar, selections from the iambicists and elegists, virtually all of Archilochos and of the lyricists, including Sappho, and a number of anonymous poems about work, play and politics.
This broad study of the Hellenistic poets of the third century B.C. provides a much-needed picture of the poetry of the period while demonstrating its quality and vitality. Hutchinson explores the works of such writers as Theocritus, Callimachus, and Apollonius of Rhodes--developing a general conception of poetry that centers around the poets' handling of tone, level, and form--and offers a fresh analysis of the influence of Hellenistic poetry on the city of Rome.
Investigates the literary, linguistic, historical, epigraphic, and other contexts of Hellenistic epigrams in themed chapters through analyses of individual epigrams.
We all want to understand the world around us, and the ancient Greeks were the first to try and do so in a way we can properly call scientific. Their thought and writings laid the essential foundations for the revivals of science in medieval Baghdad and renaissance Europe. Now their work is accessible to all, with this invaluable introduction to c.100 scientific authors active from 320 BCE to 230 CE. The book begins with an outline of a new socio-political model for the development and decline of Greek science, followed by eleven chapters that cover the main disciplines: * the science which the Greeks saw as fundamental - mathematics * astronomy * astrology and geography * mechanics * optics and pneumatics * the non-mathematical sciences of alchemy, biology, medicine and 'psychology'. Each chapter contains an accessible introduction on the origins and development of the topic in question, and all the authors are set in context with brief biographies.
