eBook downloads, eBook resources & eBook authors
This collection offers the first place for the importance of Brainard's poetry, collaborations and art to be recognised for their contribution and influence, all in one place.
"Comfortably intimate—classically adroit in its formal wit and invention—altogether unique yet in no way excluding, this meticulously edited edition of a master poet’s collected works gives us the defining bridge from the 'New American Poetry' of the ’50s to that poetry now contemporary on both coasts and in all conditions. No one ever recognized the people with whom he lived more particularly than did Ted Berrigan, and no one ever brought them home to a reader with such unaggressive and persistent power. This is a great, great book for all seasons of the mind and heart."—Robert Creeley "Ted Berrigan was a leader of the New York School; his crazy energy embodied that movement and the city itself. It is wonderful to have his Collected Poems in print."—John Ashbery "A comprehensive and carefully chronicled volume that puts Ted Berrigan in historical context as one of the most influential poets of his generation. His poems: deft, light, definitely humorous, irreverent, poignant, ‘marvelous and tough.’ The truth doing its work, ‘the great man doing the ordinary thing,’ with a quick ear and a quick tongue, revealing the personal in the universal. He gives you his full attention—‘about to be born again thinking of you.’ "—Joanne Kyger "In a life devoted to experimental art, Ted Berrigan shaped his poetry and the space he occupied with a bold artistry based on his playful but powerfully skeptical view of the world. He wondered what might actually be captured within the pages of a book, but The Collected Poems allows us to again enjoy Ted Berrigan’s delightfully demanding presence."—Lorenzo Thomas "A singular balance of personal-historical vision and sentiment both sweet and sour, developed within the fractured verbalism of the late twentieth century found lyric, creates in Ted Berrigan's poems the unique colors of a particularly lived (and still intensely living) ensemble of moments."—Tom Clark, author of Late Returns: A Memoir of Ted Berrigan "Some people are just more real than others. I don't know another way to say it. Ted Berrigan is totally real and he has fashioned an important sound for all of us to listen to. He put it all together just before everyone else in his time, our time, got going. America is lucky to count him as one of its great poets."—Peter Gizzi
This book asks what it means to write poetry in and about the Anthropocene, the name given to a geological epoch where humans have a global ecological impact. Combining critical approaches such as ecocriticism and posthumanism with close reading and archival research, it argues that the Anthropocene requires poetry and the humanities to find new ways of thinking about unfamiliar spatial and temporal scales, about how we approach the metaphors and discourses of the sciences, and about the role of those processes and materials that confound humans’ attempts to control or even conceptualise them. Poetry and the Anthropocene draws on the work of a series of poets from across the political and poetic spectrum, analysing how understandings of technology shape literature about place, evolution and the tradition of writing about what still gets called Nature. The book explores how writers’ understanding of sciences such as climatology or biochemistry might shape their poetry’s form, and how literature can respond to environmental crises without descending into agitprop, self-righteousness or apocalyptic cynicism. In the face of the Anthropocene’s radical challenges to ethics, aesthetics and politics, the book shows how poetry offers significant ways of interrogating and rendering the complex relationships between organisms and their environments in a world increasingly marked by technology.
"Digital photography has changed the visual world, bringing an onslaught of new tools, techniques, and technology—a daunting challenge for photographers trying to keep up with the latest innovations. Fortunately, that task has just gotten a little easier. RAW Pipeline is the solution to mastering the biggest, most important innovation in digital photography: the RAW image file. It explains exactly what a RAW file is, and how to process and efficiently control it. Discover new ways to “think RAW” while shooting and new methods for effectively handling RAW’s time-demanding processing requirements in the computer. Learn how to harness the power of Photoshop’s layers and masks—and then break the boundaries of image control by combining these with Adobe’s ingenious Smart Object technology. Finally, you’ll see how to navigate the RAW workflow process—with the end result being a fine-art quality print. RAW Pipeline will truly revolutionize how you work on your images in Photoshop."--Amazon.com viewed Oct. 24, 2022.
Re-viewing surrealism in Charles Henri Ford's Poem posters (1964-5) -- Encountering surrealism : Nadja (1928) and autobiographical beat writing -- Blackening surrealism : Ted Joans' ethnographic surrealist historiography -- Turning on surrealism : queer psychedelia -- Hystericising surrealism : the marvelous in popular culture.
A great and necessary reminder, lest we lose the (far-fallen) angel in the reification (a word he liked) of his earthly oeuvre. The late Ted Berrigan (1934-1983) was a "people and place" poet to a fault, so it's only fitting that friend and fellow-poet Anne Waldman has compiled, edited, and introduced this star-studded tribute/celebration in the form of reminiscences, interviews, poems, letters, critiques, comics, photographs, and collaborations which portray not only the poet but the legendary Lower East Side (NYC) poetry community he called home. Published by Coffee House Press, 27 North 4th Street, Minneapolis, MN 55401. Paper edition (unseen), $14.95. Annotation copyrighted by Book News, Inc., Portland, OR
"Think of this collection as a literary grab-bag...chances are there's at least one story you'll like/love/enjoy, others which will amuse you, still others which might disturb, and perhaps one or so which you probably won't like. While the bulk of my fictional output over the years has been roughly divided between horror/dark fantasy, science fiction and erotica (of various types), a few pieces have either slipped through the genre cracks, or simply didn't make it into my other collections, either due to content, length, or availability at the time I was assembling those other collections. I've done a couple of western stories, and some undefined things which cover multiple genres, and some poetry which didn't fit in my other collections either -- there's even a short non-fiction piece about my beloved, late cat Bruiser (the same cat featured in my novel The Amulet), as well as a chapter from an outlined but never written Ewerton novel." -- A.R. Morlan, from the Introduction
