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Sir Charles Cartwright should have known better than to allow thirteen guests to sit down for dinner. For at the end of the evening one of them is dead—choked by a cocktail that contained no trace of poison. Predictable, says Hercule Poirot, the great detective. But entirely unpredictable is that he can find absolutely no motive for murder.…
A comprehensive portrait of a uniquely American epidemic -- devastating in its findings and damning in its conclusions The opioid epidemic has been described as "one of the greatest mistakes of modern medicine." But calling it a mistake is a generous rewriting of the history of greed, corruption, and indifference that pushed the US into consuming more than 80 percent of the world's opioid painkillers. Journeying through lives and communities wrecked by the epidemic, Chris McGreal reveals not only how Big Pharma hooked Americans on powerfully addictive drugs, but the corrupting of medicine and public institutions that let the opioid makers get away with it. The starting point for McGreal's deeply reported investigation is the miners promised that opioid painkillers would restore their wrecked bodies, but who became targets of "drug dealers in white coats." A few heroic physicians warned of impending disaster. But American Overdose exposes the powerful forces they were up against, including the pharmaceutical industry's coopting of the Food and Drug Administration and Congress in the drive to push painkillers -- resulting in the resurgence of heroin cartels in the American heartland. McGreal tells the story, in terms both broad and intimate, of people hit by a catastrophe they never saw coming. Years in the making, its ruinous consequences will stretch years into the future.
"The Chocolate Box" immerses readers in a tantalizing short story featuring Agatha Christie's iconic detective Hercule Poirot. In this narrative, Poirot reflects on a case from his past, one that has lingered in his memory for its personal significance. The story delves into Poirot's early career as a detective in Belgium, exploring a mysterious poisoning case that involves a wealthy family and a box of chocolates. As Poirot revisits the events surrounding the investigation, readers are treated to a blend of nostalgia, complex family dynamics, and the brilliant deductive reasoning for which Poirot is renowned. "The Chocolate Box" stands as a testament to Agatha Christie's ability to craft a compelling mystery with emotional depth. With its reflective tone, clever twists, and Poirot's unique perspective, this short story offers enthusiasts a poignant and satisfying journey into the detective's past.
Guru Dutt is now named along with the masters of world cinema—like Orson Welles, Mizoguchi, Hitchcock, Jancso, Ophüls—for his innovative cinematic form and his deep humanism and compassion. In Guru Dutt: A Tragedy in Three Acts, renowned film-maker and scholar Arun Khopkar sheds new light on Dutt’s genius through a close examination of Dutt’s three best-known films—Pyaasa, Kaagaz Ke Phool and Sahib Bibi Aur Ghulam. With a nuanced eye, Khopkar explores the historical context which influenced Dutt’s deeply melancholic style while also analysing the intricacies of the medium—acting, lighting, music, editing, rhythm—that Dutt carefully deployed to create his masterpieces. Originally written in Marathi, this exquisite English translation paints a layered portrait of a troubled genius for whom art was not merely a thing of beauty but a vital part of living itself.
"The Disappearance of Mr. Davenheim" is a captivating short story by Agatha Christie, featuring the astute Hercule Poirot. In this intriguing narrative, Mr. Davenheim, a wealthy and seemingly content man, disappears without a trace, leaving Poirot to unravel the mystery. As Poirot delves into the circumstances surrounding Mr. Davenheim's disappearance, he uncovers a series of unexpected twists and hidden secrets. Agatha Christie's storytelling prowess is on full display as Poirot navigates the complexities of the case, employing his keen powers of observation and deduction. "The Disappearance of Mr. Davenheim" offers readers a concise yet thoroughly satisfying glimpse into Christie's ability to craft a compelling mystery. With its clever plotting, engaging characters, and Poirot's brilliant investigative techniques, this short story stands as another testament to Agatha Christie's enduring legacy in the world of detective fiction.
Although Classical Athenian ideology did not permit women to exercise legal, economic, and social autonomy, the tragedies of Aeschylus, Sophocles, and Euripides often represent them as influential social and moral forces in their own right. Scholars have struggled to explain this seeming contradiction. Helene Foley shows how Greek tragedy uses gender relations to explore specific issues in the development of the social, political, and intellectual life in the polis. She investigates three central and problematic areas in which tragic heroines act independently of men: death ritual and lamentation, marriage, and the making of significant ethical choices. Her anthropological approach, together with her literary analysis, allows for an unusually rich context in which to understand gender relations in ancient Greece. This book examines, for example, the tragic response to legislation regulating family life that may have begun as early as the sixth century. It also draws upon contemporary studies of virtue ethics and upon feminist reconsiderations of the Western ethical tradition. Foley maintains that by viewing public issues through the lens of the family, tragedy asks whether public and private morality can operate on the same terms. Moreover, the plays use women to represent significant moral alternatives. Tragedy thus exploits, reinforces, and questions cultural clichés about women and gender in a fashion that resonates with contemporary Athenian social and political issues.
From the Mystery Writers of America Grand Master, this tale of death at the Dolphin Theatre has “wit, charm, and oodles of atmosphere” (Kirkus Reviews). Among theater folk, “the Scottish play” is considered unlucky, so much so that tradition requires anyone who utters its proper name backstage to leave the building, spin around, spit, curse, and then request permission to re-enter. As director Peregrine Jay directs a production of Shakespeare’s great work at the Dolphin Theater, misfortune does indeed abound, including some ugly practical jokes—and a grisly death for the leading man. It’s up to Roderick Alleyn to find out who has blood on their hands . . . “No playwright could devise a better curtain.” —Los Angeles Times “As always she writes most elegantly.” —Daily Telegraph “The doyenne of traditional mystery writers.” —The New York Times
In Agatha Christie’s classic, Three Act Tragedy, the normally unflappable Hercule Poirot faces his most baffling investigation: the seemingly motiveless murder of the thirteenth guest at dinner party, who choked to death on a cocktail containing not a trace of poison. Sir Charles Cartwright should have known better than to allow thirteen guests to sit down for dinner. For at the end of the evening one of them is dead—choked by a cocktail that contained no trace of poison. Predictable, says Hercule Poirot, the great detective. But entirely unpredictable is that he can find absolutely no motive for murder.…
Ambitious, but ill-educated, naïve, and immature, Clyde Griffiths is raised by poor and devoutly religious parents to help in their street missionary work. As a young adult, Clyde must, to help support his family, take menial jobs as a soda jerk, then a bellhop at a prestigious Kansas City hotel. There, his more sophisticated colleagues introduce him to bouts of social drinking and sex with prostitutes. Enjoying his new lifestyle, Clyde becomes infatuated with manipulative Hortense Briggs, who takes advantage of him. After being in a car accident in which a young girl loses her life, Clyde is forced to run away from the town in search for the new life.
