History of the Theatre

History of the Theatre

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  • Author: Oscar Gross Brockett
  • Publisher:
  • ISBN:
  • Category : Drama
  • Languages : en
  • Pages : 706


Theatre of the Book, 1480-1880

Theatre of the Book, 1480-1880

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  • Author: Julie Stone Peters
  • Publisher: Oxford University Press, USA
  • ISBN: 9780199262168
  • Category : Literary Criticism
  • Languages : en
  • Pages : 516

This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.


Scenic Art for the Theatre

Scenic Art for the Theatre

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  • Author: Susan Crabtree
  • Publisher: Taylor & Francis
  • ISBN: 1136084290
  • Category : Performing Arts
  • Languages : en
  • Pages : 414

Now in its Third Edition, Scenic Art for the Theatre: History, Tools and Techniques continues to be the most trusted source for both student and professional scenic artists. With new information on scenic design using Photoshop, Paint Shop Pro and other digital imaging softwares this test expands to offer the developing artist more step-by-step instuction and more practical techniques for work in the field. It goes beyond detailing job functions and discussing techniques to serve as a trouble-shooting guide for the scenic artist, providing practical advice for everyday solutions.


The Tennessee Theatre

The Tennessee Theatre

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  • Author: Jack Neely
  • Publisher:
  • ISBN: 9780692320013
  • Category : Architecture
  • Languages : en
  • Pages : 0

One of the most exuberant move palaces of the South, the Tennesse Theatre is a Jazz Age spectacle, a glimmer of a brifely extravagant era, a bold architectural celebration of an astonishing and suddenly popular new form of art. The motion picture changed the way Americans experienced their world,within its broad region, the Tennesseee became the superlative venue for that experiences. Despite its reputation as the finest, the most expensive, the theater with chandeliers and original art and antiques in its lobby, the Tennessee was also the largest, the busiest, and the most popular...Exclusiveness is one of the Tennessee's most effective illusions. After almost a century, the Tennessee is still obligatory on any trip to Knoxville, one of these sights you have to witness at least at once. Designed with dozens of shapes and countless colors to awe, it is distinct in appearance from every other theater in the world. It's a complex and fascinating artifact. But the Tennessee is also a practical edifice, a modern venue for classical music, opera, rock, jazz, bluegrass, and dozens of other genres that benefit from the old theater's excellent acoutiscs, praised in the national media for the quaility of its sound.


The Theatre of Grotowski

The Theatre of Grotowski

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  • Author: Jennifer Kumiega
  • Publisher:
  • ISBN: 9781472572165
  • Category : Experimental theater
  • Languages : en
  • Pages : 290

First published in 1985, this is a reissue of the seminal text on the work of Jerzy Grotowski and Laboratory Theatre recognised as being one of the most influential and important studies of the Polish theatre practitioner. In 1984 Grotowski's Laboratory Theatre closed down after twenty-five years of ceaseless experimentation pushing at the boundaries of the nature of theatre. From tiny beginnings in provincial Poland, Grotowski's influence spread to Eurpoe and the United States, fuelled first by the international tours of his remarkable company and then by 'paratheatrical' participatory projects which attracted adherents all over the world. This study of his work remains one of the most important and thorough examinations of the history, theory, and post-theatre work of this most influential of theatre practitioners.


The Theatre of Orson Welles

The Theatre of Orson Welles

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  • Author: Richard France
  • Publisher: Lewisburg, Pa. : Bucknell University Press
  • ISBN:
  • Category : Biography & Autobiography
  • Languages : en
  • Pages : 216


Sound and Music for the Theatre

Sound and Music for the Theatre

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  • Author: Deena Kaye
  • Publisher: Taylor & Francis
  • ISBN: 1317690575
  • Category : Performing Arts
  • Languages : en
  • Pages : 420

Covering every phase of a theatrical production, this fourth edition of Sound and Music for the Theatre traces the process of sound design from initial concept through implementation in actual performances. The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects, to negotiating a contract. It shows you how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with ‘war stores’ describing real-life problems with solutions that you can apply in your own work, whether you’re a sound designer, composer, or sound operator.


The Theatre of Tom Stoppard

The Theatre of Tom Stoppard

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  • Author: Anthony Jenkins
  • Publisher: Cambridge University Press
  • ISBN: 9780521379748
  • Category : Drama
  • Languages : en
  • Pages : 216

Despite their box-office success, Tom Stoppard's plays have sometimes aroused academic hostility, his critics accusing Stoppard of cold intellectualism or frivolous showmanship. The purpose of this study is to examine the special problem of Stoppard's use of humor and games in conveying serious ideas. As an actor and director, Anthony Jenkins is concerned not just with the literary merit of Stoppard's plays, but also with the way they are written and shaped by the formal conventions particular to the media of stage, radio, and television. This book studies the stage space of each play as well as the actor's pauses and inner emotions. As a lecturer on drama, Jenkins follows Stoppard's career chronologically so that the radio and television plays are woven in with, and support various claims concerning, the major stage works. Unlike similar critical analyses of Stoppard's theater, this volume discusses all the latest plays, including The Real Thing, The Dog It Was That Died, and Squaring the Circle.


Impro

Impro

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  • Author: Keith Johnstone
  • Publisher: Routledge
  • ISBN: 1136610456
  • Category : Performing Arts
  • Languages : en
  • Pages : 206

Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity.


Drafting for the Theatre

Drafting for the Theatre

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  • Author: Dennis Dorn
  • Publisher: SIU Press
  • ISBN: 0809387735
  • Category : Performing Arts
  • Languages : en
  • Pages : 385

In this newly revised second edition, veteran stage designers and technical directors Dennis Dorn and Mark Shanda introduce industry-standard drafting and designing practices with step-by-step discussions, illustrations, worksheets, and problems to help students develop and refine drafting and other related skills needed for entertainment set production work. By incorporating the foundational principles of both hand- and computer-drafting approaches throughout the entire book, the authors illustrate how to create clear and detailed drawings that advance the production process. Early chapters focus on the basics of geometric constructions, orthographic techniques, soft-line sketching applications, lettering, and dimensioning. Later chapters discuss real-life applications of production drawing and ancillary skills such as time and material estimation and shop-drawing nomenclature. Two chapters detail a series of design and shop drawings required to mount a specific design project, providing a guided path through both phases of the design/construction process. Most chapters conclude with one or more worksheets or problems that provide readers with an opportunity to test their understanding of the material presented. The authors' discussion of universal CAD principles throughout the manuscript provides a valuable foundation that can be used in any computer-based design, regardless of the software. Dorn and Shanda treat the computer as another drawing tool, like the pencil or T-square, but one that can help a knowledgeable drafter potentially increase personal productivity and accuracy when compared to traditional hand-drafting techniques. Drafting for the Theatre, second edition assembles in one book all the principal types of drawings, techniques, and conventional wisdom necessary for the production of scenic drafting, design, and shop drawings. It is richly illustrated with numerous production examples and is fully indexed to assist students and technicians in finding important information. It is structured to support a college-level course in drafting, but will also serve as a handy reference for the working theatre professional.