The Sounds of Early Cinema

The Sounds of Early Cinema

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  • Author: Richard Abel
  • Publisher: Indiana University Press
  • ISBN: 9780253214799
  • Category : Music
  • Languages : en
  • Pages : 350

The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.


Encyclopedia of Early Cinema

Encyclopedia of Early Cinema

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  • Author: Richard Abel
  • Publisher: Taylor & Francis
  • ISBN: 0415234409
  • Category : Performing Arts
  • Languages : en
  • Pages : 824

The Encyclopedia presents more than 1,000 entries on the basic trajectory of early cinema history, with coverage of film production, filmmakers, film genres, and individual films.


The Sounds of the Silents in Britain

The Sounds of the Silents in Britain

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  • Author: Julie Brown
  • Publisher: Oxford University Press on Demand
  • ISBN: 0199797617
  • Category : History
  • Languages : en
  • Pages : 351

Early cinemas were noisy places with pianos, organs, ensembles of all varieties and sometimes full orchestras accompanied films. Britain, a key cultural player in the entertainment world both at the time and now, has a different history than the USA of musical cultures and film production.


Silent Film Sound

Silent Film Sound

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  • Author: Rick Altman
  • Publisher: Columbia University Press
  • ISBN: 9780231116626
  • Category : Music
  • Languages : en
  • Pages : 510

Based on extensive original research and filled with gorgeous illustrations, Silent Film Sound reconsiders all aspects of sound practices during the silent film period in America. Beginning with sound accompaniment and continuing through to the more familiar sound practices of the 1920s, renowned film historian Rick Altman discusses the variety of sound strategies cinema exhibitors used to differentiate their products. During the nickelodeon period prior to 1910, this variety reached its zenith with carnival-like music, automatic pianos, small orchestras, lecturers, synchronized sound systems, and voices behind the screen. In the 1910s, musical accompaniment began to support a film's narrative and emotional content, with large theaters and blockbuster productions driving the development of new instruments, new music-publication projects, and a new style of film music. A monumental achievement, Silent Film Sound challenges common assumptions about this period and reveals the complex and swiftly changing nature of silent American cinema.


The Sounds of the Silents in Britain

The Sounds of the Silents in Britain

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  • Author: Julie Brown
  • Publisher: Oxford University Press
  • ISBN: 0199797544
  • Category : History
  • Languages : en
  • Pages : 351

Early cinemas were noisy places with pianos, organs, ensembles of all varieties and sometimes full orchestras accompanied films. Britain, a key cultural player in the entertainment world both at the time and now, has a different history than the US of musical cultures and film production.


The Concise Garland Encyclopedia of World Music

The Concise Garland Encyclopedia of World Music

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  • Author: Garland Encyclopedia of World Music
  • Publisher: Routledge
  • ISBN: 1136095942
  • Category : Music
  • Languages : en
  • Pages : 651

The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set.To purchase the set please go to:http://www.routledge.com/9780415972932.


The Concise Garland Encyclopedia of World Music: The Middle East, South Asia, East Asia, Southeast Asia

The Concise Garland Encyclopedia of World Music: The Middle East, South Asia, East Asia, Southeast Asia

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  • Author: Ellen Koskoff
  • Publisher: Routledge
  • ISBN: 0415994047
  • Category : Music
  • Languages : en
  • Pages : 652

The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.


Asynchronicities

Asynchronicities

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  • Author: Barbara McBane
  • Publisher:
  • ISBN:
  • Category :
  • Languages : en
  • Pages : 1116


Silent Film Sound

Silent Film Sound

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  • Author:
  • Publisher:
  • ISBN: 9780231534000
  • Category : Motion picture music
  • Languages : en
  • Pages : 462

Overview: Because silent cinema is widely perceived as having been exactly that-silent-no one has fully examined how sounds was used to accompany the films of this era. Silent Film Sound reconsiders all aspects of sound practices during the entire silent film period. Based on extensive original research and accompanied by gorgeous illustrations, the book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Contrary to received opinion, silent films were not always accompanied, nor were accompaniments uniform. Beginning with sound practices before cinema's first decade and continuing through to the more familiar sound practices of the 1920s, Rick Altman discusses the variety of sound strategies and the way early cinema exhibitors used these strategies to differentiate their products. During the nickelodeon period prior to 1910, this variety reached its zenith, with theaters often deploying half a dozen competing sound strategies-from carnival-like music in the street, automatic pianos at the rear of the theater, and small orchestras in the pit to lecturers, synchronized sound systems, and voices behind the screen. During this period, musical accompaniment had not yet begun to support the story and its emotions as it would in later years. But in the 1910s, film sound acquiesced to the demands of the burgeoning cinema industry, who successfully argued that accompaniment should enhance film's narrative and emotional content rather than score points by burlesquing or "kidding" the film. The large theaters and blockbuster productions of the mid-1910s provided a perfect crucible for new instruments, new music publication projects, and the development of a new style of film music. From that moment on, film music would become an integral part of the film rather than its adversary, and a new style of cinema sound would favor accompaniment that worked in concert with cinema story-telling. For the first time, Silent Film Sound details the ways in which these diverse interests and industries came together to produce an extraordinarily successful audiovisual art.


Cuttin' Up

Cuttin' Up

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  • Author: Court Carney
  • Publisher:
  • ISBN:
  • Category : History
  • Languages : en
  • Pages : 240

Reveals how the new technologies of mass culture--the phonograph, radio, and film--played a key role in accelerating the diffusion of jazz as a modernist art form across the nation's racial divide. Focuses on four cities--New Orleans, New York, Chicago, and Los Angeles--to show how each city produced a distinctive style of jazz.