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The diversity - and unity - of gay love and experience in the 20th century is celebrated in this acclaimed anthology, which includes 21 stories from the first edition, together with 15 additional tales. The texts range from the tender unarticulated longings of D.H. Lawrence's A Poem for Friendship to the explicitly sexual.
In this wide-ranging anthology, 32 women from Britain, continental Europe and the Americas express the depth and complexity of lesbian literature. Including stories about coming-out and cross-dressing, as well as vampire tales, science fiction, parody, and romance, this collection "casts the world in a different light".--The New Republic.
"A riotous party, " says David Leavitt of this anthology, in which seventeenth-century samurai mingle with twentieth-century Russian emigres and Chinese peasants. As in The Penguin Book of Gay Short Stories, writers both gay and straight explore the complicated questions surrounding love and sex between men, homosexual identity, relationships between gay men, their friends, and their families. From Plato to Boccaccio, Marguerite Yourcenar to Reinaldo Arenas, Yukio Mishima to Manuel Puig, these writings reveal an unexpected cultural and historical flexibility of attitudes toward homosexuality.
This is a collection of gay literary fiction, by men and for men, majoring on new, modern writing, and featuring many stories specially commissioned for this volume.
This collection explores the history and development of the anglophone short story since the beginning of the nineteenth century.
Esteemed critic Blanche Gelfant's brilliant companion gathers together lucid essays on major writers and themes by some of the best literary critics in the United States. Part 1 is comprised of articles on stories that share a particular theme, such as "Working Class Stories" or "Gay and Lesbian Stories." The heart of the book, however, lies in Part 2, which contains more than one hundred pieces on individual writers and their work, including Fitzgerald, Hemingway, Richard Ford, Raymond Carver, Eudora Welty, Andre Debus, Zora Neal Hurston, Anne Beattie, Bharati Mukherjee, J. D. Salinger, and Jamaica Kincaid, as well as engaging pieces on the promising new writers to come on the scene.
This Companion offers students and scholars a comprehensive introduction to the development and the diversity of the American short story as a literary form from its origins in the eighteenth century to the present day. Rather than define what the short story is as a genre, or defend its importance in comparison with the novel, this Companion seeks to understand what the short story does – how it moves through national space, how it is always related to other genres and media, and how its inherent mobility responds to the literary marketplace and resonates with key critical themes in contemporary literary studies. The chapters offer authoritative introductions and reinterpretations of a literary form that has re-emerged as a major force in the twenty-first-century public sphere dominated by the Internet.
The short story remains a crucial - if neglected - part of British literary heritage. This accessible and up-to-date critical overview maps out the main strands and figures that shaped the British short story and novella from the 1850s to the present. It offers new readings of both classic and forgotten texts in a clear, jargon-free way.
