eBook downloads, eBook resources & eBook authors
An investigation of the non-human world in the Exeter Book riddles, drawing on the exciting new approaches of eco-criticism and eco-theology.
"The ninety-six Anglo-Saxon riddles in the eleventh-century Exeter Book are poems of great charm, zest, and subtlety. Ranging from natural phenomena (such as icebergs and storms at sea) to animal and bird life, from the Christian concept of the creation to prosaic domestic objects (such as a rake and a pair of bellows), and from weaponry to the peaceful pursuits of music and writing, they are full of sharp observation, earthly humour and, above all, a sense of wonder. The main text of this volume contains Kevin Crossley-Holland's newly-revised translations of seventy-five fascinating and discursive riddles - all those not very badly damaged or impenetrably obscure - while a further sixteen are translated in the notes. These translations are very widely anthologised in Britain and the USA. Sir Arthur Bliss and William Mathias set some of them to music, Ralph Steadman has illustrated them and Michael Fairfax has incorporated them in his Riddle Sculpture."--BOOK JACKET.
The first collection devoted solely to early medieval riddles, Riddles at work showcases recent research in this popular, new field. It brings together studies of Old English and Latin riddles, authors at various stages of their careers and a range of approaches, aiming to map out both the state of the field now and its future directions.
This book examines descriptions of the natural world in a wide range of Old English poetry. Jennifer Neville describes the physical conditions experienced by the Anglo-Saxons - the animals, diseases, landscapes, seas and weather with which they had to contend. She argues that poetic descriptions of these elements were not a reflection of the existing physical conditions but a literary device used by Anglo-Saxons to define more important issues: the state of humanity, the creation and maintenance of society, the power of individuals, the relationship between God and creation and the power of writing to control information. Examples of contemporary literature in other languages are used to provide a sense of Old English poetry's particular approach, which incorporated elements from Germanic, Christian and classical sources. The result of this approach was not a consistent cosmological scheme but a rather contradictory vision which reveals much about how the Anglo-Saxons viewed themselves.
The fourteen chapters and poem of this volume reflect the centrality of the element Earth in medieval thought and life, a centrality inherited from classical antiquity, and fundamental too in Judaeo-Christian and Islamic traditions. The chapters also reflect the multifarious nature of the ways that Earth was experienced and understood in the Middle Ages. Contributors are Sophie E.D. Abrahams, Daniel Anlezark, Marilina Cesario, Catherine Clarke, James Davis, Stephen J. Davis, Virginia Iommi Echeverría, Andrew Fear, Danielle B. Joyner, Hugh Magennis, Francesco Marzella, Tom C.B. McLeish, Patrick Naeve, Bernard O’Donoghue, Sinéad O’Sullivan, Alexandra Paddock, Elisa Ramazzina, Hannah E. Smithson, Sigbjørn O. Sønnesyn, Sinéad O’Sullivan, and Margaret Tedford.
A book full of ingenious characters who speak their names in riddles-a bookworm, an iceberg, an oyster, the sun and moon and a one-eyed garlic seller are just a few that bear witness to the every-day life and imagination of the Anglo-Saxons. Their sense of the awesome power of creation goes hand in hand with a frank delight in obscenity, a fascination with disguise and with the mysterious processes by which the natural world is yurned to human use. Contains all 95 Exeter Book riddles.
Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the early medieval riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.
The aim of this book is to restore to the story of Englishness the lively material interactions between words, bodies, plants, stones, metals, and soil, among other things, that would have characterized it for the early medieval English themselves. In particular, each chapter demonstrates how a productive collapse, or fusion, between place and history happens not only in the intellectual realm, in ideas, but is also a material concern, becoming enfleshed in encounters between early medieval bodies and a host of material entities. Through readings of texts in a wide variety of genres including hagiography, heroic poetry, and medical and historical works, the book argues that Englishness during this period is an embodied identity emergent at the frontier of material and textual interactions that serve productively to occlude history, religion, and geography. The early medieval English body thus results from the rich encounter between the lived environment—climate, soil, landscape features, plants—and the textual-discursive realm that both determines what that environment means and is also itself determined by the material constraints of everyday life.
The first book-length study of the whole lifespan in Old English verse, exploring how poets depicted varied paths through life. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Was Whitby in Yorkshire the home of the earliest English woman writer? Did Roman Britain see Christians martyred at Leicester? Was St Patrick born in Somerset, not far from Bath? How in the age of Arthur did a saint rid Cornwall of a troublesome dragon? How were a Dark-Age Scottish queen and her lover saved from ignominy by a ring, miraculously found in the belly of a fish? These and other questions are answered in this book. Breaking spectacular new ground on Christianity in early Britain and beyond, it will be essential reading for both historians and the general reader concerned with writing by women, as its demonstration of an eighth-century life of Pope Gregory as the work of an unidentified nun underlines the perennial difficulties of female writers in a world dominated by men.
