The Merchant of Venice: A Critical Reader

The Merchant of Venice: A Critical Reader

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  • Author: Sarah Hatchuel
  • Publisher: Bloomsbury Publishing
  • ISBN: 1350082309
  • Category : Literary Criticism
  • Languages : en
  • Pages : 321

Arden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making the books ideal companions for study and research. Key features include: - Essays on the play's critical and performance history - A keynote essay on current research and thinking about the play - A selection of new essays by leading scholars A survey of resources to direct students' further reading about the play in print and online Shakespeare's The Merchant of Venice has often been labelled a 'problem play', and throughout the ages it has been an object of both fascination and repulsion. Without neglecting the socio-political and religious issues that are at the heart of the play, this collection of critical essays invites readers to rediscover the variety of approaches that this multifaceted work calls for, exploring its gender aspects, its rich mythological background, its legal matters and the ways in which it has been adapted to the screen. Essays consider the play in relation to its sources, genre and religion, historical and socio-political context and its critical reception and performance history.


The Merchant of Venice

The Merchant of Venice

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  • Author: William Baker
  • Publisher: Continuum
  • ISBN:
  • Category : Drama
  • Languages : en
  • Pages : 488

The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays. Before the nineteenth century critical reaction is relatively fragmentary. However between then and the late twentieth century the critical tradition reveals the tremendous vitality of the play to evoke emotion in the theatre and in the study. Since the middle of the twentieth century reactions to the drama have been influenced by the Nazi destruction of European Jewry. The first volume to document the full tradition of criticism of The Merchant of Venice includes an extensive introduction which charts the reactions to the play up to the beginning of the twenty first century and reflects changing reactions to prejudice in this period. Material by a variety of critics appears here for the first time since initial publication. Reactions are included from: Malone, Hazlitt, Jameson, Heine, Knight, Lewes, Halliwell-Phillips, Furnivall, Irving, Ruskin, Swinburne, Masefield, Gollancz and Quiller-Couch.


William Shakespeare's the Merchant of Venice

William Shakespeare's the Merchant of Venice

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  • Author: Sterling Professor of Humanities Harold Bloom
  • Publisher: Infobase Publishing
  • ISBN: 1438134355
  • Category : Criticism
  • Languages : en
  • Pages : 215

William Shakespeare's The Merchant of Venice is a richly complicated and, to some, a deeply;disturbing work.


Arden of Faversham: A Critical Reader

Arden of Faversham: A Critical Reader

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  • Author: Peter Kirwan
  • Publisher: Bloomsbury Publishing
  • ISBN: 1350270199
  • Category : Literary Criticism
  • Languages : en
  • Pages : 265

One of the earliest domestic tragedies, Arden of Faversham is a powerful Elizabethan drama based on the real-life murder of Thomas Arden. This Critical Reader presents the first collection of essays specifically focused upon Arden of Faversham. It highlights the way in which this important play from the early 1590s stands at several different critical intersections. Focused research chapters propose new directions for exploring the play in the light of ecocriticism, genre studies, critical race studies and narratives of dispossession. It also looks forward to Arden of Faversham's role and status in a less author-centred critical climate. Chapters explore how this anonymous and canonically marginal play has been approached in the past by scholars and theatre-makers and the frameworks that have offered productive insight into its unique features. The volume includes chapters covering a wide range of critical discourses and resources available for its study, as well as offering practical approaches to the play in the classroom.


The Jew of Malta: A Critical Reader

The Jew of Malta: A Critical Reader

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  • Author: Robert A. Logan
  • Publisher: A&C Black
  • ISBN: 1408191539
  • Category : Drama
  • Languages : en
  • Pages : 288

Christopher Marlowe's drama, The Jew of Malta, has become an increasingly popular source for scholarly scrutiny, staged productions, and, most recently, a filmed version. The play follows the sometimes tragic, sometimes comic, often outrageous fortunes of its villainous protagonist, the Jew Barabas. In recent years the play has provoked as much interpretive controversy as any work in the Marlowe canon. This unique volume is therefore especially timely, providing fresh, varied approaches to the many enigmatic elements of the play.


The Merchant of Venice

The Merchant of Venice

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  • Author: William Shakespeare
  • Publisher: W W Norton & Company Incorporated
  • ISBN: 9780393925296
  • Category : Drama
  • Languages : en
  • Pages : 347

Presents Shakespeare's comedy about a creditor demanding a pound of flesh in payment of a defaulted debt and a love who must choose among three caskets in a riddle game to win the hand of a wealthy lady.


A Beginner's Guide to Critical Reading

A Beginner's Guide to Critical Reading

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  • Author: Richard Jacobs
  • Publisher: Psychology Press
  • ISBN: 9780415234672
  • Category : Literary Criticism
  • Languages : en
  • Pages : 504

Brings literature to life through a combination of fascinating texts, critically up-to-the minute readings and Jacobs' enthusiastic, lively approach.


Othello: A Critical Reader

Othello: A Critical Reader

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  • Author: Robert C. Evans
  • Publisher: Bloomsbury Publishing
  • ISBN: 1472520386
  • Category : Literary Criticism
  • Languages : en
  • Pages : 292

Othello has long been, and remains, one of Shakespeare's most popular works. It is a favourite work of scholars, students, and general readers alike. Perhaps more than any other of Shakespeare's tragedies, this one seems to speak most clearly to contemporary readers and audiences, partly because it deals with such pressing modern issues as race, gender, multiculturalism, and the ways love, jealousy, and misunderstanding can affect relations between romantic partners. The play also features Iago, one of Shakespeare's most mesmerizing and puzzling villains. This guide offers students and scholars an introduction to the play's critical and performance history, including notable stage productions and film versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further research.


Oxford Progressive English Readers: Grade 3: The Merchant of Venice and Other Stories from Shakespeare's Plays

Oxford Progressive English Readers: Grade 3: The Merchant of Venice and Other Stories from Shakespeare's Plays

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  • Author:
  • Publisher: OUP Oxford
  • ISBN: 9780195971446
  • Category : Foreign Language Study
  • Languages : en
  • Pages : 92


Reading Shakespeare in Jewish Theological Frameworks

Reading Shakespeare in Jewish Theological Frameworks

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  • Author: Caroline Wiesenthal Lion
  • Publisher: Taylor & Francis
  • ISBN: 1000630005
  • Category : History
  • Languages : en
  • Pages : 240

Reading Shakespeare in Jewish Theological Frameworks: Shylock Beyond the Holocaust uses Jewish theology to mount a courageous new reading of a four-hundred-year-old play, The Merchant of Venice. While victimhood and antisemitism have been the understandable focus of the Merchant critical history for decades, Lion urges scholars, performers, and readers to see beyond the racism in Shakespeare's plays by recovering Shakespearean themes of potentiality and human flourishing as they emerge within the Jewish tradition itself. Lion joins the race conversation in Shakespeare studies today by drawing on the intellectual history and oppression of the Jewish people, borrowing from thinkers Franz Rosenzweig and Abraham Joshua Heschel as well as Hannah Arendt, Walter Benjamin, Jacques Derrida, Emmanuel Levinas, and rabbis from the Talmud to today. This volume interweaves post-confessional, Protestant, Catholic, Muslim, Jewish, and mystical ideas with Shakespeare's poetry and opens conversations of prophecy, love, spirituality, care, and community. It concludes with brief critical sketches of Antony and Cleopatra, Hamlet, and Macbeth to demonstrate that Shakespeare when interpreted through Jewish theological frameworks can point to post-credal solutions and transformed societal paradigms of repair that encourage action and the shaping of a finer world.