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A farcical look at political violence as it's played out during the Troubles in Northern Ireland against the drab backdrop of a bare, rustic Irish cottage and unending boredom in an inhospitable environment in which a mutilated cat sets off a murderous cycle of revenge. Wee Thomas was a friendly cat. He would always say hello to you were you to see him sitting on a wall. (Pause.) He won't be saying hello no more, God bless him. Not with that lump of a brain gone. Who knocked Wee Thomas over on the lonely road on the island of Inishmore, and was it an accident? "Mad Padraig" will want to know when he gets back from a stint of torture and chip shop bombing in Northern Ireland: he loves that cat more than life itself.
"Mr McDonagh is destined to be one of the theatrical luminaries of the 21st century" (The New Republic) In 1934, the people of Inishmaan learn that the Hollywood director Robert Flaherty is coming to the neighbouring island to film his documentary Man of Aran. No one is more excited than Cripple Billy, an unloved boy whose chief occupation has been gazing at cows and yearning for a girl who wants no part of him. For Billy is determined to cross the sea and audition for the Yank. And as news of his audacity ripples thorugh his rumour-starved community, The Cripple of Inishmaan becomes a merciless portrayal of a world so comically cramped and mean-spirited that hope is an affront to its order. With this bleak yet uproariously funny play, Martin McDonagh fulfills the promise of his award-winning The Beauty Queen of Leenane while confirming his place in a tradition that extends from Synge to O'Casey and Brendan Behan.
Winner 1996 Evening Standard Award for Most Promising Playwright; Winner 1996 George Devine Award for Most Promising Playwright For one week each autumn, Mick Dowd is hired to disinter the bones in certain sections of his local cemetery, to make way for new arrivals. As the time approaches for him to dig up those of his own late wife, strange rumours regarding his involvement in her sudden death seven years ago gradually begin to resurface.
This Student Edition of Martin McDonagh's The Beauty Queen of Leenane features expert and helpful annotation, including a scene-by-scene summary, a detailed commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play, as well a list of suggested reading and questions for further study and a review of performance history. Set in the mountains of Connemara, County Galway, The Beauty Queen of Leenane tells the darkly comic tale of Maureen Folan, a plain and lonely spinster in her early forties, and Mag her devilishly manipulative ageing mother whose interference in Maureen's first and potentially last loving relationship sets in motion a train of events that is as gothically funny as it is horrific. Maureen might long for the romance that will spirit her away, but if she goes, who will stir the lumps out of Mag's Complan? The Beauty Queen of Leenane was first presented as a Druid Theatre/Royal Court Theatre co-production in January 1996. An instant classic from its first performance, The Beauty Queen of Leenane established Martin McDonagh as the natural successor to Oscar Wilde and Joe Orton. The Oscar and Bafta-winning writer's other films and plays include In Bruges and The Pillowman.
In a townhouse in Copenhagen works Hans Christian Andersen, a teller of exquisite and fantastic children's tales beloved by millions. But the true source of his stories dwells in his attic upstairs, her existence a dark secret kept from the outside world.Dangerous, twisted and funny, Martin McDonagh's new play travels deep into the abysses of the imagination. A Very Very Dark Matter premiered at the Bridge Theatre, London, in October 2018.
Martin McDonagh is one of the world's most popular dramatists. This is a highly readable and illuminating analysis of his career to date that will appeal to the legions of fans of his stage plays and the films Six Shooter and In Bruges. As a resource for students and practitioners it is unrivalled, providing an authoritative and enquiring approach to his work that moves beyond the tired discussions of national identity to offer a comprehensive critical exploration. Patrick Lonergan provides a detailed analysis of each of his plays and films, their original staging, critical reception, and the connections within and between the Leenane Trilogy, the Aran Islands plays and more recent work. It includes an interview with Garry Hynes, artistic director of Druid Theatre Company, and offers four critical essays on key features of McDonagh's work by leading international scholars: Joan Dean, Eamonn Jordan, Jose Lanters and Karen O'Brien. A series of further resources including a chronology, glossary, notes on McDonagh's use of language and a list of further reading makes this the perfect companion to one of the most exciting dramatists writing today.
I'm just as good as bloody Pierrepoint. In his small pub in Oldham, Harry is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging? Amongst the cub reporters and sycophantic pub regulars, dying to hear Harry's reaction to the news, a peculiar stranger lurks, with a very different motive for his visit. Don't worry. I may have my quirks but I'm not an animal. Or am I? One for the courts to discuss. Martin McDonagh's Hangmen premiered at the Royal Court Theatre, London, in September 2015.
Joan Littlewood was the anarchic revolutionary of 20th century theatre. Her unique Theatre Workshop was responsible for a raft of successes including Oh, What A Lovely War!, and breathed new life into the Theatre Royal Stratford East. Anti-establishment, visionary, rude and glorious, Joan Littlewood red the imagination of a generation. Based on her life story, this musical charts the emotional highs and lows of Joan's journey from the East End to the West End. Told with her own uncompromising honesty, this new musical reveals a mighty love story at its heart.
