The Improvisation Playbook

The Improvisation Playbook

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  • Author: Tristan MacAvery
  • Publisher: AuthorHouse
  • ISBN: 1425913083
  • Category : Reference
  • Languages : en
  • Pages : 206

should prove invaluable to beginners, journeymen/women and seasoned pros. Ren Auberjonois Boston Legal, Star Trek: Deep Space Nine Have you ever watched a show like Whose Line Is It Anyway, and wondered if you could do that? Trust me: You can. Everyone improvises. Yes, even you. Or did you wake up this morning, get a cup of coffee, open up your script, and read the scene where you sit at your computer, reading this description of the book? You make it up as you go along, from what you do during your day to everything that you say to other people. It may simply be that you, like many of us, want to be able to improvise a little better. I am amazed at the huge knowledge of improv you convey. Your readers, pros or amateurs, should find your book fascinating. Adam West, actor The Improvisation Playbookis a self-contained how-to manual that guides you through the basics of improvisation and describes a series of classes for exploration, growth and just plain fun. Improvist and coach Tristan MacAvery shares his experience, his knowledge and his encouragement in showing how everyonenot just comedians and actorscan bring out the best in every area of life. It all comes together when you discover this simple truth: Improvisation is Telling the Truth Without a Script I wish I had this book when I was starting out! Dean Haglund, Actor/Improviser (X Files, Lone Gunmen


The Playbook

The Playbook

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  • Author: William Hall
  • Publisher: Fratelli Bologna
  • ISBN: 9780996014205
  • Category : Performing Arts
  • Languages : en
  • Pages : 140

"Improvisation Games, formats and instruction. This book is perfect for improv groups who want to expand their collection of performance games and for students who want to play new games. Teachers will love the variety of drama games for their classes. The games are categorized and indexed by type of game. Quotes, performance tips, recommended reading and a few long form formats are also included." --


Long-Form Improv

Long-Form Improv

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  • Author: Ben Hauck
  • Publisher: Simon and Schuster
  • ISBN: 1621532364
  • Category : Performing Arts
  • Languages : en
  • Pages : 262

Long-Form Improv deftly teaches the wildly popular form of improvisation that is so foundational to the comedy stylings of many of today’s top actors and thriving comedians. Crammed with innovative ideas for conceptualizing improvised scenework and “finding the game of the scene,” this crisply written manual covers techniques for experienced improvisers, curious actors, and even non-actors. A complete long-form improv resource comprising topics like ideation and character creation, improvising scenes for extended periods of time and enhancing them—and even performing the most famous expression of long-form improv, the half-hour improvised form known as “The Harold”—this astute text is written in a friendly, supportive voice by an experienced improv teacher and professional actor whose own frustration in learning the craft drove an obsession to create a program free of confounding teachings and contradictory concepts. The book’s groundbreaking infusion with drama theory and game theory brings new life to the teachings of the craft, breaking down various aspects of long-form improv into short chapters for swift, step-by-step intake of its vital lessons. Students of acting and long-form improv alike should expect Long-Form Improv to bolster their education and fast-track their course to improv greatness.


The Ultimate Improv Book

The Ultimate Improv Book

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  • Author: Edward J. Nevraumont
  • Publisher: Meriwether Publishing
  • ISBN:
  • Category : Performing Arts
  • Languages : en
  • Pages : 284

A complete improvisation curriculum in twenty-four class-length units. This comprehensive resource who shows the who, what, when, why and how of comedy improvisation. Main topics: What is improv?; Improvisational skills; Structuring; Strategies; How to start your own improvisation team. Includes many games and exercises.


Improv Beyond Rules

Improv Beyond Rules

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  • Author: Adam Meggido
  • Publisher:
  • ISBN: 9781848427310
  • Category : Improvisation (Acting)
  • Languages : en
  • Pages : 0

A hands-on guide to narrative improvisation by the co-creator and director of the Olivier Award-winning improv show Showstopper! The Improvised Musical, this book draws on the author's extensive experience teaching and performing around the world. Starting with fundamental principles that work for all forms of improvised performance, and the common traps improvisers fall into, the book explores the elements of narrative improvisation, where performers create a story without any predetermined structure. It covers: The Moment: how to be authentically in the moment by listening and responding to fellow performers, accepting their suggestions (not necessarily by always saying yes) and committing to whatever happens next; The Scene: how to connect moments to build a compelling scene and keep it moving forward; why there's no such thing as a mistake; and understanding and working with audiences; and The Story: how to link scenes to build story and plot; what kids can teach us about storytelling; utilising dramatic structure; developing and playing different types of characters; and key principles of staging. Packed with dozens of games and exercises, the book provides the tools to build confidence, empower performance, and unlock creativity. Written for improvisers with any level of experience, this book is also the perfect starting point for directors, teachers, actors or anyone eager to learn how improvisation can benefit both rehearsal and performance.


The Improv Handbook

The Improv Handbook

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  • Author: Tom Salinsky
  • Publisher: A&C Black
  • ISBN: 1472536622
  • Category : Biography & Autobiography
  • Languages : en
  • Pages : 448

The most comprehensive, smart, helpful and inspiring guide to improve available today. Applicable to comedians, actors, public speakers and anyone who needs to think on their toes. From The Improv Handbook: The problem for improvisers is anxiety. faced with a lot of nameless eyes staring at us, and feeling more than anything else like prey, we are likely to want to display very consistent behavior, so that anyone who looks at us, looks away and then looks back sees the same thing. Thus we become boring, we fade into the background, and we cease to be of interest. The Improv Handbook provides everything someone interested in improvisational comedy needs to know, as written by a husband and wife comedy duo with years of experience and teaching in the field. in addition to providing a comprehensive history of improvisational theater as a backdrop, it also looks at modern theories and practices of improvisation on a global scale, including how the form of comedy has evolved differently in different parts of the world, from Europe to the UK to the Chicago scene. The Improv Handbook also contains an essential performance segment that details different formats of improvisation. Chapter topics include Theatresports, Micetro, Gorilla Theatre, and the inventions of Keith Johnstone and Del Close as well as other popular forms of improv, like those on "Whose Line is it Anyway." The core section of the book is called simply, "How to Improvise" and delves into issues of spontaneity, the fundamentals of storytelling, working together, upping the ante, and character development. The book concludes with sections on how to improvise in front of an audience and- just as crucially- how to attract an audience in the first place.


The Pianist's Guide to Historic Improvisation

The Pianist's Guide to Historic Improvisation

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  • Author: John J. Mortensen
  • Publisher: Oxford University Press
  • ISBN: 0190920424
  • Category : Music
  • Languages : en
  • Pages : 288

Keyboard artists in the time of J.S. Bach were simultaneously performers, composers, and improvisers. By the twentieth century, however, the art of improvisation was all but lost. Today, vanishingly few classically-trained musicians can improvise with fluent, stylistic integrity. Many now question the system of training that leaves players dependent upon the printed page, and would welcome a new approach to musicianship that would enable modern performers to recapture the remarkable creative freedom of a bygone era. The Pianist's Guide to Historic Improvisation opens a pathway of musical discovery as the reader learns to improvise with confidence and joy. Useful as either a college-level textbook or a guide for independent study, the book is eminently practical. Author John Mortensen explains even the most complex ideas in a lucid, conversational tone, accompanied by hundreds of musical examples. Mortensen pairs every concept with hands-on exercises for step-by-step practice of each skill. Professional-level virtuosity is not required; players of moderate skill can manage the material. Suitable for professionals, conservatory students, and avid amateurs, The Pianist's Guide leads to mastery of improvisational techniques at the Baroque keyboard.


CLINICAL IMPROVISATION TECHNIQUES IN MUSIC THERAPY: A GUIDE FOR STUDENTS, CLINICIANS AND EDUCATORS

CLINICAL IMPROVISATION TECHNIQUES IN MUSIC THERAPY: A GUIDE FOR STUDENTS, CLINICIANS AND EDUCATORS

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  • Author: Debbie Carroll
  • Publisher: Charles C Thomas Publisher
  • ISBN: 0398088918
  • Category : Psychology
  • Languages : en
  • Pages : 118

Clinical Improvisation Techniques in Music Therapy: A Guide for Students, Clinicians and Educators provides a clear and systematic approach to understanding and applying improvisational techniques. It is inspired by the taxonomy of clinical improvisation techniques as described by Kenneth Bruscia in his book, Improvisational Models of Music Therapy. Based on years of their own experimenting with the teaching of improvisation, the authors have evolved a particular developmental sequence for introducing basic techniques of improvising and applying them through role-play exercises that have been sensitively designed to bring out one’s innate musicality and one’s empathic regard. Part One provides an introduction to the techniques. Part Two focuses on how to apply the techniques with clinical intent in order to meet the diverse needs of a client, individually or in the context of a group. This section also addresses the need to enrich one’s own musicianship by providing musical resources, relevant references and guidelines for working with client’s playing. This “hands-on” guide fulfills the need for a clear process-oriented approach to mastering clinical improvisation techniques, and in a style that can be understood not only by music therapy students, clinicians and educators but also by health care administrators and providers alike.


The Second City Guide to Improv in the Classroom

The Second City Guide to Improv in the Classroom

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  • Author: Katherine S. McKnight
  • Publisher: John Wiley & Sons
  • ISBN: 0787996505
  • Category : Education
  • Languages : en
  • Pages : 214

Most people know The Second City as an innovative school for improvisation that has turned out leading talents such as Alan Arkin, Bill Murray, Stephen Colbert, and Tina Fey. This groundbreaking company has also trained thousands of educators and students through its Improvisation for Creative Pedagogy program, which uses improv exercises to teach a wide variety of content areas, and boost skills that are crucial for student learning: listening, teamwork, communication, idea-generation, vocabulary, and more.


A Listener's Guide to Free Improvisation

A Listener's Guide to Free Improvisation

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  • Author: John Corbett
  • Publisher: University of Chicago Press
  • ISBN: 022635380X
  • Category : Music
  • Languages : en
  • Pages : 191

In the first book of its kind, John Corbett's A Listener's Guide to Free Improvisation provides a how-to manual for the most extreme example of spontaneous improvising: music with no pre-planned material at all. Drawing on over three decades of writing about, presenting, playing, teaching, and studying freely improvised music, Corbett offers an enriching set of tools that show any curious listener how to really listen, and he encourages them to enjoy the human impulse-- found all around the world-- to make up music on the spot.