The Gramophone Company's First Indian Recordings, 1899-1908

The Gramophone Company's First Indian Recordings, 1899-1908

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  • Author: Michael S. Kinnear
  • Publisher: Popular Prakashan
  • ISBN: 9788171547289
  • Category : Music
  • Languages : en
  • Pages : 328

This Painstakingly Researched, Unique Volume, A Definitive Discography Of Indian Music, Is A Tribute Not Only To Indian Music, But Also To An Institution Whose Contribution To Indian Music Has Been Monumental -The Gramophone Company. Without Dustjacket In Good Condition.


The Gramophone

The Gramophone

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  • Author:
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  • ISBN:
  • Category : Audio equipment industry
  • Languages : en
  • Pages : 1022


The Gramophone Book

The Gramophone Book

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  • Category : Music
  • Languages : en
  • Pages : 176


The Cambridge Companion to Recorded Music

The Cambridge Companion to Recorded Music

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  • Author: Nicholas Cook
  • Publisher: Cambridge University Press
  • ISBN: 0521865824
  • Category : Music
  • Languages : en
  • Pages : 381

Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.


Rights Affecting the Manufacture and Use of Gramophone Records

Rights Affecting the Manufacture and Use of Gramophone Records

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  • Author: W. Mak
  • Publisher: Springer Science & Business Media
  • ISBN: 9401508410
  • Category : Law
  • Languages : en
  • Pages : 224

When dealing, as in this study, with gramophone records, we almost unconsciously think of music. For the number of gramophone records in which music, either vocal or instrumental, does not playa part is quite small. Hence we shall concern our selves principally with musical records. 1. Music may be said to be as old as humanity itself: from the very beginning of history man has given expression to his emo tions by means of sounds. In one of the first chapters of the Bible harps and organs are mentioned 1) and further on in the Book of Books we find musical instruments mentioned repeatedly. Let us quote a few instances at random: Gen. 31 : 27; Ex. 15 : 20; 1 Sam. 16 : 23; 2 Sam. 6 : 5; Psalm 150; 1 Cor. 14 : 7,8. Throughout the ages music having at first no other than a religious character, evolved and differentiated itself with the result that now we know music in all its numerous variations: beside religious music we have secular music in the form of symphonic music, military music, dance-music and so on.


Billboard

Billboard

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  • Category :
  • Languages : en
  • Pages : 80

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.


The Phonoscope

The Phonoscope

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  • Category :
  • Languages : en
  • Pages : 422


The Student's Journal

The Student's Journal

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  • Category : Shorthand
  • Languages : en
  • Pages : 256


Modernism at the Microphone

Modernism at the Microphone

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  • Author: Melissa Dinsman
  • Publisher: Bloomsbury Publishing
  • ISBN: 1472595092
  • Category : Literary Criticism
  • Languages : en
  • Pages : 256

As the Second World War raged throughout Europe, modernist writers often became crucial voices in the propaganda efforts of both sides. Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II is a comprehensive study of the role modernist writers' radio works played in the propaganda war and the relationship between modernist literary aesthetics and propaganda. Drawing on new archival research, the book covers the broadcast work of such key figures as George Orwell, Orson Welles, Dorothy L. Sayers, Louis MacNeice, Mulk Raj Anand, T.S. Eliot, and P.G. Wodehouse. In addition to the work of Anglo-American modernists, Melissa Dinsman also explores the radio work of exiled German writers, such as Thomas Mann, as well as Ezra Pound's notorious pro-fascist broadcasts. In this way, the book reveals modernism's engagement with new technologies that opened up transnational boundaries under the pressures of war.


A Philosophy of Comedy on Stage and Screen

A Philosophy of Comedy on Stage and Screen

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  • Author: Shaun May
  • Publisher: Bloomsbury Publishing
  • ISBN: 1472580451
  • Category : Drama
  • Languages : en
  • Pages : 139

As far as we know, only human beings have a sense of humour – although chimps might laugh when tickled, and dogs respond similarly in play, Seth McFarlane's fan-base is comprised exclusively of humans. Whilst animals and robots might feature as prominent characters in our favourite comic movies, shows and stand-up routines, we have no reason to suspect that their real-life brethren get the joke. Drawing on the philosophy of Martin Heidegger, Shaun May attempts to address this issue – suggesting that there is something distinctive about human beings which grounds our ability to make and comprehend jokes. Guiding the reader through a range of examples, including the films of Charlie Chaplin, the stand-up of Francesca Martinez, the TV show Family Guy and Samuel Beckett's Endgame, he demonstrates that in order to get the joke you have to 'be there'.