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The final volume of this groundbreaking quartet leads us through the dramatic post-war years, from derelict bombsites to shimmering skyscrapers. After the dark days of devastated investments and staggering debt, London slowly reasserts itself as the financial capital of the world.
The City of London. Vol IV: A Club No More is the fourth and final volume of David Kynaston's epic history of the square mile in the modern era. This lively and informative book takes the story from the post-war era, when the City was hemmed in by bombsites and austere Chancellors, through to very recent developments, such as the "Big-Bang" deregulation of 1986. This is as much a social history as a financial study, with interesting discussions of the changing class and complexion of the City, and with fascinating details on the early computerisation of the big companies. As with earlier volumes Kynaston's style is that of an anecdotal storyteller. Colourful characters, dramatic boardroom struggles and heated exchanges between politicians and bankers dominate the pages.
The 'Square Mile', London's financial powerhouse, rose to prominence with the defeat of Napoleon in 1815. David Kynaston's vibrant history brings this world to life, taking us from the railway boom of the 1830s to the 'Golden Age', when the legendary gold standard reigned supreme. Between the two World Wars the City was affected by the Wall Street Crash, pressured by politicians, trade unions and industrialists, but by the end of the twentieth century it had regained a precarious global might. Woven throughout are the stories of four individuals who shaped the City in different ways -- Nathan Rothschild, Ernest Cassel, Montagu Norman and Siegmund Warburg. But the realm of great bankers and brokers is also the workplace of young clerks throwing paper darts, typists bringing in their sandwiches, and sad racketeers watching aghast as the markets fall. Above all, we see what it was like to work in the City -- the dress codes, eating habits, work hours, pay, humour, changing architecture and language that forged the unique culture of the Square Mile. Richly entertaining, full of vivid anecdotes, this is a story of booms, busts and bankruptcies -- from the Kaffir boom to the Marconi scandal, the 'Big Bang' deregulation of 1986, and the Barings crash in 1995 -- bringing us to the brink of the modern age.
The first book in the No. 1 Times bestselling series ‘This is terrific stuff’ Daily Telegraph ‘A breathtakingly ambitious picture of an era’ Financial Times ‘A masterclass in how to weave a well-researched history into a complex plot’ The Times
The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.
Set in Victorian London-where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth-the fourth novel in this best-selling series tells the story of Lord Alderscroft, Master of the British Elemental Masters Council-the most powerful Fire Master ever to lead the Council. Loosely based on The Snow Queen, The Wizard of London delves into Lord Alderscroft's youth, when he was bespelled by an evil Elemental Master who hoped to use him for political gain.
Sanitary reform was one of the great debates of the nineteenth century. This reset edition makes available a modern, edited collection of rare documents specifically addressing sanitary reform. Each volume will begin with an introduction, and the documents presented have headnotes and endnotes provided. A full index appears in the final volume.
A Happy and Informative Present: at the new Université de Sherbrooke, Pierre had developed a four-month teaching program for clinical nurses prior to their departure to the Canadian Far North where they would be in charge of a Nursing Station. In 1973, a group of them gave me as a parting gift the French translation of "The Scalpel and the Sword" by Ted Allen and Sydney Gordon (Toronto, 1952); the French version was by Jean Pare, 'Docteur Bethune' (Montreal, 1973). As new Canadians, we thought it odd that the French version should take 20 years to appear on the scene. We had been in Canada for 15 years.
