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Thirteen-year-old Theodore Boone faces his biggest challenge when a new case opens up in Strattenburg and Theo is the prime suspect when the police discover some stolen computer equipment in his locker.
First published in 1951, this is both a personal narrative and forensic analysis of the methods employed by Stalin and the G.P.U. during the Great Purge from the middle of 1936 to the end of 1938. It is the exploration of the systematic imprisonment, interrogation and extraction of false confessions from millions of people that is extraordinary. Weissberg explains how victims of the state police were forced to make confessions incriminating not only themselves but also co-conspirators. This practice was aimed at destroying the relations of trust between those who were responsible for the Russian revolution. Those who were not killed in camps in the Soviet Arctic were divided and conquered. Hence, the central thesis in the book is that the Russian revolution and communism in the Soviet Union were irrevocably destroyed and ended in the 1930s during the terror of the Stalinist purges. A remarkable and little known contribution to our understanding of the events in the Soviet Union.
Whether you are a law clinic student making your first foray into criminal defense, a newly admitted attorney, a general practitioner, or an attorney whose practice is concentrated in criminal defense, Representing the Accused will provide you with invaluable advice as you navigate your way through a criminal case. Authored by an experienced criminal defense attorney in a large public defenders office who has personally handled thousands of criminal cases, supervised representation in thousands more, and trained scores of attorneys, this book provides insight and guidance on how to efficiently and effectively manage each step in the handling of a criminal case. In order to help you provide quality representation to your clients, this publication offers clear explanations of a criminal attorneys role at every stage, from the arrest through the conclusion of the case.
Innocent or guilty? You decide. Jeffrey Archer's play, The Accused, is a tense courtroom drama with a difference. The audience will act as the jury, as if they were in the Central Criminal Court at the Old Bailey. You will have to decide... Did Dr Sherwood murder his wife? Was Jennifer Mitchell his mistress? Which of his alibis should you believe. The choice will keep you on the edge of your seats, and at the end of the trial you will be invited to deliver your verdict of guilty or not guilty. Once you have made that decision the play will continue - with one of two different endings, depending on your verdict. Only then will you finally discover the truth. The Accused premiered at the Theatre Royal, Windsor, in September 2000.
This is the true story of a woman who prevailed against the most heinous accusations imaginable. Tonya Craft, a Georgia kindergarten teacher and loving mother of two, never expected a knock on her door to change her life forever. But in May 2008, false accusations of child molestation turned her world upside down. The trial that followed dragged her reputation through the mud and lent nationwide notoriety to her name. Tonya's life spiraled into a witch-trial nightmare in which she was deemed guilty before her innocence could be determined by a jury. Her children were taken away without even a goodbye, and her own daughter was forced to take the stand against her in a courtroom. The situation seemed hopeless, and Tonya was shell-shocked and heartbroken. But that didn't keep her from finding the strength to fight. Over the course of two terrifying years, Tonya rallied to take charge of her own defense, flying across the country and knocking on doors on a desperate quest for answers, and defying her own lawyers on more than one occasion. Tonya's goal was not only to avoid conviction; it was to clear her name, and, most of all, regain custody of her children. Accused is about more than Tonya's shocking trial and fight for justice. It is the story of a mother's extraordinary love, the faith that sees her through it all, and the forgiveness that sets her free.
Includes material on the case of Steve Titus, Ted Bundy, Timothy Hennis, Tony Herrerez, Howard Haupt, Clarence Von Williams, John Demjanjuk, and Tyrone Briggs.
What should a judge do when he must hand down a ruling based on a law that he considers unjust or oppressive? This question is examined through a series of problems concerning unjust law that arose with respect to slavery in nineteenth-century America. "Cover's book is splendid in many ways. His legal history and legal philosophy are both first class. . . . This is, for a change, an interdisciplinary work that is a credit to both disciplines."--Ronald Dworkin, Times Literary Supplement "Scholars should be grateful to Cover for his often brilliant illumination of tensions created in judges by changing eighteenth- and nineteenth-century jurisprudential attitudes and legal standards. . . An exciting adventure in interdisciplinary history."--Harold M. Hyman, American Historical Review "A most articulate, sophisticated, and learned defense of legal formalism. . . Deserves and needs to be widely read."--Don Roper, Journal of American History "An excellent illustration of the way in which a burning moral issue relates to the American judicial process. The book thus has both historical value and a very immediate importance."--Edwards A. Stettner, Annals of the American Academy of Political and Social Science "A really fine book, an important contribution to law and to history."--Louis H. Pollak
After working as a cop in New Orleans, Carter's latest mission back in Mystere Parish seems simple: someone – or something – starts stalking Alaina, the beautiful defence lawyer he's supposed to be watching. But, as Carter searches for the truth, he finds himself attracted to the woman he's protecting. Alaina's allure haunts him as no spectre ever could...
