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Science, Truth, and Meaning presents a scientific and philosophical examination of our place in the world. It also celebrates how diverse, scientific knowledge is interconnected and reducible to common foundations.The book focuses on aspects of scientific truth that relate to our understanding of reality, and confronts whether truth is absolute or relative to what we are. Hence, it assesses the meaning of the scientific deductions we have made and how they have profoundly influenced our conception of life and existence.The subtitle is 'From Wonder to Understanding', which is a paraphrased quote from Einstein, who said that the search for scientific truth is ' ... a continual flight from wonder to understanding'.In addressing the goal of advancing our understanding of our place in the world, this book also reveals the development and details of diverse sciences, their connections and achievements, and that while perhaps the same fundamental questions exist, they are seen in the light of an ever-refined scientific perspective on reality.Why the book is needed: many popular science books have been written, aimed at different levels of subject expertise, and nearly all treat their specific subject in isolation. Few attempt to link different sciences to their common foundations, and those that do are written by physicists. Since human knowledge is derived by, and relates to, the biological organism that human beings are, then such a book written from a biological perspective represents a novel perspective on the integration of science, and addresses new questions. This is such a book.Impressive aspects: the depth, breadth, consistency, and clarity of the work.
In an unconventionally written book that challenges the literary imagination of its readers, Jeremy Bendik-Keymer explores how wonder is central to Martha C. Nussbaum's normative project. Nussbaum's work is opposed to the emotional and political conditions of 'narcissism' – the tendency to seek to control the wills of others in order to defend oneself against perceived vulnerabilities. Our capacity for wondering is important for growing beyond narcissism. Bendik-Keymer elaborates a politics of wonder that is consistent with understanding this idea. Taking issue with understandings of wonder viewing it as an emotion of surprise or delight, he develops an alternate tradition finding wonder in concert with the freedom of imagination found by degrees within much of human understanding. The result is a constructive rereading of Nussbaum's oeuvre, surprising for how it disencumbers her work of some falsehoods surrounding anxiety and anger and for the ways it implies an egalitarian politics of relational autonomy more socialist than liberal. Misty Morrison's visual inquiry accompanies the book creating space for the reader to wonder. Morrison paints and prints how families involve wonder, starting with moments in her child's life when she wonders what they might see. Nussbaum's Politics of Wonder is an important contribution to the philosophy of wonder and is crucial for understanding the work of a leading philosopher.
Now! Together! For The First Time Anywhere! Pulled straight from the pages of the leading magazines of their age, 14 stories by the people whose imagination, creativity, and scientific acumen helped define the genre that would become known as Science Fiction. Between 1926 and 1930 Hugo Gernsback hosted the science fiction field’s inaugural writing contests, first in Amazing Stories, and then again in Science Wonder Stories, the genre’s first two magazines devoted entirely to the publication of scientifiction tales. These are the authors whose tales of wonder and speculation inspired the writers you’re more familiar with, writers such as Asimov, Bradbury, Le Guin, Heinlein, Brackett, Moore, and others. Before there was science fiction, before there were Fans, before conventions, before comics, before cosplay, these fourteen pioneers stepped off into the unknown of imagination and helped entire generations learn to willingly suspend their disbelief, engage their sense of wonder, and take off for the stars! And they won awards for it!
The title of Dr. Harris' book suggests that life is like a two-sided coin: it can be an Ocean of Love but can also be a Sea of Troubles. The subtitle clarifies this paradox: first, there are many signs of God's reality and activity in the world, and the first section of the book examines ways in which people are aware of God as both a creative and immanent presence in life. The "signs" of God are not philosophical "proofs" but empirical realities accessible to all people. In the second section, the biblical responses to suffering in the world are explored--through both Old and New Testaments. In the third section the writings of two modern apologists, C. S. Lewis and Philip Yancey, are assessed, and then finally there is a chapter of interviews with people who have known suffering in their lives.
In Balanced Wonder, Jan B. W. Pedersen digs deep into the alluring topic of wonder, in dialogue with Neo-Aristotelian philosophers, arguing that the experience of wonder, when balanced, serves as a strong contributor to human flourishing.
Many people, whether educators or not, will agree that an education that does not inspire wonder is barren. Wonder is commonly perceived as akin to curiosity, as stimulating inquiry, and as something that enhances pleasure in learning, but there are many experiences of wonder that do not have an obvious place in education. In Wonder and Education, Anders Schinkel theorises a kind of wonder with less obvious yet fundamental educational importance which he calls 'contemplative wonder'. Contemplative wonder disrupts frameworks of understanding that are taken for granted and perceived as natural and draws our attention to the world behind our constructions, sparking our interest in the world as something worth attending to for its own sake rather than for our purposes. It opens up space for the consideration of (radical) alternatives wherever it occurs, and in many cases is linked with deep experiences of value; therefore, it is not just important for education in general, but also, more specifically, for moral and political education.
Film Genre for the Screenwriter is a practical study of how classic film genre components can be used in the construction of a screenplay. Based on Jule Selbo’s popular course, this accessible guide includes an examination of the historical origins of specific film genres, how and why these genres are received and appreciated by film-going audiences, and how the student and professional screenwriter alike can use the knowledge of film genre components in the ideation and execution of a screenplay. Explaining the defining elements, characteristics and tropes of genres from romantic comedy to slasher horror, and using examples from classic films like Casablanca alongside recent blockbuster franchises like Harry Potter, Selbo offers a compelling and readable analysis of film genre in its written form. The book also offers case studies, talking points and exercises to make its content approachable and applicable to readers and writers across the creative field.
Speakers can get to know the meaning of any of indefinitely many sentences that they have never heard before. This statement encapsulates the problem of linguistic creativity, which lies at the core of philosophy of language and theoretical linguistics. It has also sparked off a considerable amount of work on the philosophy of mind. After establishing the failure of the familiar compositional approach to the problem, the book adopts a radically new start. It develops core elements of the later Wittgenstein's conception of philosophy, putting them to work to`dissolve' the problem, proving it ill-framed by clarifying the questions posing it and breaking the spell of mistaken analogies that inform it. This sharply focused monograph thus has a dual aim: coping with a crucial problem that turns out to be a lot tougher than is generally supposed, and presenting a precise and rigorous demonstration of an unfamiliar and exciting philosophical approach. Audience: Clearly written and lucidly structured, the book addresses professional philosophers and advanced undergraduates alike.
