Tales of Times Square

Tales of Times Square

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  • Author: Josh Alan Friedman
  • Publisher: Feral House
  • ISBN: 1936239698
  • Category : Social Science
  • Languages : en
  • Pages : 306

“Friedman has drawn a vivid picture of the Times Square area and its denizens. He writes about the porn palaces with live sex shows, and the men and women who perform in them, prostitutes and their pimps, the runaways who will likely be the next decade's prostitutes, the clergymen who fight the smut merchants and the cops who feel impotent in the face of the judiciary.”—Publishers Weekly This classic account of the ultra-sleazy, pre-Disneyfied era of Times Square is now the subject of a documentary film of the same name to be theatrically released this year. With this edition, Tales of Times Square returns to print with seven new chapters.


Times Square Roulette

Times Square Roulette

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  • Author: Lynne B. Sagalyn
  • Publisher: MIT Press
  • ISBN: 9780262692953
  • Category : Architecture
  • Languages : en
  • Pages : 662

The compelling story of the politics, policies, and personalities that made Times Square's revitalization possible. The spectacularly successful transformation of Times Square has become a model for other cities. From its beginning as Longacre Square, Times Square's commercialism, signage, cultural diversity, and social tolerance have been deeply embedded in New York City's psyche. Its symbolic role guaranteed that any plan for its renewal would push the hot buttons of public controversy: free speech, property-taking through eminent domain, development density, tax subsidy, and historic preservation. In Times Square Roulette, Lynne Sagalyn debunks the myth of an overnight urban miracle performed by Disney and Mayor Giuliani, to tell the far more complex and commanding tale of a twenty-year process of public controversy, nonstop litigation, and interminable delay. She tells how the troubled execution of the original redevelopment plan provided a rare opportunity to rescript it. And timing was all: the mid-1990s saw rising international corporate interest in the city was a mecca for mass-market entertainment and synergistic merchandising. Sagalyn details the complex relationship between planning and politics and the role of market forces in shaping Times Square's redevelopment opportunities. She shows how policy was wedded to deal making and how persistent individuals and groups forged both.


Inventing Times Square

Inventing Times Square

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  • Author: William R. Taylor
  • Publisher: JHU Press
  • ISBN: 9780801853371
  • Category : History
  • Languages : en
  • Pages : 532

A unique volume, Inventing Times Square approaches the subject of twentieth-century American city culture through a multidimensional examination of one quintessential urban space: Times Square. Ranging in time from 1905, when the crossroad was given its present name, through to the current plans for redevelopment, the authors examine Times Square as economic hub, real estate bonanza, entertainment center, advertising medium, architectural experiment, and erotic netherworld. Though the volume centers on Times Square, the essays venture much further into urban history and American social history, revealing in the process how Times Square reflected—even epitomized—America as it became an urban consumer culture.


Reconstructing Times Square

Reconstructing Times Square

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  • Author: Alexander J. Reichl
  • Publisher:
  • ISBN:
  • Category : Architecture
  • Languages : en
  • Pages : 280

When the big ball drops on New Year's Eve, thousands are there to witness that great glittering sight, while millions more watch on national television. Times Square may be the cultural hub of America, the "Crossroads of the World," but its lights have not always shone as brightly as they do now. Once a glamorous theater district, Times Square and 42nd Street had degenerated into a neighborhood known for the winos and sex shops of "Midnight Cowboy" until New York's business and arts communities stepped in. These advocates of urban revitalization exploited cultural and historic preservation arguments to transform a low-income entertainment district into a Disney-fied tourist mecca. Where Ratso Rizzo once kicked cars and "hookers" plied their trade, Mickey Mouse now greets visitors from atop a Disney superstore surrounded by rising office towers, theaters, and theme restaurants—all thanks to huge tax subsidies and government support. Alexander Reichl tells the fascinating story of how cultural politics and economic greed transformed the city's physical and social environment with an ongoing multibillion-dollar redevelopment program, changing the district from a symbol of urban decline to one of urban renaissance. He explains the political significance of the historic preservation and arts-related approach to urban revitalization, showing how it was used to appeal to the upscale values of middle-class New Yorkers often hostile to urban renewal. He also examines the role of the Walt Disney Company in the project and demonstrates its power to redefine a premier public space. In telling the story of Times Square, Reichl reveals much about politics and power at the city level and their relationship to the development of urban space. He frames his lively narrative with an illuminating account of how historic preservation initiatives at all government levels have displaced large-scale federal urban renewal programs as the dominant approach to urban development, and he shows the importance of political discourse and cultural politics in mobilizing public support for urban redevelopment. Now that it has been reconfigured for the 21st century, Times Square provides a rich and multifaceted case for exploring the latest trends in urban renewal. Yet Reichl suggests much that has happened here is regrettable: the ousting of low-income citizens to serve commercial interests, the loss of a culturally diverse entertainment district, and the failure to address persistent class- and race-based segregation in a central urban area. By getting to the heart of the Great White Way, Reconstructing Times Square provides an important look at urban renewal-and politics—in a changing America.


The American Experiment with Government Corporations

The American Experiment with Government Corporations

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  • Author: Jerry Mitchell
  • Publisher: M.E. Sharpe
  • ISBN: 9780765603623
  • Category : Business & Economics
  • Languages : en
  • Pages : 228

Both the failures and successes of those organizations occupying a middle ground between government bureaucracy and private corporations such as Amtrak, the Tennessee Valley Authority, the U.S. Postal Service, and the Maryland Stadium Authority are analyzed. Rather than come to some definitive conclusion about the effectiveness of this type of organization, the author attempts to use the examination to explore how an American "experimental society" searches for ways to best provide goods and services. Annotation copyrighted by Book News, Inc., Portland, OR.


The New York Ripper Serial Killer Richard Cottingham

The New York Ripper Serial Killer Richard Cottingham

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  • Author: Peter Vronsky
  • Publisher: RJ PARKER PUBLISHING, INC.
  • ISBN:
  • Category : True Crime
  • Languages : en
  • Pages : 166

A shocking case of unbridled sex, sadism, prostitution, date-rape drugs, abduction, bondage, torture, sexploitation, perverted fetishes, serial killing and dismemberment of the depraved New York notorious Ripper. Historian and International Bestselling Author, Peter Vronsky, describes his brief encounter with serial killer Cottingham in a seedy New York hotel in 1979 that later inspired him to write his bestseller history “Serial Killers: The Method and Madness of Monsters”. In “Times Square Torso Ripper” Vronsky explores the history of the notorious Forty-Deuce strip on 42nd Street near Times Square and how it spawned the sadistic monster Richard Cottingham in an era before the term "serial killer" had been coined in popular culture. Renowned serial homicide expert Dr. Robert D. Keppel said of Richard Cottingham, “I kept asking myself what it was that ultimately intrigued me about the Cottingham case. Partly it was the level of sadistic torture that Cottingham acted out on his victims. He didn’t kill them and desecrate their bodies; he forced them to experience pain and humiliation before he killed them. Then he desecrated their bodies.” Includes 50 photos


Urban Noir

Urban Noir

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  • Author: James J. Ward
  • Publisher: Rowman & Littlefield
  • ISBN: 1442278331
  • Category : Performing Arts
  • Languages : en
  • Pages : 254

This collection of essays examines how New York and Los Angeles are depicted in noir and neo-noir films from the 1940s through the 21st century. These essays consider how the architectural sights and city sounds inform such films as Cotton Comes to Harlem, Drive, Kiss of Death, Naked City, and Nightcrawler, among others.


Dancing With a Star: The Maxine Barrat Story

Dancing With a Star: The Maxine Barrat Story

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  • Author: Kristin Baggelaar
  • Publisher: Midnight Marquee & BearManor Media
  • ISBN:
  • Category : Biography & Autobiography
  • Languages : en
  • Pages :

Yes, it’s true—Elegant and sophiscated Ballroom dancing is back, and bigger than ever. We’ve seen the magazine covers, talk show appearances, huge ratings and the launching of careers. Well the time has come to answer the question. “What’s behind this worldwide ballroom dance phenomenon?” One of the answers is an American dance legend named Maxine Barrat. Her story is the stuff of dreams—riveting, exotic, passionate—fracturing her back as a child; sneaking into Radio City Music Hall as a teenager; meeting the perfect partner Don Loper and dancing into the arms of Gene Kelly in her first Broadway show. A stint at the glamorous Copacabana catapulted Loper & Barrat to international fame and a role in MGM’s star-studded Thousands Cheer. She reinvented herself as a nightclub singer, donated her time and talents to the war effort and continued her stellar career as a model in the world of fashion. Then a new career in the up-and-coming medium of television. Maxine’s sensational life is interlaced with those of the stars she befriended, from Katharine Hepburn and Ginger Rogers, to those with whom she danced and romanced—from admiring South American caballeros, Hollywood moguls and stars, to an affair with Gone with the Wind matinee idol Clark Gable. Maxine Barrat is a performing arts legend who holds a vital key to the American dance story. She is a real star and it’s time to put Maxine Barrat back on the dance floor.


Grindhouse Nostalgia

Grindhouse Nostalgia

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  • Author: David Church
  • Publisher: Edinburgh University Press
  • ISBN: 0748699112
  • Category : Performing Arts
  • Languages : en
  • Pages : 296

Too often dismissed as nothing more than 'trash cinema', exploitation films have become both earnestly appreciated cult objects and home video items that are more accessible than ever. In this wide-ranging new study, David Church explores how the history of drive-in theatres and urban grind houses has descended to the home video formats that keep these lurid movies fondly alive today. Arguing for the importance of cultural memory in contemporary fan practices, Church focuses on both the re-release of archival exploitation films on DVD and the recent cycle of 'retrosploitation' films like Grindhouse, Machete, Viva, The Devil's Rejects, and Black Dynamite. At a time when older ideas of subcultural belonging have become increasingly subject to nostalgia, Grindhouse Nostalgia presents an indispensable study of exploitation cinema's continuing allure, and is a bold contribution to our understanding of fandom, taste politics, film distribution, and home video.


Anteaesthetics

Anteaesthetics

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  • Author: Rizvana Bradley
  • Publisher: Stanford University Press
  • ISBN: 150363714X
  • Category : Art
  • Languages : en
  • Pages : 500

In Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity. Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation—an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.