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Presents stories of women who lived and suffered alongside Liana Millu during months in a concentration camp, describing their struggle to overcome violence and tragedy
Includes 204 photos, plans and maps illustrating The Holocaust Arrested by the Gestapo in 1942 for involvement in the resistance, the author spent three years in Birkenau. Severyna Szmaglewska (1916-1992) began writing this book immediately after escaping from an evacuation transport in January 1945, and it is the first account of the Auschwitz-Birkenau camp and an eloquent and important analysis of the individual experience of modern war. It was ready for print before the end of 1945, after several months of feverish work. In February 1946 the International Tribunal in Nuremberg included it in the material making up the charges against the Nazi perpetrators, and called upon the author to give testimony. Since 1945, Smoke over Birkenau has been reprinted frequently and widely translated. Critics, and three generations of readers, praised it for truthfulness, accuracy, and lasting literary merit: as memories of war-time genocide fade with the passage of time, Szmaglewska’s readers are able to stay in touch with extremes of experience which must never be forgotten. “Smoke over Birkenau is not a book about death or hatred,” one critic wrote. “It is a powerful act of the will to live and a profession of the noblest humanism. The victorious idea of life is woven through every page. Maintaining, cultivating, and instilling in oneself the imperative: You must endure! You must live! – a plan carried out unswervingly despite everything.”-Print ed.
An Italian-Jewish journalist and schoolteacher who joined the partisans in 1943, Liana Millu was arrested in 1944 and deported to Birkenau. The astonishing stories in this book tell of the women who lived and suffered alongside Liana during her months there. They are stories of violence and tragedy, but also of resistance, of dreaming in the middle of a nightmare, and of the endurance of the human spirit.
This book analyzes Holocaust poetry, war poetry, working-class poetry, and 9/11 poetry as forms of testimony. Rowland argues that testamentary poetry requires a different approach to traditional ways of dealing with poems due to the pressure of the metatext (the original, traumatic events), the poems’ demands for the hyper-attentiveness of the reader, and a paradox of identification that often draws the reader towards identifying with the poet’s experience, but then reminds them of its sublimity. He engages with the work of a diverse range of twentieth-century authors and across the literature of several countries, even uncovering new archival material. The study ends with an analysis of the poetry of 9/11, engaging with the idea that it typifies a new era of testimony where global, secondary witnesses react to a proliferation of media images. This book ranges across the literature of several countries, cultures, and historical events in order to stress the large variety of contexts in which poetry has functioned productively as a form of testimony, and to note the importance of the availability of translations to the formation of literary canons.
Powerful in its stark simple language, Icek Kuperberg chronicles his personal experiences as a concentration camp prisoner during World War II. Interned in various work and death camps, Icek had to use his guile and wits to simply stay alive. That he persevered despite tremendous horrors and obstacles, testifies to his strong will to survive.
Following her acclaimed Ruined by Reading, Lynne Sharon Schwartz moves from the world of books to the broader world outside, tracing the solitary self as it's shaped and defined by connections large and small. These essays move through a landscape of varied encounters that blossom into self-discovery for the reader as well as the writer. Once again, we find ourselves illuminated by Schwartz's relentless, sometimes hopeful, and always fiercely intelligent gaze.
"For Nazi Germany, the ghetto was a conceptual tool used to facilitate social and political exclusion and further their anti-Jewish campaign. For the Jews who lived in them, the ghetto became the center of their lives--even though they were also sites of immense suffering. Combining thorough historical research with an interdisciplinary analysis of the relationship between space and violence, Violent Space provides a unique insight into the history and the socio-spatial topography of the Jewish ghetto in German-occupied Warsaw (1939-1943). Using rare archival materials and firsthand accounts, many of which have never been translated into English, Anja Nowak traces out the trauma that the space of the ghetto inflicted on its Jewish inhabitants, and how it alienated, disoriented, and harmed them. While the physical ghetto--its buildings, boundaries, and streets--has been reabsorbed and redefined by modern-day Warsaw's urban structure, Violent Space shows us that its presence still lingers in the narratives of those who were forced into this first phase of the Holocaust"--
Neorealism and the "New" Italy centers on neorealist Italian artists' use of compassion as a vehicle to express their characters' interactions. Simonetta Milli Konewko proposes that compassion as an emotion may be activated to unify certain individuals and communities and investigates the mechanisms that allowed compassion to operate during the postwar period. Aiming to produce a deeper understanding of the ways in which Italy is re-encoded and reconstructed, this book explores the formation of Italian identity and redefines neorealism as a topic of investigation.
