PDF Satanic Combat Sciences (Hardback) Download
- Author: "Knife" Sotelo
- Publisher: Lulu.com
- ISBN: 1365240762
- Category :
- Languages : en
- Pages : 122
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A member of the Pulitzer Prize jury, the late Frank McConnell helped science fiction gain standing as serious literature. His 16 essays herein were first presented as papers at the prestigious Eaton Conferences. Initially believing that science fiction is primarily one of many forms of storytelling, McConnell gradually recognized science fiction as a modern expression of Gnosticism, rejecting bodily concerns for an emphasis on spirituality.
This was the first bibliography and guide to the American mass market paperback book, and it remains one of the most definitive. The major index is by author, and lists: author, title, publisher, book number, year of publication, and cover price. The title index lists titles and authors only. The publisher index provides a history of that imprint, with addresses, number ranges, and general physical description of the books issued. This is the place that all study of the American paperback must begin.
How and when does there come to be an "anthropology of the alien?” This set of essays, written for the eighth J. Lloyd Eaton Conference on Fantasy and Science Fiction, is concerned with the significance of that question. "[Anthropology] is the science that must designate the alien if it is to redefine a place for itself in the universe,” according to the Introduction. The idea of the alien is not new. In the Renaissance, Montaigne’s purpose in describing an alien encounter was excorporation--mankind was the "savage” because the artificial devices of nature controlled him. Shakespeare’s version of the alien encounter was incorporation; his character of Caliban is brought to the artificial, political world of man and incorporated into the body politic "The essays in this volume . . . show, in their general orientation, that the tribe of Shakespeare still, in literary studies at least, outnumbers that of Montaigne.” These essays show the interrelation of the excorporating possibilities to the internal soundings of the alien encounter within the human mind and form. This book is divided into three parts: "Searchings: The Quest for the Alien” includes "The Aliens in Our Mind,” by Larry Niven; "Effing the Ineffable,” by Gregory Benford; "Border Patrols,” by Michael Beehler; "Alien Aliens,” by Pascal Ducommun; and "Metamorphoses of the Dragon,” by George E. Slusser. "Sightings: The Aliens among Us” includes "Discriminating among Friends,” by John Huntington; "Sex, Superman, Sociobiology,” by Joseph D. Miller; "Cowboys and Telepaths,” by Eric S. Rabkin; "Robots,” by Noel Perrin; "Aliens in the Supermarket,” by George R. Guffey; and "Aliens 'R’ U.S.,” by Zoe Sofia. "Soundings: Man as the Alien” includes "H. G. Wells’ Familiar Aliens,” by John R. Reed; "Inspiration and Possession,” by Clayton Koelb; "Cybernauts in Cyberspace,” by David Porush; "The Human Alien,” by Leighton Brett Cooke; "From Astarte to Barbie,” by Frank McConnell; and "An Indication of Monsters;” by Colin Greenland.
Now in paperback! Cloth edition previously published in 1979. Volume 2: From Wells to Heinlein, samples the science fiction from a wide variety of authors that paved the way for the Golden Age.
"A critical study of the demonic imagery that has been persistently embedded and codified in America's war culture. The authors examine "the devil myth" in both its past and present iterations and also highlight the counter-myth of the "trickster figure"whose democratic impulses have occasionally succeeded in countering the impulse towards demonization. To unveil the devil myth, the authors identify outward projections of evil onto the faces of America's enemies. They begin by scrutinizing the image of evildoers used to justify the global war on terror. It is difficult, they observe, to recognize this literalized image as a rhetorical construction subject to critical reflection without revisiting earlier manifestations of the devil myth in American history. Mythical projection is a cyclical process of political culture, they argue. Traces of earlier iterations of the devil myth carry into the present, but enemies are demonized anew in distinctive ways at each historical juncture of national crisis. To illustrate this process, the book includes chapters on demonized figures preceding the war on terror: witches, Indians, dictators, and reds. Each chapter shows how these emotionally loaded symbols have functioned as apparitions of dark foes that must be destroyed to redeem the nation's innocence. In this way, the book reveals how the subliminal figure of the devil haunts U.S. political culture so that war symbolically wards off evil in defense of, but at the cost of curtailing, its democratic soul. One of the study's underlying questions is how the nation can make peace with diversity instead of condemning it as a dark foe carrying the mark of evil. The book works toward an answer by discussing the creative and critical role of the democratic trickster"--
Provides an annotated list of more than four thousand paperbacks, including fiction, poetry, and books on religion, art, crafts, sports, science, music, history, and education.
You have survived the crisis—trauma, disease, accident, or war—now how do you get your life back? The shark attacked while she was snorkeling, tearing through Micki Glenn’s breast and shredding her right arm. Her husband, a surgeon, saved her life on the spot, but when she was safely home she couldn’t just go on with her life. She had entered an even more profound survival journey: the aftermath. The survival experience changes everything because it invalidates all your previous adaptations, and the old rules don’t apply. In some cases survivors suffer more in the aftermath than they did during the actual crisis. In all cases, they have to work hard to reinvent themselves. Drawing on gripping cases across a wide range of life-threatening experiences, Laurence Gonzales fashions a compelling argument about fear, courage, and the adaptability of the human spirit. Micki Glenn was later moved to say: “I don’t regret that this happened to me. [It] has been . . . probably the single most positive experience I’ve ever had.”